Today, Patrick and Drew are discussing Inhumans v X-Men 6, originally released March 8th, 2017. As always, this article contains SPOILERS.
“You guys… who are the good guys?”
Ms. Marvel, IvX 4
Patrick: Kamala’s rhetorical question at the end of issue 4 might have been meant to highlight the idea that there are no “good guys” in war, just people living out of various levels of desperation. And that’s definitely true of both the I and X Camps — these are peoples who believe that their survival is contingent on the destruction of the other. What they’re willing to do to each other is resultant entirely from the treat they perceive from their enemies. In effect, everyone is retaliating, acting in self-defense, and therefore the answer to Ms. Marvel’s question is “everyone.” But that’s not true, is it? There is one agent of aggression who has been manipulating all players, X-Men and Inhuman alike. And that person — the sole “bad guy” — is Emma Frost, who defines her identity by the fear she experiences as a mutant. It’s a heartbreaking fall from grace as the long-suffering White Queen finally succumbs to paranoia and unequivocally cedes the moral high ground. Continue reading →
Today, Ryan D. and Michael are discussing Daredevil 15, originally released January 11th, 2017. As always, this article contains SPOILERS.
Ryan D: Sometimes I forget a simple fact about Matt Murdock: he is a tricky dude. Seeing as he does not have quite as spectacular of a power set as many of our better-known Marvel heroes, Murdock relies a great deal on trickery and misdirection to best many of his foes. Off the top of my head, I recall times when he has faked his own and Foggy’s death, had Danny Rand dress up as Daredevil to help keep his own identity secret, become the Kingpin and leader of the Hand, and even become a drifter in Upstate New York. Matt has something new up his sleeve in the new arc of Charles Soule’s Daredevil, featuring a slightly different tone and art than the recent arcs of this run. The question is: did the Man without Fear bite off more than he can chew with this scheme? Continue reading →
Today, Spencer and Patrick are discussing IvX 1, originally released December 14th, 2016. As always, this article contains SPOILERS.
Spencer: Last month’s IvX 0 did a fantastic job of summing up the conflict between the Inhumans and the X-Men and showing why their going to war was only a matter of time. Charles Soule, Jeff Lemire, and Leinil Francis Yu’s IvX 1, though, is the issue where that powder keg finally ignites into all-out war, and war…well, war is ugly. IvX 1 plays up the fun of watching these two groups duke it out, but also the pain and sadness inherent in its scenario. Continue reading →
Today, Spencer and Drew are discussing IvX 0, originally released November 30th, 2016. As always, this article contains SPOILERS.
Spencer: I don’t know much about my ancestry or heritage other than the fact that I’ve got blood from at least six or seven different European countries in me (I’ve been known to describe my ethnicity as “White Mystery”). Combine that with a family that’s never been all that worried about tradition and you get a guy who just doesn’t care about his culture (if I could even be considered as having one). This is absolutely not the case with the mutants or the Inhumans, though; although the two groups’ concepts of culture and tradition differ greatly, they’re absolutely vital to both camps. That’s something Charles Soule and Kenneth Rocafort make abundantly clear in IvX 0 — the conflict that’s been brewing between them isn’t really about the literal deaths of individuals anymore, but about the possible figurative death of their very ways of life. Continue reading →
Today, Spencer and Michael are discussing Daredevil 12, originally released October 12th, 2016. As always, this article contains SPOILERS.
Spencer: What is art? I suppose if I had to answer that question, I’d say that art is something one creates that’s intended to elicit some sort of emotional reaction, but even that incredibly broad statement doesn’t cover the full spectrum of what art is, or isn’t, what it can or can’t do. What truly is or isn’t art is subjective, yet the debate rages on; in a way, it even defines the conflict between Daredevil and his new villain, Muse. Muse just wants Daredevil to like his work, while, of course, Matt doesn’t because his work is murder. Can murder be art? Muse certainly seems to think so, and in his mind, that justifies everything he does. Continue reading →
Today, Spencer and Patrick are discussing All-New Inhumans 5, originally released March 16th, 2016.
Spencer: By this point in my life, I’ve consumed plenty of media where the main characters weren’t in the right, or perhaps where the audience is even meant to root against the protagonists. Still, despite all that experience, I tend to give my main characters the benefit of the doubt; I like to believe I should be rooting for them, and that they at least believe they’re doing the right thing, until I’m unequivocally proven wrong. Things haven’t gotten dire enough yet to turn me against the Inhumans by any means, but All-New Inhumans 5 does mark the point where I’m starting to question, if not their motives, then certainly their methods. Continue reading →
Today, Ryan D. and Drew are discussing Ms. Marvel 19, originally released October 14th, 2015. This issue is a Secret Wars tie-in. For more Secret Wars coverage from the week, check out our Marvel Round-Up.
Ryan: As you may already know, Ms. Marvel is a delight to read. I, personally, have not had so much fun reading a comic since Vaughn’s Runaways, with all of its silly and earnest characterizations. The comic being discussed today features the same amount of oddball quirk and spirited dialogues, but also does not shy away from the heavier side of human emotions, making Ms. Marvel 19 a joyful kick to the gut. Though it may seem a little odd reading a Secret Wars tie-in dealing with the Incursion about five months since Hickman took us to Battleworld, the this issue offers a completely fresh, focused perspective on the cataclysmic event, wherein our titular character does not even don her tights. Instead of sweeping battle scenes, Wilson and Alphona treat audiences to a pay-off of inter-personal relationships and redemption in the face of confusion and helplessness. Continue reading →
Today, Taylor and Spencer are discussing Ms. Marvel 18, originally released September 9th, 2015. This issue is a Secret Wars tie-in. For more Secret Wars coverage from the week, check back Tuesday for our Secret Wars Round-Up.
Taylor: The old axiom says there are five stages of grief: denial, anger, bargaining, depression, and acceptance. While I have my doubts that every person experiences grief in the exact same way as this, I do believe that most people go through something akin to this before arriving at the final stage of acceptance. When something truly traumatic happens it takes awhile for our brains to shift to the new reality of things. However, I think given time we all come to accept whatever bad thing it is that’s happened to us. Ms. Marvel 18 delves into this last stage of coping with grief and shows us that for everyone who undergoes it, it looks a little different.
Today, Spencer and Taylor are discussing Ms. Marvel 16, originally released June 17th, 2015. This issue is a Secret Wars tie-in. For more Secret Wars coverage from the week, click here.
Spencer: Being a teenager comes with a skewed sense of priorities. Every setback you face feels like the end of the world, even something as simple as failing a test or embarrassing yourself in front of your crush. As the superheroic Ms. Marvel, Kamala Kahn’s problems are often much more severe than the typical teenager’s, but even she sometimes needs a lesson in priorities — it’s just a shame that Kamala’s reminder takes the shape of the literal end of the world. If that sounds depressing, don’t worry — despite the heavier subject matter, G. Willow Wilson and Adrian Alphona never let Ms. Marvel 16 feel gloomy or depressing, instead focusing on the same mix of humor, heart, and adventure that’s made this title such a delight from the very start. Continue reading →
Today, Spencer and Patrick are discussing Inhumanity 1, originally released December 4th, 2013.
Spencer: First issues are hard to pull off well. They have to be as exciting as possible to ensure that readers come back for issue two, yet they also have to somehow find space to establish a whole new world/concept/set of characters and make sure the readers aren’t lost; if those two goals sound completely incompatible, well, they often are. Matt Fraction’s task in Inhumanity 1 is made even more difficult by the Inhumans’ long and complicated history. Fraction goes out of his way to make sure we understand everything we could ever possibly need to know about the Inhumans in this issue, but unfortunately, it leaves little room for actual story—or excitement.