This article will contain SPOILERS. If you haven’t read the issue yet, proceed at your own risk!
Ramsey the coroner, a.k.a. Bloodwork a.k.a. the villain of The Flash 30, never wants to be a victim again after a sheltered childhood hiding from hemophilia, and has only hurt or killed others in order to protect himself. That doesn’t absolve him, of course — the only real risk he’s facing is his own crimes being exposed, and he has zero remorse for any of his actions — but it does explain why he wants to hurt the Flash. Not only is Flash a personal threat to Bloodwork, but Ramsey also views him as a threat to all of Central City, something Barry, in his current self-pitying, Negative Speed Force addled state, would definitely agree with. Continue reading →
This article contains SPOILERS. If you haven’t read the issue yet, read on at your own risk!
The danger in discussing a single issue of a serialized comic book is that a moment or character beat that doesn’t work in isolation might end up folding in nicely once more of the story is laid out to see. Since comic books are designed to tell their stories episodically, the fact that irrational behavior might be explained in the future doesn’t forgive the initial irritation, but it does help calm it. Such is the case in Joshua Williamson’s The Flash 25, where my profound annoyance in the previous two issues (especially The Flash 23) at Barry being so unaware of how selfish and dangerous he’s been by not telling Iris about his secret identity is resolved simply by having Barry acknowledge his foolishness. Continue reading →
Today, Scott and Shelby are discussing The Flash 26, originally released December 31st, 2013.
Scott: I recently watched the first episode of BBC’s Sherlock. After just a few minutes it was clear that the show is awesome- compelling characters, great acting, cool editing, etc. Then, something strange happened: halfway through the episode, I lost interest. I couldn’t figure it out; I had enjoyed everything about the show so far, but I couldn’t keep my head in it. It dawned on me that the show wasn’t following a typical format. The 90-minute episode is the length of a feature film, but with the slowly developing characters and relationships you’d expect from a new TV series. There’s nothing bad about the episode, it just doesn’t fit with what I’ve been trained to expect from a TV show. The beats were coming in the wrong places. I had the same feeling about The Flash 26. A stand alone issue of Flash? Something doesn’t seem right. Continue reading →