“What Ifs” in Peter Parker: the Spectacular Spider-Man 304

by Taylor Anderson

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

One of my favorite episodes of Star Trek: the Next Generation involves Worf and parallel dimensions. In it, Worf is returning to the Enterprise from a Bat’leth tournament and through a bizarre set of circumstances finds himself transporting to different versions of his universe. In one, he’s married to Deanna Troi. In another he goes from placing first in the Bat’leth tournament to ninth. In yet another, he’s responsible for the inadvertent death of Goerdi La Forge. It’s a fun episode because it sets familiar characters and settings against an unfamiliar backdrop. This “what if” is a favorite of every Star Trek show and the same goes for comics. That being the case, you think I would be tired of the conceit, but the very opposite is true — I love it.

Continue reading


The Burden of Tomorrow in Peter Parker: the Spectacular Spider-Man 303

by Taylor Anderson

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

More so than most superheroes, Spider-Man knows just how much of a sacrifice it takes to use his powers for good. In fact, the very reason he decided to become a hero at all revolves around the loss of his Uncle Ben. The list of hits doesn’t end there, though: Gwen Stacy, Aunt May, and and the sometimes friendly Osborns have all died at some point or another due to Spider-Man. This means that he’s a character as much defined by his tragic circumstances as he is by his superpowers, which begs the question: if he knew how terrible it is to be Spider-Man, would Peter Parker choose to be him anyway? Continue reading

Peter Parker: The Spectacular Spider-Man 1: Discussion

by Ryan Mogge and Ryan Desaulniers

This article containers SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Ryan M.: How much background do you need to enjoy a single issue of an on-going serial? There is an argument that the answer is none. Most of us start out by just diving in, checking things out and then heading to Wikipedia or a very knowledgeable friend to help fill in the cracks. The serialized narrative is a moving train, you catch it when you can, and see what it has to offer. This can be one of the format’s strengths, giving the reader a feeling of discovery by entering a rich established world. You may have questions that aren’t answered or relationship dynamics you can’t understand, but you are seeing into a fictional world that is fully realized. It’s one of the reasons that origin stories can feel plodding. They are explaining why things are rather than showing what they become. In Peter Parker: The Spectacular Spider Man 1, Chip Zdarsky balances out that sense of history by giving the story a day-in-the-life feel with a few big turns that make it clear that a bigger story is evolving. Continue reading