Drew: Our discussions of Nightwing often find us exploring Dick’s identity. As a former-sidekick turned full-fledged superhero turned replacement-for-hero-he-sidekicked-for turned his own superhero again, it’s understandable that he might have some identity issues to work out, but what is identity in the first place? Is it fixed or dynamic? Does it stem from the person in question, or is it a series of expectations held in the world around them? In Nightwing 17, Kyle Higgins takes up these questions, yielding some rather unexpected results. Continue reading
Today, Mikyzptlk and Scott are discussing Nightwing 16 originally released January 23rd, 2013. This issue is part of the Death of the Family crossover event. Click here for complete DotF coverage.
Mikyzptlk: “BOOOM” “KAKOOOM” “BOOOOOM” That is the “sound” of the Joker blowing up this series to smithereens. I’m sorry, have I gotten ahead of myself? Let me explain. A good fictional narrative will take one or more characters from point A, to B, and eventually to, you guessed it, point C. If we, the audience, are lucky, we’ll get a few good themes tossed in along the way as we watch our characters grow and progress throughout the story. A big theme behind Nightwing of late, has been “you can never go home again.” In Dick Grayson’s case, “home” was Haly’s Circus, and his recent life has been consumed with rebuilding it. It’s too bad then, that in the course of two issues, The Joker has not only destroyed Haly’s Circus, but made the series practically pointless and completely lacking of any payoff.
Today, Scott and Patrick are discussing Nightwing 15, originally released December 19th 2012. This issue is part of the Death of the Family crossover event. Click here for complete DotF coverage.
Scott: Superheroes are defined by the things they care about most. Whether it be a loved one, a city, or a planet, there must be a something that compels them to fight, something for which they can be held accountable. Their physical abilities may make them Super, but it is their desire to protect the things they care about that make them Heroes, and what differentiates them from other physically powerful figures, like villains or, say, sidekicks. The success of Nightwing as a series ultimately depends on whether Dick Grayson can shake the notion that he is a sidekick, fighting to save Batman’s Gotham rather than something of his own. In Nightwing 15, with the threats against Dick’s beloved Haly’s Circus beginning to have real consequences, it finally feels like he is blossoming into a Superhero in his own right.
Drew: As a former sidekick, it’s difficult for Nightwing to define his life without Batman. This is as true outside of the mask as it is behind it — just try to define Dick Grayson without mentioning Bruce Wayne. This makes Dick’s investment in Haly’s Circus (the one part of Dick’s origin story that doesn’t involve Batman) make a lot of sense — it’s his best shot at agency in his life. Dick seems poised to begin a new chapter in his civilian life, yet his costumed life finds him pulled inextricably back towards Batman, as some of Bruce’s oldest foes demand Nightwing’s attention. Continue reading