This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!
There are few political and social movements in my lifetime that have caused my peer group to stand up and say “fuck that whole ideology.” The rise of Trump and white nationalists is one such movement. I do it too — I find the ideas and attitude so repugnant, that I can’t help but extend my disgust to the people who preach it. Whether I’m justified in jumping to such combative language (did I really just use the f-word in the first sentence of a Retcon Punch piece?) the effect is undeniable: I’m contributing to the adversarial relationship that makes it feel like there’s moral gulf between myself and a Trump supporter. And with a chasm between us, how do we ever find common ground? Captain America Steve Rogers 19 asks these same questions, and unsettlingly lands on an answer: war.
Today, Spencer and Patrick are discussing Secret Empire 0, originally released April 19th, 2017. As always, this article contains SPOILERS.
Spencer: It can be incredibly dangerous to put too much faith in one person, especially if it means neglecting other connections and relationships. While this can be true on a personal level, it’s far more important to remember on a political level, where not even the most well-meaning politician can be trusted with too much power — not even Captain America himself. Continue reading →
Today, Drew and Spencer are discussing Steve Rogers: Captain America 12, originally released February 22nd, 2017. As always, this article contains SPOILERS.
Drew: To say that Captain America: Steve Rogers 1 rocked the comics world would be a profound understatement. It caused an uproar unlike any I’ve seen in my time writing on comics, and it continues to be a point of controversy nine months later. It set the tone for a Captain America story unlike any we’ve seen before, built upon one huge, jaw-dropping twist. The downside of kicking off a series with a twist that large is that it’s hard to match. Writer Nick Spencer has struggled admirably in this regard — and may have actually topped himself in Civil War II: The Oath — but a twist that required the rewriting of reality as we know it is a nigh-unreachable bar. Case in point: this issue’s return of Elisa Sinclair. Continue reading →
Today, Spencer and Michael are discussing Steve Rogers Captain America 6, originally released October 26th, 2016. As always, this article contains SPOILERS.
Spencer: Civil War II has killed the momentum of a lot of books, but its Steve Rogers Captain America tie-ins are an especially interesting case of this because the title never really had a chance to establish its momentum in the first place — writer Nick Spencer was still in expository mode, exploring how Steve’s new Hydra backstory changed him, when the title was dragged into a major event. Thankfully, Spencer and artist Javier Pina have been able to continue that exploration even throughout these event issues, but the moments tying directly into Civil War II feel unmoored in comparison. Continue reading →
Today, Patrick and Spencer are discussing Steve Rogers Captain America 1, originally released May 25, 2016.
Patrick: The most troubling thing about any inspirational figure is that they are necessarily mutable. Human beings are never only one thing, but we often reduce them to a single trait or value so that we may incorporate that into our own view of the world. John Lennon believed in peace, Martin Luther King Jr. believed in equality, Steve Jobs believed in innovation. Those are all trite reductions of fantastically complicated people, but it is useful to have avatars of these qualities and principals. Nick Spencer and Jesus Saiz’ Steve Rogers Captain America 1 sets out to complicate one of the most inspirational figures in comics — which I feel is a necessary exploration of the Greatest Generation — but the issue is almost more interested in the concepts of inspiration and legacy than the specific twist deployed on the final splash page. Continue reading →