Today, Taylor and Drew are discussing East of West 9, originally released January 29th, 2013.
Taylor: When successfully writing a story about a fictional world, there is one thing the author must do if they want their work to be believable. It’s not necessarily high-flown concepts or a strong thesis, though those certainly help. Instead, it’s important for the author to create a world that follows its own rules and mythologies. The author must not break away from these or else the world he or she so deliberately built will come crashing down. In the land of comics where fantasy worlds become reality on a regular basis, Jonathan Hickman has established himself as a skilled observer of this rule with such titles as The Manhattan Project and of course East of West. In the latter, Hickman has created a bleak landscape where death roams the world, both literally and figuratively. The world Death inhabits, along with its inhabitants, is fascinating and dark, and learning more about it is part of the joy of reading East of West. Issue 9, like issue 8 before it, indulges the reader with world building which is both a delight and a little frustrating at the same time. Continue reading →
Today, Patrick and Drew are discussing Batwing 8, originally released April 4th, 2012.
Patrick: At its outset, Batwing was something incredibly new for the DC Universe. David Zavimbe is the first to open a Batman Inc. franchise and his is the first series to take place in Africa. The early issues explored dark dark dark themes, toeing the line of exploitation, but this gave these early issues a relevant, almost dangerous feel to them. With two whole issues in Gotham and in the presence of Batman, Nightwing, Robin and Batgirl, Batwing loses its identity, becoming a bland, by-the-numbers comic book adventure. Continue reading →
Today, Drew and Patrick are discussing Batwing 7, originally released March 7th, 2012.
Drew: At the end of issue 6, I had mixed feelings about this title. I liked the stylized art, particularly Brian Reber’s atmospheric, almost dusty colors, and I appreciated the idea of distilling the idea of Batman down to it’s essence and seeing how it plays in different cultures. At the same time, I wasn’t sure I actually liked the approach writer Judd Winick had applied to the Democratic Republic of the Congo. I complained that the title was exploitative, but it really isn’t guilty of doing anything any frank (or, more importantly, action-focused) depiction of subsaharan Africa wouldn’t do. I’m still not convinced that this title isn’t exploitative, but this month’s issue comes a long way in making me more comfortable with the world David Zavimbe inhabits. Continue reading →
Today, Patrick and Drew are discussing Batwing 1-6, originally released September 7th, 2011, October 5th, 2011, November 2nd, 2011, December 7th, 2011, January 4th, 2012, and February 1st, 2012.
Patrick: David and Isaac Zavimbe were orphaned when their parents died of AIDS. They were kidnapped from the orphanage by Warlord Keita, who transformed them both into monstrous child-soldiers. As the Zavimbe brothers were impossibly good at killing in the name of the warlord, Keita took them on as his own sons – calling them his Dragonflies. The more atrocities they committed for Keita, the more he trusted them. When Isaac defied and order and refused to murder children, Warlord Keita gutted him with a machete in front of his brother. By way of revenge, David left Keita defenseless in an enemy village and vowed to never kill again. David grows up to become a police officer in the Republic of Congo by day and superhero Batwing by night. This is canvas upon which the Batwing saga is painted.