How many Batman books is too many Batman books? Depending on who you ask there ain’t no such thing! We try to stay up on what’s going on at DC, but we can’t always dig deep into every issue. The solution? Our weekly round-up of titles coming out of DC Comics. Today, we’re discussing All-Star Batman 6, Detective Comics 948, Flash 14, Hal Jordan and the Green Lantern Corps 12, New Super-Man 7 and Wonder Woman 14. Also, we’ll be discussing Gotham Academy Second Semester 5 on Tuesday, so come back for that! As always, this article containers SPOILERS!
Spencer: So far Grant Morrison’s The Multiversity has been chock-full of ideas and meta-commentary, but while the first issue was essentially a celebration of everything comics offer as an art form, The Multiversity: The Just 1 explores much more critical, perhaps even cynical takes on the medium. Fortunately, it’s just as dense, thought provoking, and flat-out bonkers as the issues that came before. Continue reading
Today, Spencer and Patrick are discussing Justice League 23.2: Lobo, originally released September 11th, 2013. This issue is part of the Villain’s Month event. Click here for our Villains Month coverage.
Spencer: For better or for worse, the New 52 created the perfect opportunity for DC to update and reboot its characters. The changes that really worked were the changes that solved a major problem with the character or provided them with a fun new direction; the rest just seemed pointless at best. The changes to Lobo’s character made in Justice League 23.2: Lobo definitely fall into that “pointless” category, but that isn’t all that’s wrong with it; its biggest issue is that the changes are made in a manner that seem to punish Lobo’s fans for having ever been invested in the character in the first place.
Drew: Paper or plastic? Beatles or Stones? Smooth or crunchy? We love our false dichotomies, and while Marvel vs. DC may be the most obvious example in the world of comics, Batman vs. Superman is a close second. They’re presented as polar opposites enough to make it feel like a given, but are they really so different? Superman may draw his power from the sun, and Batman may draw his power from the shadows, but move beyond their color palettes and you’ll find that both fight for justice, both refuse to kill, and both have a penchant for wearing their underwear on the outside of their clothes. Of course, if you dig a bit deeper, you’ll find that their reasons differ on a fundamental level, growing out of their profoundly different psyches. It’s those differences, rather than the light/dark dichotomy, that Greg Pak sets to explore in Batman/Superman 1, and the result is a surprisingly fresh take on the pairing. Continue reading
Today, Peter and Shelby are discussing Action Comics 0, originally released September 5, 2012. Action Comics 0 is part of the line-wide Zero Month.
Peter: I have a bit of a love-hate relationship with Grant Morrison. Sometimes he has very crisp writing that really delves to the point of the story and the characters. Sometimes it’s full of meta references and allusions that overwhelm the story he is trying to tell. Sometimes it’s good, and sometimes it isn’t. Really it boils down to how well does Grant Morrison fit into the work he is writing. I mean the man can write just about anything, but does it actually work? The fundamental question is of pairing a writer with a specific character or book; what makes a good match?
Drew: At the end of issue 6, I had mixed feelings about this title. I liked the stylized art, particularly Brian Reber’s atmospheric, almost dusty colors, and I appreciated the idea of distilling the idea of Batman down to it’s essence and seeing how it plays in different cultures. At the same time, I wasn’t sure I actually liked the approach writer Judd Winick had applied to the Democratic Republic of the Congo. I complained that the title was exploitative, but it really isn’t guilty of doing anything any frank (or, more importantly, action-focused) depiction of subsaharan Africa wouldn’t do. I’m still not convinced that this title isn’t exploitative, but this month’s issue comes a long way in making me more comfortable with the world David Zavimbe inhabits. Continue reading
Patrick: David and Isaac Zavimbe were orphaned when their parents died of AIDS. They were kidnapped from the orphanage by Warlord Keita, who transformed them both into monstrous child-soldiers. As the Zavimbe brothers were impossibly good at killing in the name of the warlord, Keita took them on as his own sons – calling them his Dragonflies. The more atrocities they committed for Keita, the more he trusted them. When Isaac defied and order and refused to murder children, Warlord Keita gutted him with a machete in front of his brother. By way of revenge, David left Keita defenseless in an enemy village and vowed to never kill again. David grows up to become a police officer in the Republic of Congo by day and superhero Batwing by night. This is canvas upon which the Batwing saga is painted.