Today, Spencer and Michael are discussing Batman Eternal 52, originally released April 1, 2015.
People need dramatic examples to shake them out of apathy and I can’t do that as Bruce Wayne. As a man, I’m flesh and blood, I can be ignored, I can be destroyed; but as a symbol… as a symbol I can be incorruptible, I can be everlasting.
Bruce Wayne, Batman Begins
Spencer: Throughout all of the many different storylines in Batman Eternal, one theme has steadily built under the title’s surface: the idea of Batman’s legacy. While it was never something addressed all that directly (at least until R’as al Ghul flat out asked “Is Batman eternal?” a few weeks ago), the creative bullpen has steadily been building up Batman’s team of allies and investigating just what effect Batman’s presence has had on Gotham City. With this massive weekly series finally coming to an end, Batman Eternal 52 aims to show exactly the power of that symbol on Batman’s chest, and it does so in spectacular fashion, pulling together nearly all the threads that have been cast throughout the last 52 issues into one show-stopping finale. Continue reading →
Today, Mark and Suzanne are discussing Batman Eternal 30, originally released October 29th, 2014.
Mark: In a few weeks, the Batman Eternal creative team will have produced more issues than even the longest running New 52 books. With the task of producing so much content, the challenges of serialization in a weekly title are magnified compared to a monthly title. Plot and action have to be metered out very carefully as to not burn through too much too fast, but at the same time every issue still has to feel like an event as readers have been trained to expect by monthlies. With that in mind, it’s enjoyable for me to watch the writers of Batman Eternal juggle the many, many plot threads they have introduced over 30 issues. I’ve read every issue since the title launched, and every few weeks I have a good “Hey, remember when this thing was about NANOBOTS?!” moment when something introduced months ago and seemingly dropped suddenly comes back to the forefront. The narrative whiplash is part of the fun. Continue reading →
Today, Spencer and Shane are discussing Batman and Robin 35, originally released October 15th, 2014.
Spencer: We here at Retcon Punch haven’t been subtle about our love of Batman’s new Hellbat armor. The suit is awesome, and what’s better is that it isn’t just some gimmick meant to push toys; writer Peter Tomasi has created “realistic” (in comic book terms, at least) reasons for the Hellbat’s great power and for why Batman needs to use it in this particular situation. Still, he and penciller Patrick Gleason, inker Mick Gray, and colorist John Kalisz understand just how cool the Hellbat is, and much of Batman and Robin 35’s success comes from how the creative team chooses to portray the suit — which, in some cases, means not showing it at all. The issue is visually dazzling, and the artists know which types of imagery to use to best convey the stories both on Apokolips and on Earth. Continue reading →
Today, Drew leads a discussion on Batman Eternal 6, originally released May 14th, 2014.
Drew: Why does society seem to place a premium on auteurism? The vast majority of artforms are highly collaborative, yet we still talk about directors, show-runners, composers, and other creators as if theirs is the only intent that matters. Aside from a few notable exceptions, comics have always been a collaborative medium, but there’s something palpably different about a written-by-committee series like Batman Eternal. Indeed, it seems to have more in common with the conveyer-belt system of network tv than the short-season, tightly controlled cable model, but is that a bad thing?
Today, Patrick and Drew are discussing Batwing 19 and 20, originally released April 3rd and May 1st, 2013.
Patrick: We’ve seen a lot of creatives shifts in the DC line-up in the last couple of months — and there are a few more up-coming — but none have been quite so bold as Batwing to explicitly toss out the old version of the character for a new one. Not only does the Batwing costume change, but the man behind the costume changes, and there’s nothing to connect one Batwing to the next. And that’s the real problem: the concept of Batwing is one that require justification and understanding. Through this transition, new series writers Jimmy Palmiotti and Justin Gray do nothing to explore that for either the venerable David Zavimbe or the newbie Luke Fox. Continue reading →
Today, Patrick and (guest writer) Tricia Aung are discussing Batwing 0, originally released September 5, 2012. Batwing 0 is part of the line-wide Zero Month.
Patrick: I always thought it was weird that the African arm of Batman, Incorporated would spend his time the same way regular Batman does. The real world problems of the continent are catastrophic to the point that fighting supervillains seems like a waste of time for someone with David Zavimbe’s abilities and assets. What Batwing 0 does is patiently remind me that there’s more to this character than simply his unique setting. Prior to this issue, I might have disagreed with that assessment.
Today, Peter and Patrick are discussing Justice League International Annual 1, originally released August 29th, 2012.
Peter: With any reboot, world-building is near the top of the priority list. If you’re starting from scratch, you have to start with something and move on from there. Justice League International is a series that has become central to the future of the Justice League family of books. While this Annual will be the last issue bearing the JLI banner, I doubt this is the last we will see of these characters, many of whom have other books to appear in. This is a glimpse of the future of the Justice League family, and even if you haven’t read the 12 issues of Justice League International, the Annual is definitely worth the read.
Today, Peter and Drew are discussing Batman Inc 1, originally released May 23rd, 2012.
Peter: Batman Inc. has been a very intriguing concept since the first issue came out last year. The idea that there could be others who work in the same style of Batman and share ideals and resources sounds like a good idea, right? I am inclined to say yes, but, I don’t think this first issue really gets the point across. Continue reading →
Drew: Last month, we took Batwing to task for its bat-family cameos; when the hero is still winning over an audience, placing him alongside one of comicbookdom’s biggest draws will necessarily divert our interest. As I looked ahead to reading this issue, I wondered how removing Batman from the equation would work. Batwing is still in Batman’s city, and is now fighting one of Batman’s villains, but without Batman’s presence, would the issue feel lacking? Continue reading →