East of West 8

east of west 8

Today, Shelby and Taylor are discussing East of West 8, originally released December18th, 2013.

Shelby: The occasionally tempestuous relationship between the church and the state has a longer relationship than one might realize. In ancient times, being a ruler often came with the title of deity; your word was law because it was divine. Martin Luther was one of the first to begin to call for a separation of the two, and by the time the First Amendment of the United States was drawn up, Thomas Jefferson was speaking of “a wall of separation between the church and state,” in order to guarantee religious freedom. Personally, I believe very strongly in the idea of the separation of the two, namely because there are many religions in the world, and I see no point in a government forcing someone to follow a set of beliefs. That is not genuine worship. In East of West, however, Jonathan Hickman presents a trickier situation; there is no religion, there is no government, there is only The Message, and if the Message demands political leaders keep the populace dumb and under control to prep them for the four horseman of the apocalypse, the politicians hasten to obey.

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Wonder Woman 24

wonder woman 24

Today, Scott and Mikyzptlk are discussing Wonder Woman 24, originally released October 16th, 2013.

Scott: I love reading Wonder Woman. Brian Azzarello is now 24 issues into his run on this title, yet I feel like I’ve read 50. I mean that in a good way. The world he’s created is so vivid, the characters so constantly evolving that I feel like I’ve spent more time with them than I really have. Wonder Woman 24 is dependent on every member of the title’s diverse cast, and just about everyone has something new to offer. It isn’t the most thrilling comic book ever written, but it’s pleasing in a way that really no other title can replicate. Simply, Wonder Woman feels like a place where everybody knows my name, and they’re always glad I came. I never want to leave. Continue reading

Wonder Woman 0

Alternating Currents: Wonder Woman 0, Drew and TaylorToday, Drew and (guest writer) Taylor Anderson are discussing Wonder Woman 0, originally released September 19th, 2012. Wonder Woman 0 is part of the line-wide Zero Month.

Drew: There’s a lot we take for granted in art. We accept the two-dimensionality of the canvas or the artificiality of a omniscient narrator as givens. It often takes an artist commenting on the arbitrariness of those boundaries for us to notice them at all, but that in itself has become almost expected. In comics, those expectations manifest in creative layouts and narrative devices, but it’s rarer that a creative team might challenge the arbitrariness of their tone. In Wonder Woman 0, writer Brian Azzarello and artist Cliff Chaing set out to do just that, delivering a brilliant deconstruction of modern comics via an apparent deconstruction of the Silver Age. Continue reading

Wonder Woman 10

Today, Drew and (special guest writer) Siri Hellerman are discussing Wonder Woman 10, originally released June 20th, 2012.

Drew: Fantasy is always going to have an exposition problem. It’s hard enough establishing who everyone is and what their motivations are elegantly without having to explain the rules of various magics or the politics between various races. This is especially true of myths, where the stories are often distilled down to their essence, such that any details (which could otherwise be written off as just adding color) bears obvious narrative significance, as if Chekov himself were pointing them out for you. Brian Azzarello manages to side-step this issue both by relying on pre-esstablished myths (voiding any need for exposition), and by mirthfully keeping us in the dark regarding much of those telling details. Continue reading

Red Hood and the Outlaws 10

Today, Patrick and Peter are discussing Red Hood and the Outlaws 10, originally released June 20th, 2012.

Patrick: Red Hood and the Outlaws is a kitchen sink sort of series. There are aliens, there are mist-women, there are secret races of warrior people – and at the heart of it is a trio of heroes that don’t really make sense in each other’s worlds. Whenever the series teeters on the edge of a metaphysical discovery of the ancient mystical world, a spaceship flies in, or some classic Batman villain makes an appearance. So much of the series’ appeal comes from the way our core group of heroes interacts and adapts to these insanely diverse (diversely insane?) scenarios.

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Wonder Woman 9

Today, Shelby and Drew are discussing Wonder Woman 9, originally released May 16th, 2012.

Shelby: I love weddings. I love Greek mythology. I love comic books. I think I even love Brian Azzarello. Wonder Woman 9 has all of these things: therefore, I love it.

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