This article will contain SPOILERS. If you haven’t read the issue yet, proceed at your own risk!
As much as I admire superheroes and the aspirational messages they’re designed to send, it is occasionally troubling that they solve 95% of their problems with violence. There are other ways, often better ways, to help people, and that’s something Matt Murdock has always understood. It only makes sense, then, that the big plan to “end crime” in NYC writer Charles Soule (a lawyer himself) has been teasing for the past few issues has nothing to do with super-powered spectacle, and everything to do with setting a legal precedent. Continue reading →
We try to stay up on what’s going on at Marvel, but we can’t always dig deep into every issue. The solution? Our weekly round-up of titles coming out of Marvel Comics. Today, we’re discussing All-New Guardians of the Galaxy 3, Black Bolt 2, Daredevil 21, Doctor Strange 20, Hawkeye 7, Rocket 2 and Unstoppable Wasp 6. Also, we will be discussing Nova 7 on Monday andAmazing Spider-Man 28 on Wednesday, so come back for those! As always, this article contains SPOILERS.
Today, Drew and Ryan D. are discussing Black Panther 11, originally released February 22nd, 2017. As always, this article contains SPOILERS.
Drew: Comics is a medium of juxtaposition. We derive meaning from seeing two images next to one another, understanding some causal link that only exists in our minds. The magic, then, is crafting those images such that the reader can piece together the causality in a natural, intuitive way. That includes both the content of the images and the arrangement of those images on the page, which is remarkably complex. Indeed, in his seminal Understanding Comics, Scott McCloud points out that arranging panels is so complex “that even seasoned pros will sometimes blow it.” While the clarity issues in Black Panther 11 have more to do with content than layouts, I feel this sentiment is particularly apt, as the issue was drawn by not just one, but a veritable army of seasoned artists. It’s odd to argue that this artistic team failed to make this issue clear, but I’m afraid that’s really the lynchpin upon which all of this issue’s problems turn. Continue reading →
Today, Ryan D. and Michael are discussing Daredevil 15, originally released January 11th, 2017. As always, this article contains SPOILERS.
Ryan D: Sometimes I forget a simple fact about Matt Murdock: he is a tricky dude. Seeing as he does not have quite as spectacular of a power set as many of our better-known Marvel heroes, Murdock relies a great deal on trickery and misdirection to best many of his foes. Off the top of my head, I recall times when he has faked his own and Foggy’s death, had Danny Rand dress up as Daredevil to help keep his own identity secret, become the Kingpin and leader of the Hand, and even become a drifter in Upstate New York. Matt has something new up his sleeve in the new arc of Charles Soule’s Daredevil, featuring a slightly different tone and art than the recent arcs of this run. The question is: did the Man without Fear bite off more than he can chew with this scheme? Continue reading →
Today, Spencer and Drew are discussing Secret Origins 6, originally released October 22, 2014.
Spencer: Patrick and I recently lamented a certain style of comic, the kind that tries to recap an entire lifetime with voiceover, practically becoming an illustrated Wikipedia article in the process. It seems as if the entire purpose of these comics is simply to relay information without attempting to further characterization or plot, and the longer I read comics the more this kind of story bothers me. This particular style seems to pop up most often when retelling origin stories (just check out our Zero Month coverage for proof), and that made me particularly cautious about picking up Secret Origins 6. Each of the three stories presented in this issue tackles the business of telling an origin story slightly differently, yet two of them still stick pretty close to this format. I suppose that raises the question of who this title is actually for: newbies who may need an illustrated Wikipedia article, or long-time readers who might expect a little more from their stories? Continue reading →
Today, Shelby and Drew are discussing Wonder Woman 32, originally released June 18th, 2014.
Shelby: Often times for me, the hardest part about writing any of these posts is this very intro. I always want to find some overarching theme in the issue, or one relevant anecdote from my past to broadly introduce the issue. I used to write the intro last on a regular basis, so I could find that one theme as I was writing. I couldn’t possibly use that approach with this post, however. Brian Azzarello has given me so many individual moments to get excited about this issue, the best I can do at coming up with a unifying theme is to marvel at how beautifully the pieces fit together to create the whole.
Today, Scott and Drew are discussing Wonder Woman 31, originally released May 21st, 2014.
“What kind of madness?”
“Men sometimes generate a good kind…you’ll see.”
Aleka and Zola, Wonder Woman 31
Scott: Zola issues this reassurance to the Amazons, whose world is about to be turned upside down by the arrival of men on Paradise Island. It’s interesting that Zola feels this way; most of the trouble in her life has been caused by men. She was impregnated by Zeus (who’s still missing, by the way), held captive by Hades, and had her baby nearly killed by Apollo. She could easily have turned against men, but she’s wise enough to realize these are anomalies, and far more men have helped her along the way. Men, like many other groups, often get a bad rap because of the actions of a select few. As Wonder Woman 31 shows, sometimes those actions are unspeakably horrific, but prejudice will do nothing to overcome them. The good, both men and women, must unite to defeat the evil.
Today, Taylor and Drew are discussing Wonder Woman 30, originally released April 16th, 2014.
Taylor: The internet is an amazing tool. The rhetorical nature of that comment is almost so great that it’s remarkable, but I think it’s occasionally a good exercise to step back and take stock of the amazing things that make up our world. In the recent past the internet has caused real social change given its ability to unite people behind a singular cause. In particular, the movement for gender equality seems to be gaining more and more steam, as both women and men are able to voice their experiences with prejudice in their daily lives. Comics, being a reflection of the world of which gave them birth, are also picking up on this trend. It seems only natural that Wonder Woman, a title which features an empowered female lead, would eventually weigh in on this subject. However, the subtlety and grace with which it broaches this topic in issue 30 is both unexpected and wonderfully wrought, making for an memorably understated episode.
For Valentine’s Day last year, you may recall, we here at Retcon Punch showed you our love with corny, superhero valentines. Obviously, we had to do it again. So, Internet, this is our way of saying Be Mine; please enjoy these free, awesome valentines! Print them, share them, just keep our name on them; more after the break!
Today, Patrick and Drew are discussing Wonder Woman 26, originally released December 18th, 2013.
Patrick: On Brian Azzarello’s Mount Olympus, the gods and demigods all serve very specific purposes. When he shows up out of nowhere at the end of the issue, Dio identifies himself as the god of “the truffle harvest, tragedies, luxuries, parks and galleries.” That’s a weird concept, but one we always embrace when discussing mythological creatures: sure, I get why we need a god of the hunt (or wine or sword making or whatever). But, like, it’s a nonsense conceit, made all the more explicit by Zola asking “what’s a truffle?” Beyond being avatars of various nouns, the gods are also a family, and the roles they play within that family are just as indicative of the parts they play in this on-going drama. They are victims and bullies, martyrs and defenders, cousins, long-lost-sisters and little brothers. The mix of the divine and the human is sublime, making every turn of this series as surprising as it is inevitable. Continue reading →