This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!
The king who is situated anywhere immediately on the circumference of the conqueror’s territory is termed the enemy. The king who is likewise situated close to the enemy, but separated from the conqueror only by the enemy, is termed the friend (of the conqueror).
Understood more colloquially as “the enemy of my enemy is my friend,” the above sentiment was first recorded in a 4th Century treatise on statecraft. That is, while we might be most familiar with the concept as its used in interpersonal dramas or forming political coalitions, it was first composed to conceptualize a concept in city-state diplomacy. More importantly, Kautilya is quite specific in when this attitude should be applied — basically, only when the “conquerer” stands to lose nothing from the alliance. Such is the case when T’Challa approaches Dr. Eliot Augustus Franklin (better known as Thunderball of the Wrecking Crew) — T’Challa has nothing to lose, and Franklin has everything to gain from cooperating. Continue reading →
Today, Drew and Spencer are discussing Jean Grey 1, originally released May 3rd, 2017. As always, this article contains SPOILERS.
Drew: Ah, the solo album — is there any more fraught trial in popular culture? Making it as a solo act is a grueling process, and while most never rise above obscurity, artists who are already well known for their work with a band have the blessing/curse of starting their solo career in the public eye. It requires instantaneously landing on a musical voice that’s somehow familiar enough to appeal to longstanding fans (capitalizing on that notoriety) yet also distinct enough to justify the solo status. Dennis Hopeless and Victor Ibáñez face a similar tightrope in Jean Grey, aiming to give the (in)famous X-Man a voice that could distinguish this series from her other adventures. Continue reading →