The (Re)Introduction of Klaw in Black Panther 166

By Drew Baumgartner

Black Panther 166

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

There’s a lot to be excited by in Ta-Nehisi Coates’s Black Panther run, but one we rarely comment on is that it’s bringing in new readers. As an already popular author and journalist, Coates has an established audience that is much, much larger than the typical comics creator. For evidence, we need look no further than his twitter followers, which number 1-3 orders of magnitude more than most comics creators — heck, he has more followers than most comics publishers. And, importantly, the vast majority of those followers (and Atlantic and Between the World and Me readers) aren’t comics readers. I’ve covered plenty of comics in our 7 years as a site, but tweets about Coates’s Black Panther represent the only times I’ve been asked “where can I buy this comic?” And that’s happened multiple times. Coates is bringing new people to the medium, and that’s something special.

Of course, it also puts him in a bit of an unusual place as a writer. T’Challa is a character with a rich, half-century-long history, and comicdom is notorious for fans who know every bit of that history. How do you reconcile the interests of those fans with those of total neophytes? From the start, Coates has struck an elegant balance, acknowledging many specific beats of that history while also creating entirely new mythologies for the character and his world. No one element represents that better than Ulysses Klaw, whose introduction at the end of last month’s issue crashed one of T’Challa’s oldest enemies into that new mythology. Continue reading

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Superherodom Encroaches in Black Panther 18

By Drew Baumgartner

Black Panther 18

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Ta-Nehisi Coates’ run on Black Panther has always vacillated between concerns for greater Wakanda (civil unrest, history, religion) and more straightforward superheroics. It perfectly captures the multiple directions T’Challa is always pulled in, blowing up the typical Marvel interpersonal dramas into matters of state. In recent arcs, those two worlds seem even further apart, as issues almost seemed to alternate between these two concerns. The results have been fantastic — the previous two issues represent opposite ends of that spectrum, and are among the strongest Coates has written — but threatened to split this book into two series running in parallel. That is, until issue 18 reveals that everything might be connected, after all. Continue reading

Oppression Makes Strange Bedfellows in Black Panther 16

By Drew Baumgartner

Black Panther 16

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

The king who is situated anywhere immediately on the circumference of the conqueror’s territory is termed the enemy. The king who is likewise situated close to the enemy, but separated from the conqueror only by the enemy, is termed the friend (of the conqueror).

Kautilya, Arthasastra

Understood more colloquially as “the enemy of my enemy is my friend,” the above sentiment was first recorded in a 4th Century treatise on statecraft. That is, while we might be most familiar with the concept as its used in interpersonal dramas or forming political coalitions, it was first composed to conceptualize a concept in city-state diplomacy. More importantly, Kautilya is quite specific in when this attitude should be applied — basically, only when the “conquerer” stands to lose nothing from the alliance. Such is the case when T’Challa approaches Dr. Eliot Augustus Franklin (better known as Thunderball of the Wrecking Crew) — T’Challa has nothing to lose, and Franklin has everything to gain from cooperating. Continue reading

Nagging Consistency in Black Panther 15

By Ryan Desaulniers

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

All comic series are, in their own way, their own brand, and with a brand comes the idea of offering consistency in the same way that you expect a Big Mac to taste like a Big Mac, no matter where the McDonald’s is. So Spider-Man makes quips and deals with great responsibility, Batman broods, Deadpool makes pop culture references. We expect it. And while creative team changes in long-running series may offer variety, some hallmarks generally remain.  Fifteen issues into the Ta-Nehisi Coates run of Black Panther, the consistencies are starting to wear on me as a reader. Continue reading

Ms. Marvel 18

Today, Spencer and Ryan M. are discussing Ms. Marvel 18, originally released May 10th, 2017. As always, this article contains SPOILERS.

Spencer: Supporting characters exist, well, to support — to highlight and contrast the protagonist’s various personality traits. Even when supporting characters deal with trauma and plot twists of their own, creators and readers alike have a tendency to only think of those events in terms of how they effect the protagonist. I’ll admit that I’d been thinking that way of Bruno Carrelli, the (former?) best friend of Kamala Khan, after everything he’d gone through in the Civil War II tie-ins; my number one concern was whether he and Kamala would ever be able to repair their relationship. Writer G. Willow Wilson shines the spotlight on Bruno in Ms. Marvel 18, and by doing so, gently reminds her readers that Bruno is his own man with his own unique struggles that are worth considering and empathizing with. Continue reading

Black Panther 11

Alternating Currents: Black Panther 11, Drew and Ryan D

Today, Drew and Ryan D. are discussing Black Panther 11, originally released February 22nd, 2017. As always, this article contains SPOILERS.

Drew: Comics is a medium of juxtaposition. We derive meaning from seeing two images next to one another, understanding some causal link that only exists in our minds. The magic, then, is crafting those images such that the reader can piece together the causality in a natural, intuitive way. That includes both the content of the images and the arrangement of those images on the page, which is remarkably complex. Indeed, in his seminal Understanding Comics, Scott McCloud points out that arranging panels is so complex “that even seasoned pros will sometimes blow it.” While the clarity issues in Black Panther 11 have more to do with content than layouts, I feel this sentiment is particularly apt, as the issue was drawn by not just one, but a veritable army of seasoned artists. It’s odd to argue that this artistic team failed to make this issue clear, but I’m afraid that’s really the lynchpin upon which all of this issue’s problems turn. Continue reading

Black Panther World of Wakanda 1


world-of-wakanda-1Today, Ryan D. and Patrick are discussing
Black Panther: World of Wakanda 1, originally released November 9th, 2016. As always, this article contains SPOILERS.

Ryan D: Max Landis wised me up to “narrative potential” in a video from a while ago, but ever since then I can’t help but notice when a topic just screams with possibilities. This is the gift which is being presented to the collaborators of the new series Black Panther:World of Wakanda. Spinning directly off of Ta’Nehisi Coates’s current, ambitious run with the titular character, this series promises to flesh out the vibrant, complicated African nation in a way that will supplement the overarching story being told. While Wakanda may be the world’s most developed and advanced society — at once reaching forward as a progressive power-house and at the same time sitting comfortably in its heritage — it is also a nation recoiling from siege and tragedy. The opening chapter of World of Wakanda shows us two different glimpses into the prelude which lead to the current Wakanda read in the comics, one of a particular volatility, and thus far I think one of these two narrative paths is a much more gratifying path to follow.

Continue reading

Black Panther 6

Alternating Currents: Black Panther 6, Ryan and DrewToday, Ryan D. and Drew are discussing Black Panther 6, originally released September 14th, 2016. As always, this article contains SPOILERS.

Ryan D: Maybe it’s an American thing, but culture and media have trained me to almost always root for the revolution. Revolution is often associated with the fiery passion of change, the usurpation of the dolorous and oppressive status-quo, backed by the free-thinkers and do-gooders. Or maybe it’s the idea being studied in psychology about peoples’ need to root for the underdog. This, however, has not exactly been the case in the current run of Black Panther. Or has it? Issue six takes us a bit deeper into the side of the revolutionaries and the monarchy, and bring some new variables into the mix. Continue reading

Black Panther 1

black panther 1

Today, Patrick and Ryan M. are discussing Black Panther 1, originally released April 6th, 2016.

Patrick: It’s tempting to believe that we live in an era of non-localized revolutions. People may be demonstrating in Ferguson, but images of those demonstrations were tweeted and shared and broadcast all over the world. Through media (both social and vanilla), I am able to experience the revolution. That is privileged belief: at most, I can only pretend to participate by engaging with those television broadcasts and facebook posts. I can always offer myself an emotional distance because I am physically removed from the actual chaos and momentum of revolution. The people actually swept up in those demonstrations aren’t so lucky — energy of the revolution pushes them ever forward, without time to craft their think-pieces about the most effective way to express their dissatisfaction. Black Panther 1 finds Wakanda on the brink of civil war, and writer Ta-Nehisi Coates and artist Brian Stelfreeze expertly propel the chaos forward, while constantly reminding the reader how badly the powers that be wish they were only dealing with static, distant images on a screen. Continue reading

New Avengers 24

new avengers 24Today, Spencer and Drew are discussing New Avengers 24, originally released September 24th, 2014. 

slim-bannerSpencer: New Avengers hasn’t really been a title with an antagonist, at least in a traditional sense; the Illuminati are trying to stop the Incursions, but such a mysterious, primal, multiversal threat can be hard to fathom, and they largely act as the impetus behind most of the title’s action rather than the “big bad”. Instead, the Illuminati mainly grapple against themselves, dealing with matters of morality and conscience. In New Avengers 24, Jonathan Hickman and Valerio Schiti skip ahead eight months from the climatic final pages of issue 23, giving them time to establish the Cabal as a group of horrific, homicidal monsters. In a way, they may be serving as the more physical, black-and-white antagonist this title’s been missing, but that seems to be far from their only purpose. Both the Illuminati and the Cabal have done horrific things with a noble goal in mind; the methods of these two groups, and how the world at large have responded to them both, is where the differences lie. Continue reading