Category Greg Smith

Feb 12 2014

The Superior Foes of Spider-Man 8

Today, Taylor and Greg are discussing The Superior Foes of Spider-Man 8, originally released February 5th, 2014.

Taylor: Since the dawn of pop-culture, antiheroes have been those ill behaving scallywags we love despite their flaws. They may not act right all the time, but we love them despite, if not explicitly for, their flaws. In the annals of American culture, the antihero has frequently eclipsed their more traditionally heroic counterparts — just look at Han Solo or Walter White. This trend has naturally extended to comic books and while many protagonists of comics are antiheroes, few are outright villains. In case you couldn’t tell by its title, The Superior Foes of Spider Man ­­focuses on a villain, who by virtue of his narrative is an antihero. And while we all enjoy a good antihero, it is a perilous line they walk, and issue eight displays how precarious their position is. It begs the question, just how shitty can a protagonist be before we’ve had enough?

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Jan 27 2014

Pretty Deadly 4

Alternating Currents: Pretty Deadly 4, Drew and Greg

Today, Drew and Greg are discussing Pretty Deadly 4, originally released January 22nd, 2013.

Drew: One of the best pieces of writing advice I ever received was from our very own Patrick Ehlers: exposition doesn’t feel like exposition if the audience wants that information. He may not have been the first writer to observe that, but I certainly wasn’t the last who needed to hear it. Narratives should draw us in, not simply parade across our consciousness. One of the most direct ways to make the audience curious is to pose a question — it can be as central to the story as wanting to know who killed Laura Palmer, or as inconsequential as wanting to know who’s supposed to call whom Ishmael. Of course, it’s possible to overdo it with the questions — if there are too many the story stops being mysteriously alluring and starts becoming frustratingly confusing. Pretty Deadly has spent a significant time in that latter category, and while issue 4 may not fully succeed in changing that, it certainly takes some steps in the right direction. Continue reading →

Jan 20 2014

Velvet 3

velvet 3

Today, Drew and Greg are discussing Velvet 3, originally released January 15th, 2014.

Drew: It’s amazing how easily gender-bending a trope can force us to confront ingrained assumptions about gender. No matter how progressive our views are, watching a female character rescue a male, or seeing a guy in the kind of revealing clothing women are expected to wear as a matter of course, continues to feel incredibly alien. Spy stories, with their own unique set of gendered tropes, are a particularly ripe subject for gender-bending, and Ed Brubaker struck upon a brilliant one with Velvet‘s premise: what if James Bond (or any other beloved british spy) was a woman? It has allowed him to subvert many of the stereotypes we often accept as part of the genre (and its period setting), but issue 3 reveals that it also allows him a fresh perspective on the collateral damage of all that spying fun. Continue reading →

Jan 13 2014

Deadpool 22

deadpool 22Today, Greg and Drew are discussing Deadpool 22, originally released January 8th, 2014.

Greg: I was first introduced to the Austin Powers franchise as a kid, and immediately gravitated towards the big, broad aspects of the comedy. The accent, the teeth, the catchphrases, the physical set pieces — this is the kind of stuff that absolutely slayed 9-year-old Greg (who am I kidding, this scene will always work for me). On a recent rewatch, however, I noticed one joke that whooshed right over my head. The name of Powers’ secret agent boss is Basil Exposition, and his purpose in the film is to, well, spout exposition, the bits of narrative business necessary to understand what is technically happening in a plot. It’s a fun bit of satirical lampshade hanging, yet it nevertheless serves its actual purpose — get all the boring stuff out of the way to leave plenty of room for fun. Deadpool 22 has the unfortunate task of dealing with this, yet executes it rather gracefully.
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Jan 7 2014

Batman: The Dark Knight 26

dark knight 26

Today, Shelby and Greg are discussing Batman: The Dark Knight 26, originally released December 31st, 2013.

Shelby: Whenever I think of a “silent episode” of something, my first thought is the Buffy the Vampire Slayer episode Hush from season 4. The Gentlemen come to Sunnydale and steal everyone’s voices, then proceed to cut people’s hearts out and no one can scream. It’s delightfully scary. Anyway, even as a dumbass high schooler, I was really impressed by that episode, and not just because it scared the bejesus out of me. I was impressed  by how much the actors could convey without dialogue, by how much tension could be built in the silence. Silent comics can do the same, can show the same range and build the same tension, and that’s what Greg Hurwitz and Alberto Ponticelli give us in this issue appropriately titled, “Voiceless.”
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Dec 16 2013

Astro City 7

astro city 7

Today, Greg and Shelby are discussing Astro City 7, originally released December 11th, 2013.

Greg: Beyoncé.

I’d like to end my survey of Kurt Busiek’s Astro City 7 right there, as all things should begin and end with Ms. Knowles, but we have word counts to hit, so let’s keep going.

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Dec 6 2013

Deadpool 20

deadpool 20

Today, Patrick and Greg are discussing Deadpool 20, originally released December 4th, 2013.

Patrick: There’s no single person or institution that’s introduced me to more media than The Simpsons. I didn’t know that it was happening at the time, but my 10 year old mind was being educated in the works of Alfred Hitchcock, Rod Serling, Francis Ford Copola, Stanley Kubric, Martin Scorsesse, Tennessee Williams, and on and on. But the film that seems to have cropped up the most was Citizen Kane. I can’t possibly convey what my first experience of watching Citizen Kane was like: by that point in my life, I’d seen the same scenes and camera angles and transitions and themes and characters reconstituted a hundred different ways on The Simpsons. It was invigorating and shocking to see everything in its original context, granting new meaning to my favorite old Simpsons episodes, but also imbuing Citizen Kane with a kind of pre-loaded meaning. Deadpool has never shied away from referential humor, but writers Gerry Duggan and Brian Posehn and artist Scott Koblish narrow their focus in the third inventory issue, and convinces us that Jack Kirby’s work is the Citizen Kane of comic books. Continue reading →

Dec 2 2013

Pretty Deadly 2

pretty deadly 2

Today, Greg and Shelby are discussing Pretty Deadly 2, originally released November 27, 2013.

Greg: There’s a difference between something feeling “challenging” and “hard”. The way I visualize it – and be forewarned, this is going to be super dumb – a brain approaches a thing that’s “challenging” like a cocky knight approaching a dragon: he knows he will be tested, but he knows he can ultimately triumph based on his skills. Conversely, a brain approaches a thing that’s “hard” like a cocky knight approaching a titanium wall that goes on forever: try as he might, all he’s gonna be able to do is bash his head against the wall.

This issue of Pretty Deadly feels like a titanium wall. One that’s particularly pretty, mind you.

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Nov 25 2013

Sex Criminals 3

sex criminals 3

Today, Patrick and Greg are discussing Sex Criminals 3, originally released November 20th, 2013.

Patrick: We live in a sex-negative society. We’re all made to feel embarrassed by urges, our desires and our sexual failings. It sucks: movies and TV will evoke Gay Panic or Slut Shaming for laughs, assuming that their audiences all share the same puritanical views on sex. And then there’s smart sex-positive media, like the series we’re talking about today – and it gets filed away with the rest of “dirty” comics (and off iOS for a second month in row), to protect us from the filth within. Look, the signals are coming from everywhere: you should feel bad about wanting to read this comic. That’s why real, naked honesty is so important for sex – being able to express sexuality honestly is about as intimate as you can get. Sex Criminals 3 embraces all of it – the urges, the desires and the failings. [Ironically, I do feel the need to warn that there are some explicit images after the jump.] Continue reading →

Nov 20 2013

Astro City 6

astro city 6

Today, Greg and Patrick are discussing Astro City 6, originally released November 13th, 2013.

Greg: I’ve always struggled with the idea of enjoying the quiet comfort of what I know versus plowing through the loud struggle of what I don’t. I feel like I vacillate erratically between these two extremes, never quite finding a balance. I’m either saying yes to everything or nothing. I’m either a bounding explorer or a feeble couch potato. The choices that lead to these kinds of feelings fascinate me, and Kurt Busiek’s latest Astro City entry takes a character to this crossroad; his choice is something unexpected. 
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