Batman 11

Alternating Currents: Batman 11, Drew and PatrickToday, Drew and Patrick are discussing Batman 11, originally released July 11th, 2012.

Drew: Comic books often rely on well-worn tropes. As do mystery novels. And action movies. This arc of Batman (like all great Batman stories) is essentially all three of these things, so a little soliloquizing from the villain in the final act isn’t just expected, it’s downright obligatory. Of course, Scott Snyder is not a writer content to simply rely on such tropes, and instead uses the opportunity to comment on that particular cliche, while simultaneously delivering a final act soliloquy that is better than any of those it is riffing on. It’s one of my favorite tricks of postmodernism (one that is rarely pulled off so well), and is only a microcosm of what Snyder has been doing with this whole arc. As the Court of Owls arc concludes, we’re left with a deconstruction of a Batman story that is among the best Batman stories ever told. Continue reading

Batman 10

Alternating Current: Batman 10, Drew and Patrick-NoOToday, Drew and Patrick are discussing Batman 10, originally released June 13th, 2012.

Drew: There’s a moment, right in the middle of this issue, that finds Bruce sitting in his robe, idly handling a pair of shell casings. How these clues fit into his current case isn’t apparent, but as the scene plays out, it slowly becomes clear that these were the casings of the bullets that killed Bruce’s parents. This kind of shocking, resonating reveal first introduced as something innocuous is a microcosm of writer Scott Snyder’s current run on Batman; a magic act he’s able to pull off time and time again, to impossibly greater and greater effect. This issue is an exemplar of that skill, cashing in on a set-up not just 10 issues, but 73 years in the making. Continue reading

Arkham City: Harley’s Revenge

Today, Peter and Patrick are discussing the Arkham City DLC: Harley’s Revenge, originally released May 29th, 2012.

Peter: If you have not played Batman: Arkham City, or the new downloadable content Harley’s Revenge, do not click and read any more of this article. This is Retcon Punch’s reaction and review to the new content and our post contains LOTS of spoilers. We don’t want to be the people that ruin your gaming experience by spoiling anything. We love this game, and we love our readers, so we don’t want to hurt you in anyway. If you have played, or you just don’t care about spoilers, go ahead, click the link, and enjoy.

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Batman Annual 1

Today, Drew and Peter are discussing Batman Annual 1 originally released May 30th, 2012. This issue is part of the Night of the Owls crossover event. Click here for complete NotO coverage.

Drew: Let’s talk about baggage. Comics (especially comics with 70+ year histories) have a lot of fictional history that fans have long demanded that creators adhere to. DC’s relaunch promised to shake that status quo up a bit, freeing up editors, writers, and artists to keep what works and jettison anything that doesn’t. Of course, Batman being Batman, damn near everything about him worked. Writer Scott Snyder has revealed a lot of new information, largely by focusing on things that aren’t Bruce (or his core relationships), but much of what we knew about Batman has remained true. This makes any changes that are made — like those revealed towards the end of Batman Annual 1 — particularly effective; especially when they play so brilliantly against what we expect. Continue reading

Batman 9

Today, Patrick and Drew are discussing Batman 9 originally released May 9th, 2012. This issue is part of the Night of the Owls crossover event. Click here for complete NotO coverage. Not caught up on Batman? No problem! Get up to speed with our video Cram Session.

Patrick: In the margins of this whole kerfuffle with the Court of Owls, there have been literal manifestations of the battle between Bats and Owls. And the bats have been getting this asses handed to them. The symbolic defeat has always been the more devastating side of the equation for Bruce — yeah it sucked that he took a knife through the back, but that’s a back that’s been bent over Bane’s knee. Last month saw Bruce stepping up to defend his home, an empowering scene, for sure, but this issue saw him standing up for his legacy. And that’s a different animal all together. Continue reading

Cram Session: Batman 1-8

It can be hard to keep up with all the comics you love. But it’s damn near impossible to keep up with all the comics you’re interested in.

Retcon Punch got you covered.

Scott Snyder’s current run on Batman in both character- and author-defining work. It also manages to rope every other superhero in Gotham into its orbit, and the Night of the Owls sweeps through 11 different series this month. Batman is the hub. It’s also the strongest title in the bunch. Read every issue twice, then read them all again six more times, then watch our video recap.

Batman 8

Today, Drew and Patrick are discussing Batman 8, originally released April 18th, 2012. This issue is part of the Night of the Owls crossover event. Click here for complete NotO coverage.

Drew: Batman 8 begins with a tight shot on a Gotham City manhole cover. As the camera pulls up and out, revealing the city around it, Bruce’s voiceover questions whether his attention to detail has prevented him from seeing the bigger picture. This attention to detail explains why Bruce could have  been unaware of the presence of the Court of Owls in what he thought was his city, but it also acts as a cutting interrogation of our own experiences with Batman (and superheroes in general). I’ve long lamented the favoring of point-by-point plot details over “bigger picture” concepts like character and theme, but writer Scott Snyder seems to suggest that the devotion to the minutia may actually prevent us from truly understanding what is going on. It’s a bold suggestion, and one that would risk alienating fanboys if it weren’t so deftly handled. Continue reading

Batman 7

Today, Drew and Patrick are discussing Batman 6, originally released February 15th, 2012.

Drew: Batman 7 begins in a pivotal moment in Bruce’s history; as he sits, broken and bleeding in his own library, considering the bat that has just broken through the window and lit on his father’s bust. It feels like familiar territory, but as the bat flies off into the night, creating an oh-so-familiar silhouette against the full moon, something…changes. Continue reading

Batman 6

Batman 6

Today, Drew and Patrick are discussing Batman 6, originally released February 15th, 2012.

Drew: I have a bit of a tradition on the third Wednesday of the month: I pick up the new Batman, thinking “there’s no way they can top last month,” and put it down thinking, “okay, but there’s really no way they can top this next month.” It’s a credit to Scott Snyder and Greg Capullo that my expectations keep getting blown out of the water. After last month’s mind-bending issue, I suspected that the final image of Batman being stabbed by the Talon might just be in Bruce’s head. Of course, my expectations were proven wrong once again, as Snyder and Capullo deliver an issue that is simultaneously more action-packed and subtler than its predecessor. Continue reading

Batman 5

Originally Published January 20, 2012

may nobody question our nerddom againDC Comics recently relaunched their entire series, giving curious but uninitiated nerds a convenient entry point.  Fellow blogger Patrick Ehlers and I are two such nerds, and we’ve decided to jump in with a handful of monthly titles.  We really wanted to pull out all the nerd stops, so we’re also going to be writing about them here and on Patrick’s Blog (which you should all be reading anyway) every Friday.  This week, I’m hosting the discussion of Batman, while Patrick is hosting the discussion of Wonder Woman.

Drew:  I recently made a claim on my blog that, for me anyway, it is impossible to “spoil” a work of art by giving away the narrative. Part of this claim comes from the general predictability in the plotting of most stories, and part of this comes from the fact that I’m much more interested in how the story is told than the details of the story itself. What I hadn’t considered is that there could be benefit in not knowing how a story is going to be told; that the methods of the storytelling could be spoiled. It’s understandable that this hadn’t occurred to me — very few art forms feature methods that could have the kind of surprise visceral impact I’m talking about here — but after reading Batman #5, I’m going to be much wearier of spoilers in comics. Continue reading