Cyborg 1

cyborg 1Today, Michael and Patrick are discussing Cyborg 1, originally released July 22nd, 2015.

Michael: Words are an interesting thing, are they not? In one of those “Woah, its crazy how humans work” moments, the assemblage of letters, words, sentences, punctuations and so on is impressive. Memorable moments in pop culture can often be whittled down to a few buzzworthy quotes – especially with our 2015 short attention span. This particular mindset heavily influenced my reading experience of Cyborg 1; and that’s not really a good thing. Continue reading

DC Round-Up Comics Released 7/22/15

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Look, there are a lot of comics out there. Too many. We can never hope to have in-depth conversations about all of them. But, we sure can round up some of the more noteworthy titles we didn’t get around to from the week. Today, Mark, Spencer, Patrick, Shane, and Michael discuss The Flash 42, Gotham by Midnight 7, Prez 2, and We Are Robin 2.

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Mark: It’s a motley crop in this week’s DC YOU round-up. With nary a mainline Superman or Batman title in sight, some of DC’s smaller, up-and-coming, or perhaps lesser loved titles take center stage. Weird that in a world where The Flash can have quite the renaissance in one medium this year, The Flash the comic book can feel like such an afterthought. But here we are!

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C.O.W.L. 11

cowl 11 Today, Spencer and Drew are discussing C.O.W.L. 11, originally released July 22nd, 2015.

Spencer: One of my favorite expressions is “would I do it all again?” Usually it’s only uttered after a long string of consequences (“So I ended up breaking both legs…but would I do it all again?”), and it’s never an actual question — if you’re asking “would I do it all again,” you’re basically admitting that yes, you would. No matter what consequences you faced, it was worth it. This phrase has an opposite as well — “Was it worth it?” Just like “would I do it all again,” “was it worth it” is rarely a question — it’s almost always an admission that no, whatever you did was not worth the consequences. It’s a phrase uttered by Geoffrey Warner in the final moments of Kyle Higgins, Alec Siegel, and Rod Reis’ C.O.W.L., leaving the readers with the impression that even Warner knows that the actions he took to keep C.O.W.L. in business aren’t justified. No matter what C.O.W.L. goes on to accomplish in the future, Warner’s actions will forever be hanging over the organization like a dark cloud. Continue reading

Secret Wars Round-Up: Issues released 7/22/15

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Today, Patrick, Drew, Mark and Michael discuss Star-Lord and Kitty Pryde 1, Weirdworld 2, Old Man Logan 3, E is for Extinction 2, Loki, Agent of Asgard 16 and Marvel Zombies 2.

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Patrick: We can argue about the merits of “Battleworld” as an engine for compelling narratives until we are blue in the collective face. (I assume we keep that face on Reddit, and its has seen some shit.) This week’s crop demonstrates that, no matter what stories are coming out of Marvel these days, the pages themselves are looking absolutely gorgeous. Andrea Sorrentino, Ramon Villalobos, Michael del Mundo, Kev Walker and Lee Garbett all in one week? Plus, relative new-comer Alti Firmansyah rounds out a beautiful line-up. Maybe there’s something about the freedom that Secret Wars offers that attracts this kind of amazing talent.
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Justice League: Gods and Monsters Batman 1

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Today, Michael and Spencer are discussing Justice League: Gods and Monsters Batman 1, originally released July 22th, 2015.

Michael: There are a couple of questions we face when we read an “Elseworlds” tale in regards to the main continuity. What’s the point of any of this? Why does any of this matter? We are presented with alternate versions of the heroes that we know and love and wonder, “what the hell does this have to do with anything?” The worst case scenario is that we follow the exploits of a character that has a familiar name, but is absolutely nothing like what we know, and just different for difference’s sake. The best case scenario is that the character — while different from what we know – resonates with us to a certain truth at their core. Justice League: Gods and Monsters Batman 1 stars a different Dark Knight that circles a lot of familiar Batman tent poles. Continue reading

Teenage Mutant Ninja Turtles: Casey & April 2

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Today, Taylor and Patrick are discussing Teenage Mutant Ninja Turtles: Casey & April 2, originally released July 22nd, 2015.

Taylor: Last summer’s Michael Bay-produced Teenage Mutant Ninja Turtles movie met with lukewarm reviews. There were a lot of reasons cited by critics for the movie not being great, but the one thing that was almost universally harped upon was the confusing nature of the action sequences. Bay aficionados, however, were not surprised by this: chaos is one of his trademarks. What this goes to show is that clarity is incredibly important when crafting a story. It makes sense – if the audience can’t understand what’s going on, how are they supposed to take anything from it? Casey and April 2 is an interesting study in clarity: how it succeeds, how it fails, and how it succeeds despite its failings.

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Weekly Round-Up: Comics Released 7/15/15

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Look, there are a lot of comics out there. Too many. We can never hope to have in-depth conversations about all of them. But, we sure can round up some of the more noteworthy titles we didn’t get around to from the week. Today, Patrick, Spencer, and Drew discuss Godzilla in Hell 1, Dead Drop 3, Silver Surfer 13, and Astro City 25.

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“It can do two things! Why shouldn’t it?”

Professor Farnsworth, Futurama

Patrick: In the season four episode of Futurama, “Leela’s Homeworld,” the script originally called for two separate sci-fi machines – one to instigate a problem and the other to solve a problem. According to the DVD commentary track, the writers eventually just made the same machine capable of performing two tasks, and put their rationale in the mouth of the grumpiest character in the cast. And they’re totally right: for storytelling purposes, who cares if the magical machines are the same or different. But stories themselves are often strongest when sticking to a single focus. We find ourselves this week with a short round up, one where every issue is single-minded, and as a result, all are wonderfully clear and successful. Continue reading

Guardians of Knowhere 1

Alternating Currents: Guardians of Knowhere 1, Drew and Taylor

Today, Drew and Taylor are discussing Guardians of Knowhere 1, originally released July 15th, 2015.

Boy meets girl, boy loses girl, boy regains girl.

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Drew: I’ve never seen any codified theories to this effect, but I strongly believe that every narrative has an ideal length. The Old Man and the Sea couldn’t be longer without losing its essence, just as War and Peace couldn’t be shorter. I can’t claim to understand all of the factors that determine the ideal length for a story, but it’s obvious enough when the length isn’t ideal. The epigraph may functionally describe a lot of stories we’re familiar with, but it’s too short to be a satisfying story — we have no empathetic connection to “boy,” no investment in his relationship to “girl,” no context for their eventual reunion. Conversely, Brian Michael Bendis is often criticized for making his stories too long to be satisfying, with each plot point dragged out for too many issues for us to be invested in the bigger picture. Of course, one of the big mitigating factors in the world of comics is the quality of the art — a dazzling action sequence may not require much of a plot, and indeed may be better off without many distractions. Nobody does “dazzling” better than Mike Deodato Jr., which makes him an ideal pairing for Bendis’ decompressed style. So does Guardians of Knowhere 1 live up to that “match made in heaven” expectation? Continue reading

Robin: Son of Batman 2

robin 2Today, Spencer and Mark are discussing Robin: Son of Batman 2, originally released July 15th, 2015.

Spencer: We see a lot of redemption stories in comics (and in pop culture in general), and while many of them end in death, almost all of them end with the person seeking redemption finding some sort of forgiveness. Yes, the ideas of atoning for past crimes and being forgiven for them tend to go hand-in-hand, but should they? It’s an interesting notion, one which Patrick Gleason seems interested in examining throughout Robin: Son of Batman 2. Damian Wayne is out to atone for a year full of horrors he committed before becoming Robin, but atoning for some crimes is clearly going to be much harder than atoning for others — and it may simply come to down to who he’s seeking redemption from. Continue reading

Ant-Man Annual 1

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Today, Taylor and Spencer are discussing Ant-Man Annual 1, originally released July 15, 2015.

Taylor: Mentorship is an ancient practice. Any of us who have had the pleasure of reading Plato’s Republic (or were assigned to read it for class) know that the practice of an elder teaching a younger the ropes is something present in almost all societies. It’s natural then that we see this same master-apprentice relationship present in comic books. Batman, the Ninja Turtles, Wolverine, Jean Grey – they’ve all had someone there to mentor them and help them become heroes who save the day. We generally like to think of those mentors knowing it all, often forgetting that they are still human and far from perfect. Ant-Man Annual 1 examines what it’s like to find this out in typical witty fashion.

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