Visions of Something Greater in Superman 5

by Spencer Irwin

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Brian Michael Bendis and Ivan Reis open Superman 5 with a vision. Zod fantasizes of a New Krypton, of a world where all of Krypton’s survivors have united, where Zod and Superman have made peace despite their “ideological divide.” Superman, too, experiences a vision in this issue, one just as lofty. While these two men may share visions of something greater than themselves, though, it’s those pesky ideological differences that continue to drive them apart. Just because you dream of something better doesn’t mean the steps you take to get there are justified. Continue reading

Clark Controls the Narrative in Superman 4

by Patrick Ehlers

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Earth is trapped in the Phantom Zone and Superman is being attacked by Rogol Zaar and an army of Phantom Zone prisoners! It’s a dire situation, and not one that Superman has any confidence that he can solve by punching it. Instead, Superman has to redefine his terms of victory, drawing Rogol Zaar out of Earth’s atmosphere just long enough for Ray Palmer to shrink the planet and slide it out of the Phantom Zone. Clark is able to accomplish this because he controls the narrative, even as Rogol thinks he has the upper hand. Rogol’s tactics are better, but Superman controls the goals those tactics are meant to achieve. Artist Ivan Reis and writer Brian Michael Bendis fill the issue with examples of Superman controlling both the stories about him and the method and medium in which those stories are told. Continue reading

Full-Page Cutaway Gags Establish Tone in Superman 3

by Patrick Ehlers

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Patrick: In its abstract, the story of Superman thus far is bleak. The Earth has been stranded in the Phantom Zone, everyone on the planet is suffering from Phantom Zone-related environmental poisoning (including the superheroes), and all the scariest Kryptontian villains have teamed up with Rogol Zaar to defeat Superman. That’s pretty dire, right? This thing is even dark down to its artistic team: Ivan Reis and Joe Prado work with realistically shaped and shaded characters, which sort of insists that all of this is happening to real human beings with real human physiology. Luckily, writer Brian Michael Bendis sets aside real and relevant space in the issue to make jokes and have fun with this Superman adventure. Continue reading

Ideologies Collide in Superman 2

by Michael DeLaney

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Michael: Brian Michael Bendis continues to prove that he has an excellent handle on the mindset and disposition of The Man of Steel. Superman is a tireless force for good who refuses to see the glass half empty. This steadfast optimism even applies while he’s trapped in the Phantom Zone in Superman 2. Continue reading

Superman 1: Discussion

by Spencer Irwin and Patrick Ehlers

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Spencer: One of the biggest criticisms I’ve seen thrown around about Superman as a character is that he’s “too powerful,” that nothing can challenge a man who can quite literally juggle planets. There’s a bit of truth to this, to be sure, but it’s a narrow criticism, one that only takes into consideration physical challenges; the most interesting Superman stories are the ones that challenge him morally, ethically, or in ways that make his physical abilities useless. Superman 1 is such a story, an issue that finds the character at his most physically competent, yet feeling more lost and helpless than ever before.  Continue reading

Man of Steel 1 Reclaims Superman

by Patrick Ehlers

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

“Let’s make America great again / by making racists ashamed again.
Let’s make compassion in fashion again; / let’s make America great again.”

“Make America Great Again,” Frank Turner

In isolation, the words “make America great again” shouldn’t elicit a strong negative biological/emotional response. But this fairly innocuous phrase has been twisted beyond recognition by white nationalism, isolationism, and just general shitheadery. On Frank Turner’s newest record, Be More Kind, he attempts to overwrite the listener’s associations with those four little words on track five, boldly titled “Make America Great Again.” The song is big, joyful and rebellious at the same time, like all of Turner’s best tunes. I like it a lot, but I still flinch when chorus comes around. Some words and some symbols are just too thoroughly corrupted to be reformed. Brian Michael Bendis and Ivan Reis’ Man of Steel 1 has a similar hurdle to overcome: attempting to return Superman to the platonic ideal that maybe only exists in the imaginations of Kal El’s biggest fans. The results are miraculous. Continue reading

The Terrifics 1: Discussion

by Michael DeLaney and Ryan Desaulniers 

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Michael: We live in a curious world where Marvel hasn’t published a Fantastic Four comic book since 2015. To fill that Fantastic-less void, DC has given us an analogue team out of a few lower-tier heroes in addition to a new one. The team that has not yet become a team consists of the eponymous Mr. Terrific, Metamorpho, Plastic Man and Linnya Wazzo. The FF analogues are pretty obvious from the outset, the only thing that’s different here is the stretchy guy is occupying the “youthful/obtuse” role of The Human Torch. Continue reading

Justice League of America 1

jla-1

Today, Michael and Patrick are discussing Justice League of America 1, originally released February 22nd, 2017. As always, this article contains SPOILERS.

Michael: Sometimes I’m a tough customer to please. When it comes to storytelling, I like to get my bearings on the landscape and characters, but I don’t want to be spoon-fed all of the important details. With regards to Justice League of America 1 it nails some subtle world-building but is less successful when handling the stars of the book. Continue reading

Superman 14

superman-14

Today, Mark and Michael are discussing Superman 14, originally released January 4, 2017. As always, this article contains SPOILERS.

Mark: There was something in the air starting around 2005 that demanded male-driven pop culture be characterized by “grit.” Space marines were to be bald, worlds were to be painted in shades of concrete, and heroes were meant to be broken. It’s perhaps unfair to lay the root of this phenomenon at the feet of Christopher Nolan’s Batman Begins — but here we are. Whatever you think of the movie itself, there’s no question that Nolan’s take on Batman had the (unintended?) side effect of making the character joyless. Everyone wants to be Batman, but who would want to be that Batman? By the time The Dark Knight Rises was released in 2012, this No Fun Allowed Batman was so ingrained in the public consciousness that when Nolan and his brother Jonathan attempted to inject a bit of levity into the proceedings with a handful of actual jokes, some fans of the series balked. And who can blame them? For many, this was the only Batman they knew, and Batman — an adult man who dresses as a bat to beat up clowns and squat fat men and women squeezed into male-gaze fetish gear — was nothing to joke about.

Whether by decree of shared corporate Time Warner overlords or just an attempt to reinvigorize their lineup by capitalizing on the trends of the time, DC’s 2011 New 52 re-launch became an exercise in Nolanization. And while perhaps never as literally grey as the video games of the time, the race to appeal to the same Mountain Dew Gamer Fuel-fueled demographic had the (again, unintended?) side effect of slowly and fundamentally eroding what was so beloved about many of DC’s characters to begin with. To be fair, before Rebirth DC had already begun course correcting toward a more vibrant, diversified, and generally happy lineup of characters, but in some cases the rot was considered too deep. Let us pour one out for New 52 Superman, a sacrificial lamb killed off as a sign of good faith toward spurned fans. Continue reading

Best of 2016: Best Issues

best-issue-2016

Episodic storytelling is the name of the game in monthly comics. Month- or even multi-year-long arcs are fine, but a series lives and dies by its individual chapters. From self-contained one-offs to issues that recontextualize their respective series, this year had a ton of great issues. Whittling down those issues to a list was no easy task (and we look forward to hearing how your lists differ in the comments), but we would gladly recommend any (and all) of these issues without hesitation. These are our top 10 issues of 2016. Continue reading