How many Batman books is too many Batman books? Depending on who you ask there ain’t no such thing! We try to stay up on what’s going on at DC, but we can’t always dig deep into every issue. The solution? Our weekly round-up of titles coming out of DC Comics. Today, we’re discussing All-Star Batman 8, Batman 19, Batwoman 1, Superman 19, Trinity 7 and Wild Storm 2. Also, we’ll be discussing Green Lanterns 19 on Monday and Green Arrow 19 on Tuesday, so come back for those! As always, this article contains SPOILERS.
Today, Mark and Michael are discussing Superman 16, originally released February 1, 2017. As always, this article contains SPOILERS.
Mark: A lot of my time in Los Angeles has been spent in and around the improv comedy community, and watching a seemingly endless amount of bad comedy (and, truly, few things will make your flesh want to flee your body more than bad improv) really makes you appreciate the pros — people who week after week are able to deliver a baseline solid, occasionally brilliant, show. Consistency is what makes a pro a pro, in comedy, sports, comic books, what have you. The ability to reliably deliver the goods is indispensable. Superman 16 is a slightly disappointing end to Patrick Gleason and Peter J. Tomasi’s “Multiplicty” arc, but they’re pros, so even a messier Superman has ideas and moments worth paying attention to. Continue reading
How many Batman books is too many Batman books? Depending on who you ask there ain’t no such thing! We try to stay up on what’s going on at DC, but we can’t always dig deep into every issue. The solution? Our weekly round-up of titles coming out of DC Comics. Today, we’re discussing Batman 15, Green Arrow 14, Green Lanterns 15, Superman 15 and Trinity 5. Also, we’ll be discussing Nightwing 13 on Tuesday, so come back for that! As always, this article containers SPOILERS!
Today, Mark and Michael are discussing Superman 14, originally released January 4, 2017. As always, this article contains SPOILERS.
Mark: There was something in the air starting around 2005 that demanded male-driven pop culture be characterized by “grit.” Space marines were to be bald, worlds were to be painted in shades of concrete, and heroes were meant to be broken. It’s perhaps unfair to lay the root of this phenomenon at the feet of Christopher Nolan’s Batman Begins — but here we are. Whatever you think of the movie itself, there’s no question that Nolan’s take on Batman had the (unintended?) side effect of making the character joyless. Everyone wants to be Batman, but who would want to be that Batman? By the time The Dark Knight Rises was released in 2012, this No Fun Allowed Batman was so ingrained in the public consciousness that when Nolan and his brother Jonathan attempted to inject a bit of levity into the proceedings with a handful of actual jokes, some fans of the series balked. And who can blame them? For many, this was the only Batman they knew, and Batman — an adult man who dresses as a bat to beat up clowns and squat fat men and women squeezed into male-gaze fetish gear — was nothing to joke about.
Whether by decree of shared corporate Time Warner overlords or just an attempt to reinvigorize their lineup by capitalizing on the trends of the time, DC’s 2011 New 52 re-launch became an exercise in Nolanization. And while perhaps never as literally grey as the video games of the time, the race to appeal to the same Mountain Dew Gamer Fuel-fueled demographic had the (again, unintended?) side effect of slowly and fundamentally eroding what was so beloved about many of DC’s characters to begin with. To be fair, before Rebirth DC had already begun course correcting toward a more vibrant, diversified, and generally happy lineup of characters, but in some cases the rot was considered too deep. Let us pour one out for New 52 Superman, a sacrificial lamb killed off as a sign of good faith toward spurned fans. Continue reading
Episodic storytelling is the name of the game in monthly comics. Month- or even multi-year-long arcs are fine, but a series lives and dies by its individual chapters. From self-contained one-offs to issues that recontextualize their respective series, this year had a ton of great issues. Whittling down those issues to a list was no easy task (and we look forward to hearing how your lists differ in the comments), but we would gladly recommend any (and all) of these issues without hesitation. These are our top 10 issues of 2016. Continue reading
You know you shouldn’t judge a book by its cover, but that doesn’t mean you can’t judge the cover on its own merit. Some covers are so excellent that they pack all the drama, excitement and emotion of the whole issue into one succinct image. Sometimes they end up being their own surreal experience. And other times, we’re just exciting to see our favorite heroes kicking ass one more time. These are our top 10 covers of 2016. Continue reading
Today, Michael and Mark are discussing Superman Annual 1, originally released November 30th, 2016. As always, this article contains SPOILERS.
Michael: I harp on Annuals a lot because in short, they’re weird. Typically they exist outside of the main ongoing story and sometimes are not even written or drawn by the title’s current creative team. Rebirth is not immune to the pitfalls of Annuals, as Drew and I pointed out in our discussion of Batman Annual 1. The consistently strong Superman title, however, follows through with Superman Annual 1. Pete Tomasi, Patrick Gleason, and Jorge Jimenez provide us with a story that compliments the main narrative and encapsulates the same joy that has made Superman one of the stand-out Rebirth titles. Continue reading
Today, Michael and Patrick are discussing Superman 11, originally released November 16th, 2016. As always, this article contains SPOILERS.
Michael: Superman 11 concludes the fantastic and fun “World’s Smallest” arc/prelude to the upcoming Super Sons series. Batman, Superman and Alfred have devised a series of tests for Jon and Damian to overcome by working as a team. With Robin: Son of Batman’s Maya Ducard and “not a man-bat” Goliath in on the fun, Superman 11 is a complete Patrick Gleason/Pete Tomasi partnership. With its classic approach of the character, Superman has consistently been one of the best Rebirth titles. But by throwing Damian Wayne into the equation Tomasi and Gleason up their game exponentially. Continue reading
Today, Patrick and Mark are discussing Superman 9, originally released October 19th, 2016. As always, this article contains SPOILERS.
Patrick: Issues 8 and 9 of Superman read like an entire season of LOST. I’m only partially saying that because the action takes place on a mysterious, temporally displaced, impossible-to-escape island populated by monsters. The comparison is actually more apt in the way both LOST and Superman treat their central mysteries. By the end of issue 9, Clark and Jon’s adventure on the island may appear to be over, but readers are left with a host of lingering questions. In lieu of answers, storytellers Patrick Gleason and Peter Tomasi revel in the charming and illuminating details of the mystery itself, letting the mysterious, the symbolic, and the evocative beats speak for themselves. Continue reading
Today, Mark and Shane are discussing Superman 4, originally released August 3rd, 2016.
Mark: Ever since they started teaming up, Batman has been the yin to Superman’s yang. And after 5 years of Peter Tomasi and Patrick Gleason tackling the Batman/Damian dynamic, it’s an interesting exercise to watch them explore the similar-yet-not-at-all-the-same dynamic of Superman and his son Jon (aka Superboy). Jon is the anti-Damian; reluctant to use his powers, he has no problem keeping his nose clean and following the rules. An eager to learn Jon has provided Superman the perfect opportunity to reiterate his ethos, and by extension allowed Tomasi and Gleason to hammer home their operating thesis: Superman isn’t super because of his powers, he’s super because of the strength of his character. Continue reading