Howard the Duck 6

howard the duck 6

Today, Patrick and Taylor are discussing Howard the Duck 6, originally released April 20th, 2016.

“Chip, it was fun to help you out and write some little words beneath your comic about a talking duck who is mad at things.”

-Ryan North, alt text

Patrick: Even though I end up reading an awful lot of them, I tend to balk at the idea of superhero crossovers. Like, I kind of resent the idea that I’d be more attracted to a story if it has both Daredevil and Spider-Man in it. Superheroes, or any combination thereof, do not make a comic book special – the creators do. Rare is the crossover event that successfully melds the stories the creators tell as well as the worlds those stories take place in. Howard the Duck 6, a.k.a. The 2016 Squirrel Girl / Howard the Duck “Animal House” Crossover Part Two: Fight or Fight or Flightfight!, finds a way to do just that, finding a happy home at the intersection Ryan North’s goofy optimism and Chip Zdarsky’s even-goofier pessimism. Continue reading

Cyborg 1

cyborg 1Today, Michael and Patrick are discussing Cyborg 1, originally released July 22nd, 2015.

Michael: Words are an interesting thing, are they not? In one of those “Woah, its crazy how humans work” moments, the assemblage of letters, words, sentences, punctuations and so on is impressive. Memorable moments in pop culture can often be whittled down to a few buzzworthy quotes – especially with our 2015 short attention span. This particular mindset heavily influenced my reading experience of Cyborg 1; and that’s not really a good thing. Continue reading

DC Round-Up Comics Released 7/15/15

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Look, there are a lot of comics out there. Too many. We can never hope to have in-depth conversations about all of them. But, we sure can round up some of the more noteworthy titles we didn’t get around to from the week. Today, Michael, Shane, Patrick and Mark discuss Black Canary 2, Green Lantern The Lost Army 2, Martian Manhunter 2, Secret Six 4 and Superman/Wonder Woman 19.

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Michael: We’re in the second month of DC’s soft reboot of “DC YOU.” Though the name is so very stupid, the shakeup of DC’s monthly offerings has been a welcome change of pace thus far. We’re dealing with characters and concepts that have been in rotation for at the very least a couple of decades; so it’s nice to look at them from a different, less New 52-ish lens. I think that this particular selection for our DC round-up presents iterations of villains and do-gooders that may be different but don’t stray too far from the core of their character. You finally seem to be on the right path DC. (Hopefully.)

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Justice League of America 1

jla 1

Today, Michael and Spencer are discussing Justice League of America 1, originally released June 17th, 2015.

Michael: I’m having a difficult time managing my expectations with this new direction that DC is putting out. Curiously, I’m being overly optimistic that these new books will be excellent and do away with the New 52ishness of recent memory. Basically, I’m falling for DC’s sales pitch hook, line, and sinker. While Bryan Hitch’s Justice League of America 1 has some trappings of the New 52, I think he’s trying to blaze his own trail with DC’s trademark team. Continue reading

Justice League 38

justice league 38

Today, Michael and Patrick are discussing Justice League 38, originally released January 21st, 2015.

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Michael: No one is 100% honest 100% of the time. We often present each other with “versions of the truth.” In Star Wars, Obi-Wan Kenobi told Luke Skywalker that Darth Vader had murdered his father. After Luke figured out that Vader was the daddy, Obi-Wan justified his actions as telling the truth “from a certain point of view.” People withhold information from one another for a lot of reasons, but typically it’s to protect someone else or to protect yourself. Continue reading

Justice League 35

Justice League 35Today, Spencer and Drew are discussing Justice League 35, originally released October 15, 2014. 

Spencer: Lex Luthor has basically been the main character of Justice League ever since Forever Evil ended, and to be honest, I’m not quite sure how I feel about that. It’s inevitable that Lex will go back to being a full-time villain at some point (unless writer Geoff Johns manages to pull off the biggest reformation in DC history and make it stick), but I’m not sure how much that should influence my reading of Luthor’s intentions. There are two things I do know for certain, though: 1. Luthor’s presence has finally made the rest of the Justice League the competent, inspirational team we’ve been hoping they’d become since the New 52 began, and 2. even if Luthor’s reformation is somehow 100% legit, he still has plenty of misdeeds in his past to face up to. Continue reading

Batman and Robin 34

batman and robin 34

Today, Patrick and (guest writer) Mark are discussing Batman and Robin 34, originally released August 20th, 2014.

Patrick: When The Death of the Family was heading into its final issue, Scott Snyder appeared in a ton of interviews claiming that this conclusion was going to have a lasting effect on Batman and the Batfamily. But after that story line wrapped up, Snyder took his own series into Batman’s past, conveniently avoiding working through much of this fallout. Similarly, Grant Morrison killed Damian in Batman Incorporated, but wrapped up his series only a few issues later. The emotional heavy lifting as fallen to Peter Tomasi and Patrick Gleason, who have dutifully presented the most erratic, emotional and frustrating Batman possible. Everything that Batman is — the selfless knight of justice, the patriarch of the Batfamily, the infallible detective — has been undermined in the wake of these twin tragedies. Understandably, that pushes Batman away from his readers, and his alienation from the world started to reflect the audiences’ alienation from the character. In issue 34, Tomasi and Gleason have Bruce offer a naked apology to his protégés, but they’re also inviting us to trust Batman again. Fuck yes: I’m ready to forgive. Continue reading

Forever Evil 1

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Today, Mikyzptlk and Patrick are discussing Forever Evil 1, originally released September 4th, 2013. 

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Mikyzptlk“Evil is Relative” was the tagline used to hype the Forever Evil event that has just started to sweep the DCU. Trinity War has succeeded in tearing down the accepted norms of the DCU. Forever Evil is primed to explore what happens when the heroes are nowhere to be found, and the villains are the only ones left to defend the world. Continue reading

Justice League 23

justice league 23 trinityToday, Spencer and Mikyzptlk are discussing Justice League 23 originally released August 28th, 2013. This issue is part of the Trinity War crossover event. Click here for our complete Trinity War coverage.

trinity war divSpencer: One of my favorite hobbies is explaining comic book storylines to people who don’t read comics (“Hey guys, did you know that the Justice League once fought a giant floating psychic island that shoots dinosaurs?!”). It’s always fun to watch their expressions, but it’s also an interesting reminder that comics, at their core, are goofy as hell. Personally, I don’t think that’s a bad thing. I’m glad comics are finally being respected as an art form, and I wouldn’t be writing here if I didn’t love poring through comics and discussing their depths, but sometimes it’s just fun to turn off my brain and embrace the goofiness, and no story’s been better for that lately than Trinity War. It’s so much fun that I don’t even mind that big fat “to be continued” at the end—well, I don’t mind it that much…

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Justice League of America 7

Alternating Currents: Justice League of America 7, Drew and Taylor

Today, Drew and Taylor are discussing Justice League of America 7 originally released August 14th, 2013. This issue is part of the Trinity War crossover event. Click here for our complete Trinity War coverage.

trinity war divDrew: Determining a level of focus is perhaps the most important step in evaluating a work of art. These foci are specific to the style at hand — harmonic analysis is likely going to tell you very little about a rap song, just as an examination of brush strokes wouldn’t add much to a discussion of da Vinci. Intriguingly, these styles often begin to resemble each other as you zoom in and out — abstract paintings may share concepts of form, color, or composition with those of the Rennaisance masters, for example — further increasing the importance focus in an analysis. Geoff Johns has always written “big” — he’s been at the helm (or at least sharing the helm) of some of DC’s most important events over the past decade — and his writing has often chafed at the analyses of his critics. Justice League of America 7 actually avoids many of the pitfalls Johns is often cited for (a lot of stuff actually happens here), but it still has me wondering if we’re simply using the wrong tool for the job of evaluating a giant, Geoff Johns-penned event. Continue reading