Despicable Deadpool 300: Discussion

by Drew Baumgartner & Patrick Ehlers

Despicable Deadpool 300

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

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Drew: Five years into this run, pointing out that Deadpool is a Sad Clown would be lazy analysis — not only has that point been well established, but the series itself has managed to explore it so thoroughly, reducing the character’s emotional journey to a two-word summary couldn’t possibly do it justice. And yet, I couldn’t think of a more appropriate way to begin this piece than embedding Smokey Robinson’s “Tears of a Clown,” not because of a shallow similarity between the content of these two works, but because of some profound similarities in how they treat that content. The lyrics describe a narrator who puts on a good face in spite of his profound sadness, but the music doesn’t betray that sadness for a second — it sounds like any other Motown hit (though that bouncy bassoon that maybe hints that this song is about a clown). By this point in the story, Wade Wilson has completely dropped that fascade of silliness, but just like the instruments in “Tears of a Clown,” the series itself maintains that clownish exterior. Continue reading