Batgirl 12

Today, Shelby and Patrick are discussing Batgirl 12, originally released August 8th, 2012.

Shelby:  I am no stranger to the feeling of being unable to put a book down. There are some authors out there whose stories get their hooks in your brain; as you read, you reach a point of no return, a point that leaves you still reading at 2:30 AM on a work night because you just HAVE to know what happens next. Luckily for me, Batgirl is doled out in little bite-sized portions once a month, otherwise I would quickly reach that point. This title is so good, I can’t tear my eyes away. 

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Batgirl 11

Today, Shelby and Peter are discussing Batgirl 11, originally released July 11th, 2012.

Shelby: I recently finished Frank Herbert’s Dune (highly recommended if you like old-school science fiction), and one of the prevailing ideas is that of plans within plans within plans. The idea is that your enemies, or your allies, are never what they seem: that every plan you see is part of another more intricate plan, and so on and so on. The only way to survive is to think the same way, to create plans upon plans until even your closest allies aren’t sure your motives. I’m beginning to feel the same vibe from Batgirl; enemies and allies are telescoping inward, and every motive revealed is another motive for another plan.

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Batgirl 10

Today, Peter and Drew are discussing Batgirl 8, originally released June 13th 2012.

Peter: We are now out of the Night of the Owls. Babs is back in action fighting crime in Gotham. We get a new storyline and tons of new possibilities from here on out. Babara is an incredibly dynamic character so far. Gail Simone has been writing this character for a long time, from Oracle to Batgirl, and has done an incredible job getting Barbara back on her feet. The amount of time and detail that is going into this story is continuously setting it apart from many of the other books in DC’s current line-up.

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Batgirl 9

Today, Drew and Shelby are discussing Batgirl 9, originally released May 9th, 2012. This issue is part of the Night of the Owls crossover event. Click here for complete NotO coverage. Not caught up on Batgirl? No problem! Get up to speed with our video Cram Session.

Drew: As a crossover event, the Night of the Owls is pretty rigid in what it requires of its participating titles. Namely that the hero(es) 1) receive Alfred’s APB, 2) rush to protect one of the target on the hit-list, and 3) battle at least one Talon in order to protect said target. Those strict guidelines run the risk of getting old rather quickly, as they are repeated in about a dozen titles in a single month. It’s credit to writer Gail Simone that she managed to wrangle and subvert those guidelines into a compelling narrative, though doing so left little room for that signature Babs wit we’ve come to love from Simone’s writing. Continue reading

Batgirl 8

Today, Drew and Patrick are discussing Batgirl 8, originally released April 11th 2012.

Check out Shelby’s exclusive Gail Simone interview here!

Drew: “Closure” is a word we hear with increasing frequency in modern narratives. Characters reunite with long lost lovers or otherwise return to their pasts in order to move on to the future. This can be a compelling motivation, but it often reduces those characters down to some defining moment or relationship, keeping them rather one-dimensional. Real life problems are much more complicated, forcing us to settle for smaller comforts over the kind of profound sense of closure promised in movies. Batgirl 8 illustrates that point beautifully, providing a return to The Killing Joke that only addresses some of Barbara’s baggage. Continue reading

Batgirl 7

Today, Shelby and Patrick are discussing Batgirl 7, originally released March 14th 2012.

Shelby: I am the only ladywriter here at Retcon Punch. I’m certainly not trying to minimize the “ladyness” of some of the other writers; I think Patrick and Drew may be bigger feminists than I am. Feminists or not, I think being the ladywriter gives me a certain empathetic view point when it comes to reading about our lady heroes. Or, it would if I thought I could at all relate to these metahuman women, running around with their tights and boob windows. Enter: Barbara Gordon. She has the same sort of inner monologue that I have; she doubts herself, she’s unsure, she’s conflicted. Of course, she’s got much bigger inner fears and issues than I do, but I can understand her. And that is why I love reading about her.

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