The Wicked + The Divine 18

wicked and divine 18Today, Spencer and Drew are discussing The Wicked + The Divine 18, originally released April 6th, 2016.

Spencer: The Wicked + The Divine is back after a nearly four month absence, and regular artists Jamie McKelvie and Matthew Wilson have returned to the title after an even longer break. Not a single member of the creative team misses a beat, leaping headfirst into the title’s most action packed story yet, and one that draws deeply upon all the lore and characterization writer Kieron Gillen’s established in the past 17 issues. The Wicked + The Divine 18 never holds back and never slows down, so neither shall I. Let’s dive right in. Continue reading

The Wicked + The Divine 16

wicked and divine 16Today, Spencer and Patrick are discussing The Wicked + The Divine 16, originally released November 11th, 2015.

Spencer: Back in 2012 I was supposed to go to the midnight premiere of The Hunger Games with a group of friends, but I ended up getting tickets to a different theater by accident. Rather than go by myself, I roped a friend who wasn’t a fan of franchise into going with me by playing up the movie’s violence and making it sound like something it wasn’t. He wasn’t happy with the movie, and I knew up front he wouldn’t be, but at the time I didn’t care — I just wanted him to come with me. I couldn’t help but to remember that anecdote while reading The Wicked + The Divine 16; The Morrigan’s inviting Baphomet into the Pantheon is equally selfish, if much more destructive in the long run than my boneheaded move.

(For the record, I did apologize, and he’s made me watch much worse)
Continue reading

The Wicked + The Divine 12

wicked and divine 12Today, Spencer and Patrick are discussing The Wicked + The Divine 12, originally released July 1st, 2015.

Spencer: In superhero comics, readers get used to seeing characters interpreted in myriads of ways. Everyone from Bill Finger to Frank Miller to Jim Lee has had their hands on Batman, and as a result, we’re able to accept Batman’s characterization in almost any incarnation, no matter how drastic the change. That’s great for accessibility, but much worse for consistency, especially when a character gets saddled with a less-than-stellar creative team. Indie books, on the other hand, allow for finite stories told by a single creative team, with some books (such as Saga) even deviating from a monthly release schedule in order to ensure that no fill-in artists will be needed. Throughout its first 11 issues The Wicked + The Divine stuck with a consistent team (Kieron Gillen, Jamie McKelvie, Matthew Wilson, and Clayton Cowles), but issue 12 features Kate Brown as the series’ first fill-in artist. This artistic switch-up comes in the aftermath of the series’ most turbulent moment, and it’s the perfect way to illustrate how shaken-up the cast still is after last month’s sudden, tragic turn. Continue reading

The Wicked + The Divine 10

wicked and divine 10

Today, Patrick and Spencer are discussing The Wicked + The Divine 10, originally released May 6th, 2015.

You know what hope is?
Hope is a bastard.
Hope is a liar, a cheat and a tease.
Hope comes near you?
Kick its backside:
Got no place in times like these.

Ben Folds and Nick Hornby, “Picture Window”

Patrick: The world of The Wicked + The Divine posits that everyone wants something just beyond their reach. Fans just want to connect with the gods, the gods just want to live a little bit longer. Their goals always seem tenable, but for the simple fact that they aren’t. This extends directly to the reader — ten issues in and we should be able to speak more definitively about whether Lucifer killed that judge, but we can’t. This issue explores the gulf created by what the characters want, and only sheepishly celebrates what they have. Continue reading

The Wicked + The Divine 5

wicked and divine 5

Today, Suzanne and Spencer are discussing The Wicked + The Divine 5, originally released October 22nd, 2014.

Suzanne: Comic book solicitations bring out my cynical side. How can they so casually throw around phrases like “changed forever,” “new status quo” and “earth-shattering events”? Does every sentence need to end with an exclamation point?! I get that their purpose is for marketing and selling comics, really I do. But the end result is that readers expect instant gratification each month. Some of us lose sight of the bigger picture — story arcs need time to build dramatic tension and not every issue will (or should) end in a cliffhanger or a climactic moment. I’d go a step further and argue that smaller moments can be equally important to character and plot development.

The Wicked + The Divine 5 effortlessly combines shocking, “game changing” events with softer character reactions. The first four issues of this series laid the groundwork for this departure. Gillen and McKelvie gave readers hints of what these gods were capable of like Sakhmet’s fierce, primal aggression. But this issue invokes an awe and apprehension in readers that mirrors Laura’s fangirl reaction to The Pantheon. Continue reading

The Wicked + The Divine 4

wicked and divine 4Today, Spencer and Suzanne are discussing The Wicked + The Divine 4, originally released September 17th, 2014.

Spencer: Last year I had the privilege of spending a day working as a roadie for my favorite band, Saves the Day. I was extremely fortunate that the guys in Saves lived up to my expectations; they’re probably the nicest, most genuine guys I know and went out of their way to make me feel comfortable, but even so, spending time backstage with them and their crew felt like entering a strange new world, with culture and customs all their own. I couldn’t help but think about this while reading Kieron Gillen and Jamie McKelvie’s The Wicked + The Divine 4, as Laura gets to spend time in the private world of her idols. But while I had the best day of my life, Laura seems to walk away from the experience in much deeper trouble than when she started. Continue reading