Tag Archives: The Wicked + The Divine

Oct 2 2018

Guilt As A Weapon in The Wicked + The Divine 1373AD

by Spencer Irwin

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

For the most part, emotions aren’t inherently good or bad — their effect ultimately depends on how you process them. Too much of a “good” emotion can be overwhelming, while traditionally negative emotions like fear, pain, sadness, and even guilt have their lessons to teach us. Growing up religious, I’ve seen guilt successfully steer people towards better choices (or away from poor ones), but I’ve also seen guilt consume people down to their very soul. In the wrong hands guilt can be a powerful and dangerous weapon, a tool to wield against others, to manipulate them and tear them down. Ananke, of course, has never met a weapon she hasn’t wanted to give a try, and in The Wicked + The Divine 1373AD guilt proves to be a potent addition to her arsenal. Continue reading →

Sep 18 2018

Taking Control of Your Own Story in The Wicked + The Divine 39

by Spencer Irwin

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

See, I refuse to think of rock and roll as my career
Tell me all my opportunities, ask me if I care
The rock star lifestyle ain’t for me
I quit
Got somewhere else I’d rather be
So I quit
I quit, I quit

“I Quit” — Descendents

Fame isn’t for everyone; hell, fame isn’t for most people. But fame is also a trap, and something that takes a lot of work and luck to achieve, so I admire the hell out of anyone who’s willing to give it up, whether it be to broaden into less lucrative aspects of their medium or to get out of show business altogether. It takes a lot of clarity and guts to make that decision, and in The Wicked + The Divine 39, Laura Wilson — no longer Persephone — has both in droves. Continue reading →

Aug 20 2018

The “How” of the Reveal in The Wicked + The Divine 38

by Spencer Irwin

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

One of the things I appreciate the most about Kieron Gillen and Jamie McKelvie’s collaborations is the way they handle big twists and reveals. Gillen and McKelvie rarely trade in big showy twists (and when they do — such as in the “I Am Ananke” moment — they tend to raise more questions than they answer); instead, major pieces of information are revealed with such subtlety that one could almost miss them, and usually have plenty of evidence pointing their way long before the theories are finally confirmed, rewarding loyal, eagle-eyed readers. The Wicked + The Divine 38 clarifies several major pieces of information this way, furthering the plot, deepening its characters, and taking advantage of this arc’s unique structure in the process. Continue reading →

Jul 3 2018

There’s No Escaping History in The Wicked + The Divine 37

by Spencer Irwin

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

History is an intrinsic facet of The Wicked + The Divine in multiple ways. Its story — and deities — have existed for the majority of recorded human history, and Kieron Gillen and Jamie McKelvie have gone to great lengths to accurately reflect that throughout the series. History is also a far more personal thing in WicDiv, though. There’s not a single character who can escape the pull of their own personal history, be it the baggage of Ananke/Minerva’s own six thousand year long existence, or the brief-yet-intense history behind the Morrigan and Baphomet/Marian and Cameron’s complex, tragic romance. Both tales reach inevitable — yet very different — climaxes in WicDiv 37. Continue reading →

May 22 2018

Breaking the Cycle in The Wicked + The Divine 36

by Spencer Irwin

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

It’s happening now. It’s happening again.

The Wicked + The Divine

Endless cycles are a motif that runs deep throughout The Wicked + The Divine, from the unending dysfunction and madness of the Pantheon, to the circle that makes up their logo and meeting table, to the very nature of their perpetual rise and fall, a neverending cycle of death and rebirth. In fact — if anything she’s said can ever be believed — one of Ananke’s greatest fears seemed to be the idea that this cycle could somehow be broken.

These are both ideas that Kieron Gillen, Jamie McKelvie, Matthew Wilson, and Clayton Cowles dig into in The Wicked + The Divine 36, an issue that spends a shocking amount of space detailing yet another endless cycle, and the rest of the issue breaking an entirely different one. Continue reading →

Apr 9 2018

Secrets as a Weapon in The Wicked + The Divine 35

by Spencer Irwin

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

It should be no surprise that almost every character in Kieron Gillen and Jamie McKelvie’s The Wicked + The Divine are hiding major secrets, nor that, as the series enters its final year, more and more of those secrets are coming to light. What might be a bit surprising, though, is how well the cast leverages these secrets — both their own and others’ — in order to get what they want. Secrets can be a liability, but in the world of WicDiv, they’re just as often an asset, a weapon just waiting to be fired. Continue reading →

Mar 9 2018

The Art of Doling Out Answers in The Wicked + The Divine 34

by Spencer Irwin

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

There are some stories that fall apart once they start giving out answers. Maybe all it had going for it was its mysteries, or maybe the mythology ended up dull or nonsensical, or maybe they spelled everything out in a long, listless exposition drop — the point is, the spark’s gone once the story reveals its secrets. Thankfully, The Wicked + The Divine is not one of those stories. Kieron Gillen and Jamie McKelvie turn doling out answers into an art-form, finding ways to fascinate even when revealing truths to their cast that readers already know. Continue reading →

Feb 9 2018

“High” and “Low” Art Collide in The Wicked + The Divine 1923AD

by Spencer Irwin

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

The difference between “high” and “low” art has always seemed rather arbitrary and elitist to me, but that hasn’t stopped debates about the two from raging in one way or another for centuries. That conflict is the heart of The Wicked + The Divine 1923AD, manifesting both in the actual plot and in the format in which Kieron Gillen chooses to tell his story, a tale and a format that can really only serve as celebrations of all kinds of art: “high,” “low,” or otherwise. Continue reading →

Nov 21 2017

It’s the Old vs. the Young in The Wicked + The Divine 33

by Spencer Irwin

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

The Wicked + The Divine 33 is an absolute gamechanger of an issue (I know we put a spoiler warning before every article, but I just want to reiterate — you do not want this issue spoiled), one that made me rethink everything I thought I knew about the series, and which has me eager to go back and reread it from the beginning. Writer Kieron Gillen addresses this in his letter that closes the issue, stating that he and artist Jamie McKelvie have been unable to even disclose one of the three major themes of the series before because it would have spoiled issue 33’s big reveals. With so much out in the open now, though, I think I have a solid idea what that theme might be. Continue reading →

Oct 17 2017

The Futility of Action in The Wicked + The Divine 32

by Spencer Irwin

The Wicked + The Divine 32

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Something Amateratsu said way back in the first issue of The Wicked + The Divine has always stuck with me — she said that the Pantheon exist to inspire. This implies that their direct ability to change the world, for better or for worse, is limited; like most creators and performers, their true strength is (or at least should be) their ability to move others through their art. This seems an especially significant point to keep in mind while reading issue 32, which finds the futility in all of its characters’ attempts at grand gestures or plans — but especially Dionysus’. Continue reading →