This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!
Spencer: One of the most common complaints about prequels is that everyone “already knows the ending,” but sometimes that inevitability can be an asset. Take The Wicked + The Divine Christmas Annual 1, for example. Writer Kieron Gillen and a bevy of talented guest artists fill the special with tales from the early days of the Pantheon. Most are fairly sweet and upbeat in isolation, but when viewed in context with the events that follow, suddenly become much more bittersweet. The inevitable history these characters must someday face creates extra layers of meaning for each story, making the special as a whole that much richer. Continue reading →
Today, Spencer and Patrick are discussing The Wicked + The Divine 1831 1, originally released September 21st, 2016. As always, this article contains SPOILERS.
“Those who cannot remember the past are condemned to repeat it”
Spencer: The Wicked + The Divine‘s Pantheon live in a perpetual cycle of rebirth: as the opening scrawl reminds us, these deities are reborn every 90 years, whether they like it or not. It’s unclear exactly how much the Pantheon can remember of their previous incarnations — if they remember anything at all — but I get the impression that however much they remember, it’s not enough. Kieron Gillen and Stephanie Hans use The Wicked + The Divine 1831 to give readers their first extended glimpse at a previous Pantheon, and it proves to be enlightening in many ways. Turns out the Pantheon are caught in quite a few perpetual cycles, and most of them are far more destructive than their rebirths. Continue reading →
Today, Spencer and Patrick are discussing The Wicked + The Divine 12, originally released July 1st, 2015.
Spencer: In superhero comics, readers get used to seeing characters interpreted in myriads of ways. Everyone from Bill Finger to Frank Miller to Jim Lee has had their hands on Batman, and as a result, we’re able to accept Batman’s characterization in almost any incarnation, no matter how drastic the change. That’s great for accessibility, but much worse for consistency, especially when a character gets saddled with a less-than-stellar creative team. Indie books, on the other hand, allow for finite stories told by a single creative team, with some books (such as Saga) even deviating from a monthly release schedule in order to ensure that no fill-in artists will be needed. Throughout its first 11 issues The Wicked + The Divine stuck with a consistent team (Kieron Gillen, Jamie McKelvie, Matthew Wilson, and Clayton Cowles), but issue 12 features Kate Brown as the series’ first fill-in artist. This artistic switch-up comes in the aftermath of the series’ most turbulent moment, and it’s the perfect way to illustrate how shaken-up the cast still is after last month’s sudden, tragic turn. Continue reading →
Today, Drew and Spencer are discussing The Wicked + The Divine 11, originally released June 3rd, 2015.
Mr. Ross: Firestorm, that’s a hell of a picture. Remember when they had the helicopter land on top of that car —
Frank Costanza: Hey! I haven’t seen it yet!
Mr. Ross: It has nothing to do with the plot!
Frank Costanza: Still, I like to go in fresh!
Seinfeld, “The Rye”
Drew: I wouldn’t say my girlfriend has a lot in common with Frank Costanza, but she also prefers to “go in fresh” to narratives. For her, any information beyond the barest gist of the genre and mood constitutes a spoiler. Of course, I’ve always been on the opposite end of the spoiler spectrum — because I’m most interested in how the story is told, knowing plot points ahead of time can’t “spoil” the experience. Every so often though, I’ll encounter a twist so shocking that I have to admit I’m glad I didn’t know it was coming. Which is to say, when I say that you should only read on if you’ve already read The Wicked + The Divine 11, I really mean it. Seriously: spoilers after the jump. Continue reading →
Today, Patrick and Spencer are discussing The Wicked + The Divine 10, originally released May 6th, 2015.
You know what hope is?
Hope is a bastard.
Hope is a liar, a cheat and a tease.
Hope comes near you?
Kick its backside:
Got no place in times like these.
Ben Folds and Nick Hornby, “Picture Window”
Patrick: The world of The Wicked + The Divine posits that everyone wants something just beyond their reach. Fans just want to connect with the gods, the gods just want to live a little bit longer. Their goals always seem tenable, but for the simple fact that they aren’t. This extends directly to the reader — ten issues in and we should be able to speak more definitively about whether Lucifer killed that judge, but we can’t. This issue explores the gulf created by what the characters want, and only sheepishly celebrates what they have. Continue reading →
Today, Drew and Spencer are discussing The Wicked + The Divine 7, originally released January 21st, 2015.
Drew: Religion is such a weird thing in comics. Both of the Big Two feature actual gods in their publishing line, which opens up a whole host of ontological questions — Did these gods play a role in the creation of the universe? How did they come to exist? — but these characters largely aren’t designed to answer religious questions. Just like Superman isn’t really about the existential questions raised by alien societies, the likes of Thor and Wonder Woman aren’t really about mythology — goddom is just another avenue to explain why your characters would have superpowers. It was easy for me to confuse The Wicked + The Divine with this type of story — neither is ultimately interested in the religious implications of having gods up and walking around — but as the series’ themes continue to solidify, it’s become ever more apparent that the powers don’t matter, either. “God” is just an exaggerated stand-in for “teen idol,” and given the way our society treats celebrities, it’s not that much of an exaggeration. Continue reading →
Today, Suzanne and Spencer Spencer and Drew are discussing The Wicked + The Divine 6, originally released December 17th, 2014.Spencer: I’ve gone to a lot of shows by myself over the last couple of years, but it’s rare that I’m ever lonely. I am not a bold or outgoing person, but there’s something about knowing that the majority of the people in that building all love the same band I do that makes it easier to reach out and make new friends. That’s what I love about fan culture, how shared love of a show or book or band can bring strangers together, be it in person or online. Unfortunately, there’s a dark side to fan culture, be it pretentious elitists who believe their way of loving a piece of media is the only “right” way or gatekeepers who want to push out anybody they don’t want in their fandom, often resorting to violent or illegal means. The Wicked + The Divine 6 marks the beginning of a new storyline, one which Kieron Gillen and Jamie McKelvie already seem eager on using to explore the darker side of fan culture. See, it turns out that not all of the Pantheon’s fans are as loyal or level-headed as our Laura… Continue reading →