This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!
CORRECTION (5/3/18): A previous version of this piece credited Clayton Cowles with the lettering, as is indicated in the credits. The issue was actually lettered by Travis Lanham.
Astonishing X-Men is one of those telepathic mutant clusterfucks. You know the type: there are psychics and reality warpers and a shapeshifter all int he mix at once. The audience’s ability to tell what is happening and what is not happening will likely vary from reader to reader, but I had a hell of a time tracking who was where and what specific threats they faced. This disorientation cues the reader up for that mind-bending twist on the final page. But you can’t just be confused for 20 pages, can you? With Ron Garney’s artwork and Charles Soule’s script both actively working to distance themselves from the reader, we have to look to letterer Travis Lanham for signposts of stability. Continue reading →
Today, Taylor and Patrick are discussing Unbelievable Gwenpool 14, originally released April 12th, 2017. As always, this article contains SPOILERS.
Taylor: When you read an issue of Deadpool you know what you’re in for. Violence, cursing, and most of all, irreverent humor. Gwenpool falls much in the same line as the character that inspired her creation. Being a character who once read the comics about the other characters she’s interacting with, she can’t but be the living embodiment of meta-humor. This type of humor lends itself to the same kind of irreverence that we’re used to seeing in Deadpool but that doesn’t mean it is by any means easy to create. In Gwenpool 14 these types of laughs are present, but show the first signs that perhaps they are growing a bit stale as well.