Good vs. Evil in Astonishing X-Men 12

by Patrick Ehlers

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

“Good vs Evil” implies that there are two sides — two warring factions — battling for the fate of the world. It’s a compelling image: a battlefield with good guys on one side and bad guys on the other. Good and evil are separate forces, and in our imaginations, represented by two different groups of people. While Charles Soule and Gerardo Sandoval’s Astonishing X-Men 12 still gives the reader avatars of light and darkness in the forms of X and The Night King, the armies fighting for each side are made up of all the same players. Old Man Logan is both a reformed ally-murderer and an irredeemable death machine; good and evil waging war within one mind. Continue reading

Lettering Through the Psychic Fog in Astonishing X-Men 11

By Patrick Ehlers

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

CORRECTION (5/3/18): A previous version of this piece credited Clayton Cowles with the lettering, as is indicated in the credits. The issue was actually lettered by Travis Lanham.

Astonishing X-Men is one of those telepathic mutant clusterfucks. You know the type: there are psychics and reality warpers and a shapeshifter all int he mix at once. The audience’s ability to tell what is happening and what is not happening will likely vary from reader to reader, but I had a hell of a time tracking who was where and what specific threats they faced. This disorientation cues the reader up for that mind-bending twist on the final page. But you can’t just be confused for 20 pages, can you? With Ron Garney’s artwork and Charles Soule’s script both actively working to distance themselves from the reader, we have to look to letterer Travis Lanham for signposts of stability. Continue reading

All-New Wolverine 30: Discussion

by Michael DeLaney and Patrick Ehlers 

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Michael: Tom Taylor continues to write one of the best Wolverine books that is actually pretty un-Wolverine-ish. Wolveriney? Wolverinian? What I mean to say is that for a character who is best known for being a bloodthirsty stab machine, this Wolverine is almost the opposite. To be clear, Logan was/is much more than a barbaric beast. But in Laura Kinney, Tom Taylor has crafted a Wolverine who is wise, humble and (mostly) peaceful. Like Logan, Laura is full of guilt over the violent life that she was born into. But in All-New Wolverine 30, Laura takes that guilt and transforms it into repentance. Continue reading

Upping the Ante in All-New Wolverine 29

By Michael DeLaney

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

I think the best writers at DC or Marvel are those that incorporate the past — warts and all — while paving the way for the future. With secret origins, even secreter origins, clones, children and magical swords, Wolverine has a complicated and silly comic book history. Leave it to Tom Taylor to take on some of that silly and make it a strength. Continue reading

Phoenix Resurrection: The Return of Jean Grey 2

by Drew Baumgartner

Phoenix Resurrection 2

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Does anyone remember the “flash sideways” device from LOST‘s final season? The show mined a lot of fun out of the mystery of just what the heck that other world was — a parallel universe? a new timeline? purgatory? — but I never really found the guessing all that fun, as the magical/metaphysical nature of that particular mystery meant that any and all of those things could be equally right. I tend to feel that way about most mysteries that delight in building up red herrings to look as likely as the ultimate answer (perfectly demonstrated in Clue‘s multiple endings; the culprit can only be found by the movie telling us whodunnit, not through any deductive work on our own), but it’s particularly pronounced in stories with a fantasy or sci-fi element that might defy our own experience of the world. That is, if we’re operating in a world with a magical island, is it possible to rule out even the most absurd theory? These are the thoughts running through my head as I read Phoenix Resurrection 2. Continue reading

The Specificity of Allusions in Deadpool vs. Old Man Logan 3

by Drew Baumgartner

Deadpool vs Old Man Logan 3

This article contains SPOILERS! If you haven’t read the issue, proceed at your own risk.

Back in high school english class, I was daunted by the idea that every work of literature alludes to earlier, more foundational works. How could I ever understand the meaning of a novel if I haven’t also read the novels it references, and the novels those reference and so on and so on. I’m still fascinated by the notion that every work of art has an ever-branching family tree of influences, but I’m less concerned about missing them — a work lives or dies on its own merits, so if I don’t “get it,” I’m happy to pin that on the work itself. I have a largely similar attitude to comics, where general familiarity with the character and the world might be a safe assumption, but a given issue can’t take for granted that we’ve read any other comic, let alone one from years ago. And yet, comics also has this rich, ever-growing continuity that can (and some might argue should) inform every character’s identity. Such is the case with Deadpool Vs. Old Man Logan 3, which draws upon writer Declan Shalvey’s own personal history with Wade Wilson in one of the most rewarding ways I’ve seen in years. Continue reading

Cliches and Cutlery in Deadpool vs. Old Man Logan 2

by Michael DeLaney

This article contains SPOILERS! If you haven’t read the issue, proceed at your own risk.

Story models repeat themselves, and that’s not necessarily a bad thing. For me, Deadpool vs Old Man Logan isn’t trying to be anything new or groundbreaking — but then again every comic book is someone’s first. Deadpool vs Old Man Logan 2 uses the X-Men staple of a military organization hunting “the chosen one” while the two mutant former weapons trade quips and shed blood. Continue reading

The Frustration of ‘Almost’ in Astonishing X-Men 5

by Taylor Anderson

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

I’ve recently been playing a lot of Zelda: Breath of the Wild, and while I love the game, there are times it frustrates the hell out of me. Usually, this frustration comes in the form of puzzles located in shrines scattered throughout Hyrule. While a lot of the shrines are solved using logic, there are some that just require skill and a lot of patience to complete. I can’t count the number of times I’ve come close to solving one of the skill shrines only to have something get bungled up at the last minute. This sense of frustration in the face of near victory is familiar to me now, and it’s why I recognize it so readily in Astonishing X-Men 5. Continue reading

Deadpool vs. Old Man Logan 1: Discussion

by Michael DeLaney and Spencer Irwin

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

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Michael: A common criticism of a piece of fiction is “nothing really happened.” The meaning of that blanket statement can vary depending on who the critic is and more specifically what they’re expecting. A great example of this is the Season 3 Breaking Bad episode “The Fly.” Critics praised the bottle episode as a brilliant character study while it left many audiences unimpressed with the fact that “nothing really happened.” While I try to appreciate the deeper meaning of a piece of work, I must say that in Deadpool vs. Old Man Logan 1…nothing really happens. Continue reading

Logan’s Mind and Body in Astonishing X-Men 3

by Taylor Anderson

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Wolverine has always been the perfect blend of superpower and persona. On the mutant side, Logan’s body regenerates from virtually any damage he may sustain. On the persona side, Logan is strong-willed and once his mind is set to do something, there’s little that can get in his way. The marriage of Logan’s unflinching resolve and undying body is poetic in the way each side reflects the other. What exactly that makes of the man’s psyche is the topic of discussion in Astonishing X-Men 3. Continue reading