This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!
Spencer: For the first few decades of his existence, Green Arrow was just Batman with a bow and arrows. It wasn’t until the 1970s, when Oliver Queen lost his fortune and gained a social consciousness, that the character became something unique and important. In today’s divisive times, I appreciate Green Arrow’s status as a “social justice warrior” more than ever, but honestly, the fact that Ollie is often pretty bad at this aspect of his job is probably just as important. That Ollie often needs to be educated allows creators to explain unfamiliar concepts to the audience, but it also means confronting the kind of guilt and privilege that often plagues even the most well-meaning of activists. Continue reading →
Today, Michael and Taylor are discussing Wonder Woman Annual 1, originally released May 31st, 2017. As always, this article contains SPOILERS.
Michael: With her big screen debut just around the corner there’s a regular Wonder Woman frenzy these days. Wonder Woman Annual 1 seems to be joining in on the fun with several short stories that embody what makes Diana of Themyscira such a powerful symbol. I’m pretty sure that Batman and Superman are already on their second Rebirth Annual issues but this is only Wonder Woman’s first? What gives, DC?
Today, Mark and Spencer are discussing Grayson 18, originally released March 23th, 2016.
Mark: I came into Grayson 18 unaware of the creative change-up behind the scenes, but it’s immediately apparent that this is a different team than the one that has guided Grayson through the past year and a half. Yes, Tom King, Tim Seeley, and Mikel Janin have departed in preparation for Rebirth, leaving new writers Jackson Lanzing and Collin Kelly to wrap up the last three issues with the help of artists Roge Antonio and Geraldo Borges. And while Grayson 18 definitely reads like a lesser issue, Lanzing and Kelly do well enough in beginning to bring Grayson‘s many disparate threads together.