This article containers SPOILERS. If you haven’t read the issue yet, proceed at your own risk.
Tom Taylor and Roge Antonio open X-Men Red 10 with a single, three-word sentence that packs so much power that it takes up an entire page’s worth of real estate.
This image has so much power because it runs counter to everything we as the audience know about Jean Grey as a character. Ultimately, though, we’re responding to it based off our pre-determined opinions and biases, deciding that it’s fake, that it clearly isn’t Jean despite no real evidence backing us up. That’s exactly how the citizens of the Marvel Universe react to this broadcast as well, and those various knee-jerk reactions provide a startlingly prescient parallel to real life politics that make X-Men Red 10 an eerie, unsettling read. Continue reading →
This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!
Over the past few years, as police injustices have been brought more and more into the open and it’s become harder and harder to justify supporting them (or often even tolerating them) as an organization, it’s become harder for me to fully buy into the idea of the Green Lantern Corps as well. It’s not the characters that give me pause — I adore Jessica, Simon, Kyle, and Guy — but their space cop routine. I don’t know, maybe that’s the point — so many Green Lantern stories in the past decade have positioned the Corps’ own leadership as their greatest enemies — but it’s certainly a thought that ran through my mind in Green Lanterns 49, where the biggest threat to Jessica Cruz isn’t the crime-lord who helped frame her, but the leaders within the Corps who already had it out for her before that even happened. Continue reading →
Today, Patrick and Spencer are discussing Batman 7 and Nightwing 5 (aka, parts one and two of “Night of the Monster Men”), originally released September 21, 2016. As always, this article contains SPOILERS.
Patrick: If I had to guess conservatively, I’d say that we’ve covered a billion crossover events over the last four years on Retcon Punch. These kinds of stories always beg the narrative question “why?” The commercial question is a lot easier to answer: I’m reading Batman, and I’m certainly not going to skip an issue of Batman, so I might as well pick up the attendant issues of Nightwing, Detective Comics, and whatever else might be participating in this story. The result is usually a tonal mess, superficially tying together the storytelling styles of a disparate set of teams with some arbitrary commonality. “Night of the Monster Men” cuts a different swath through the series bearing its banner, uniting them under one writer, the always excellent Steve Orlando, and a unified artistic vision. Continue reading →
Today, Mark and Spencer are discussing Grayson 18, originally released March 23th, 2016.
Mark: I came into Grayson 18 unaware of the creative change-up behind the scenes, but it’s immediately apparent that this is a different team than the one that has guided Grayson through the past year and a half. Yes, Tom King, Tim Seeley, and Mikel Janin have departed in preparation for Rebirth, leaving new writers Jackson Lanzing and Collin Kelly to wrap up the last three issues with the help of artists Roge Antonio and Geraldo Borges. And while Grayson 18 definitely reads like a lesser issue, Lanzing and Kelly do well enough in beginning to bring Grayson‘s many disparate threads together.
Today, Ryan D. and Taylor are discussing Batman Annual 4 originally released September 30th, 2015.
Ryan: Batman has been happening for quite some time, both in the real world and in the oft rebooted DC Universe. Fans of the series remember his numerous encounters with his rogues gallery throughout the years, as villains escape time after time from the doldrums of Arkham Asylum to once again terrorize the city of Gotham. The formula for Batman may even be seen as a little tiresome: villain arrives, terrorizes Batman, Batman wins, villain returns again, eventually — maybe teaming with another foe, something messed up happens to Bruce Wayne’s personal life, his family rescues him, rinse, repeat. So what is it that draws us back into Batman narratives when the conceit can seem formulaic? Much of its appeal, I would argue, comes from the long-standing history which the reader shares with the character, one which can make jumping into a title so compounded with spin-offs and mini-series and event tie-ins intimidating for some. Batman Annual 4 offers an easy jumping-in point as Bruce Wayne undergoes yet another identity crisis, catching a casual or first-time reader up while showing the audience why a protagonist mired in the past can be so fascinating.
Today, Michael and Drew are discussing Detective Comics Endgame 1, originally released March 11th, 2015.
Michael: If there is one thing that the big two comics publishers suffer from it’s the excessive reliance on crossovers. DC especially has pimped out every major Batman storyline that Scott Snyder has produced thus far, hijacking the narratives of books like Batgirl and the like to show the goings on of Owls/Jokers/Zero Years from the other Bat-perspectives. It seems that DC has gotten hip to their overreliance on these types of stories, and instead gives us a series of one-shots that tie into the events of Batman’s current “Endgame” arc. So, does Detective Comics Endgame 1 add much to Brian Buccellato and Francis Manapul’s Detective Comics and/or Scott Snyder’s “Endgame?” Not so much. Continue reading →