“People” are the Detail that Matters Most in Green Arrow 28

by Spencer Irwin

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

At one point in Green Arrow 28 Lex Luthor compares himself to Sherlock Holmes, priding himself in his ability to be 12 steps ahead of everyone else, and proving it by (rather accurately) analyzing Arrow’s current situation based off of a few small clues in a most Cumberbatchian fashion. Yet for all his genius and detective prowess, there’s one small detail Luthor is rather blind to: people, especially the people who have helped make his company great. Continue reading

Legitimizing The Emerald Archer in Green Arrow 27

by Michael DeLaney

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Green Arrow’s recent “Hard-Traveling Hero” arc is basically an excuse to have Oliver Queen do a tour of the DCU — and I have absolutely no problem with that. After their team-up last issue, The Flash passes the Green Arrow-shaped torch to Wonder Woman. Continue reading

Green Arrow 26 Invests in Two Different Kinds of Team-Ups

by Spencer Irwin

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

The power and dangers of money have been an ongoing theme throughout Benjamin Percy’s tenure on Green Arrow, which is why the Ninth Circle make such effective villains for his Oliver Queen. Their bizarre supernatural backstory is by far their least interesting facet; they’re most fascinating because they’re supervillain bankers, primarily using the power money brings to achieve their goals rather than brute force or even coercion. Like most bankers, they also invest in other organizations to achieve mutual goals — but since they’re supervillains, so are their partners. Continue reading

Green Arrow 24

Today, Michael and Spencer are discussing Green Arrow 24, originally released June 8th, 2017. As always, this article contains SPOILERS.

Michael: It’s a unique experience to watch a set of creators leave their mark on an established character in real time. Though Benjamin Percy works with a handful of different Rebirth artists, none compares to the chapters that are drawn by Juan E. Ferreyra. Under their direction Green Arrow is returning to the socialist hero of yore in a unique Rebirth fashion. Continue reading

Green Arrow 19

Today, Michael and Spencer are discussing Green Arrow 19, originally released March 15th, 2017. As always, this article contains SPOILERS.

Michael: Putting aside your differences and working together towards a common goal is such a simple idea to grasp, but not always as easy to enact. As human beings, we are complicated and fragile things and easily allow our emotions to stand in the way of progress. Sometimes it helps to have a third party tell us to get our heads out of our asses and just do the work. Continue reading

Superman: American Alien 4

superman amer alien 4

Today, Michael and Mark are discussing Superman: American Alien 4, originally released February 17th, 2016.

Michael: When people ask me why characters like Superman and Batman work so well, my answer typically boils down to: they were the first ideas of their kind and in this case they were the best. The idea of Superman is incredibly simple and yet incredibly amazing. What a lofty goal it is to dream up the most powerful hero around who is a champion for good. Superman: American Alien 4 continues that trend of big dreams and hopeful ambition from all sorts of perspectives. Continue reading

Green Arrow 44

green arrow 44

Today, Michael and Spencer are discussing Green Arrow 44, originally released September 2nd, 2015.

Michael: Interlude: from Medieval Latin word interludium; “inter” (between) and “ludus” (play). Interludes are curious animals; they often serve as a bridge between stories in an ongoing narrative but can simultaneously be standalone anecdotes. Part prologue, part origin story, Green Arrow 44 serves as such an interlude. And like many interludes, it provides some setup for the overall plot but also exists as its own island of a story. Continue reading

Green Arrow 34

green arrow 34

Today, Spencer and Patrick are discussing Green Arrow 34, originally released August 6th, 2014.

Spencer: Eighteen months ago, Jeff Lemire and Andrea Sorrentino began their run on Green Arrow, which had been a meandering, mediocre title ever since the New 52 relaunch. Lemire and Sorrentino arrived with a distinct style and a strong, specific vision, quickly transforming the title into one worth paying attention to. Now — with the exception of next month’s Futures End tie-in — their run has drawn to a close, and more than ever it’s apparent how much effort the creative team has put into rehabilitating Green Arrow. Issue 34 gives the conflict between Ollie and Richard Dragon a happy ending, but it also lays bare Lemire and Sorrentino’s strategy for creating a compelling superhero comic. Continue reading

Green Arrow 33

green arrow 33Today, Spencer and Shelby are discussing Green Arrow 33, originally released July 2nd, 2014.

Spencer: Despite being the title character, throughout Jeff Lemire and Andrea Sorrentino’s run on Green Arrow Oliver Queen has largely been a pawn, pushed back and forth by businessmen, various factions of the mysterious Outsiders, and even members of his own family (or sometimes all three!), all trying to use him for their own means. After declaring his independence from the Outsiders, though, Oliver Queen has moved to the front-and-center of his book — as Richard Dragon says, they’re both kings now. There’s still a massive focus on the supporting cast, of course, but now Lemire is using the supporting cast to teach us more about Ollie. I don’t necessarily understand every revelation, but it’s still a refreshing change of pace. Continue reading

Justice League United 1

justice league united 1Today, Patrick and Shelby are discussing Justice League United 1, originally released May 14th, 2014. 

Patrick: My gateway to regularly reading comics was Geoff Johns’ run on Green Lantern from Rebirth to Blackest Night. That’s a lot of outer space nonsense, to be sure, but the series was so caught up with the spirit of invention and exploration that every new revelation was imbued with so much energy that I was never really overwhelmed with how silly it all was. I’m sensing some of that same untethered enthusiasm in Justice League Unlimted 1, but the connection I’m going to draw is far more literal — both feature the background conflict between the planets Rann and Thanagar. The Rann-Thanagar War is one of those dense hives of modern DC mythology, mired in conflicting histories and muddy storytelling. Hell, I’m not even sure Rann and Thanagar are two separate planets since the New 52 started. In this issue, Jeff Lemire tries to give identity to the characters and concepts that are notoriously bad at sticking to any one.

Continue reading