The Complexities of Internet Social Justice in Green Arrow 43

by Spencer Irwin

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Spencer: The internet can be a powerful tool for justice, often simply because it allows information to get to more people than ever before, faster than ever before. It allows the voices of the oppressed and downtrodden to be heard, and I think the #metoo movement may be the greatest sign of this: great things have been accomplished, impossible targets have been taken down, thanks to the platform for social justice the internet provided.

Like any tool, though, the internet’s platform can also be misused. Let’s look at the recent situation where Guardians of the Galaxy director James Gunn was fired by Disney. I’m not condoning Gunn’s offending tweets, though it should be noted that Gunn acknowledged and apologized for them years ago and never did anything like them again, and Disney was well aware of those tweets when they hired him. What’s significant about this situation is that Gunn’s firing was orchestrated in poor faith, by an alt-right goon who couldn’t have cared less about Gunn’s tweets; he wanted Gunn fired for criticizing the president, and the tweets were the easiest way to do it. He took a platform for social justice and misused it to serve his own agenda, and it’s scary not only that there’s no safeguard against this, but that organizations like Disney can’t see the difference; they simply bow to the “Court of Public Opinion” no matter who’s behind it.

This danger is front-and-center in Green Arrow 43, an issue that finds Oliver and company facing an internet vigilante, an angry public, and a tricky moral dilemma. Continue reading

Being an Ally in Green Arrow 40

by Spencer Irwin

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Spencer: One of the biggest challenges for many people — but especially for straight, white, cis-gendered males — is realizing that not every story is your story. We don’t always need to be the center of attention, our opinions don’t always need to be voiced, our methods and plans aren’t always right, much less the best ones for everyone else involved. That’s certainly what Oliver Queen was reminded of in last month’s Green Arrow 39 as his attempt to help out the war-torn country of Rhapastan backfired on him. He never should have gotten involved at all, right?

Wrong. Ollie’s conscious is his best feature — his mistake wasn’t getting involved, but charging head-first into a strange land without truly understanding the problem and working with the locals to address the root causes. The people of Rhapastan didn’t need a savior — they needed an ally, and that’s exactly what Ollie becomes in Jackson Lanzing, Collin Kelly, and Marcio Takara’s Green Arrow 40. Continue reading

The Trap of Guilt in Green Arrow 39

by Spencer Irwin

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Spencer: For the first few decades of his existence, Green Arrow was just Batman with a bow and arrows. It wasn’t until the 1970s, when Oliver Queen lost his fortune and gained a social consciousness, that the character became something unique and important. In today’s divisive times, I appreciate Green Arrow’s status as a “social justice warrior” more than ever, but honestly, the fact that Ollie is often pretty bad at this aspect of his job is probably just as important. That Ollie often needs to be educated allows creators to explain unfamiliar concepts to the audience, but it also means confronting the kind of guilt and privilege that often plagues even the most well-meaning of activists. Continue reading

Compassion vs. Selfishness in Green Arrow Annual 1

by Spencer Irwin

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Spencer: Early in Green Arrow Annual 1, Oliver says that “on Christmas everything turns out exactly as it should.” It’s a nice sentiment, but that’s exactly what it is — sentiment. The world doesn’t magically change just because it’s a holiday, and holidays can, in fact, be very depressing times for many people. If Christmas is a special time, it’s because people make it that way, and the desire to do so is the clear line that divides Green Arrow and Count Vertigo. Continue reading

Machinations Abound in Green Arrow 33

by Spencer Irwin

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Machinations abound in Green Arrow 33. The issue finds Oliver Queen back home in Seattle Star City, ready to once again protect his home and prove his innocence, but for the moment Oliver seems to be the only person in the city without some sort of master plan — but not without a trump card. Continue reading

A Strong — But Not Perfect — Finale in Green Arrow 31

by Spencer Irwin

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Green Arrow 31 brings Oliver’s “hard-traveling hero” journey to an end in a satisfying, uplifting manner, helping Oliver earn a new reputation amongst the superhero community while also reminding him of the unique role he plays within it. Likewise, Ollie and Black Canary fulfill their missions, destroying the Ninth Circle’s satellite and rescuing Wendy/proving Ollie’s innocence, respectively. This issue does what it needs to to be a successful finale, yet there’s a few nagging details that keep it from being quite as strong as the installments that proceeded it. Continue reading

“People” are the Detail that Matters Most in Green Arrow 28

by Spencer Irwin

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

At one point in Green Arrow 28 Lex Luthor compares himself to Sherlock Holmes, priding himself in his ability to be 12 steps ahead of everyone else, and proving it by (rather accurately) analyzing Arrow’s current situation based off of a few small clues in a most Cumberbatchian fashion. Yet for all his genius and detective prowess, there’s one small detail Luthor is rather blind to: people, especially the people who have helped make his company great. Continue reading

Green Arrow 26 Invests in Two Different Kinds of Team-Ups

by Spencer Irwin

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

The power and dangers of money have been an ongoing theme throughout Benjamin Percy’s tenure on Green Arrow, which is why the Ninth Circle make such effective villains for his Oliver Queen. Their bizarre supernatural backstory is by far their least interesting facet; they’re most fascinating because they’re supervillain bankers, primarily using the power money brings to achieve their goals rather than brute force or even coercion. Like most bankers, they also invest in other organizations to achieve mutual goals — but since they’re supervillains, so are their partners. Continue reading

Economic Disparity and a Glimpse of Things to Come in Green Arrow 25

by Michael DeLaney

Green Arrow 25

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Michael: Nick Spencer has thrown the entire nation into a tyrannical nightmare in Secret Empire. In Green Arrow Benjamin Percy focuses on political corruption and the American class system on the city level – which definitely vibes with the grassroots, personal touch often associated with the Emerald Archer. In Green Arrow 25 Percy uses the establishment of Star City as the most heightened allegory for the disparity between the 1% and the majority of Americans. Continue reading

Green Arrow 44

green arrow 44

Today, Michael and Spencer are discussing Green Arrow 44, originally released September 2nd, 2015.

Michael: Interlude: from Medieval Latin word interludium; “inter” (between) and “ludus” (play). Interludes are curious animals; they often serve as a bridge between stories in an ongoing narrative but can simultaneously be standalone anecdotes. Part prologue, part origin story, Green Arrow 44 serves as such an interlude. And like many interludes, it provides some setup for the overall plot but also exists as its own island of a story. Continue reading