Tag Archives: Frank Castle

Apr 16 2014

Thunderbolts 24

thunderbolts 24Today, Spencer and Shelby are discussing Thunderbolts 24, originally released April 9th, 2014.

Spencer: It’s rough to start picking up a new comic in the middle of a storyline. If I can’t buy a book starting with issue one, I try to wait for a new storyline to begin, and I’m far from the only person with this strategy. Charles Soule wisely takes advantage of this in his and Paco Diaz’s Thunderbolts 24; while much of the issue is devoted to establishing the new storyline to come, there’s enough focus on the characters and team dynamic to make this the perfect first issue for any Thunderbolts-newbie. If you aren’t already picking this book up, now’s the time to give it a try! Continue reading →

Apr 7 2014

Punisher 4

punisher 4Today, Patrick and Taylor are discussing Punisher 4, originally released April 2nd, 2014. 

slim-bannerPatrick: I can’t think of a superhero with a more troubling psychological origin story than Frank Castle. The circumstances are as cliche as they come: Frank’s family is murdered, driving him to take revenge on those responsible. But Frank’s able to abstract that responsibility and extend it to All Criminals. Very pointedly, he is not an agent of justice, and he’s not looking to make anything right — his goals and his ideology are so neatly wrapped up in his code name. Punisher. Obviously, his approach requires a horrifically oversimplified view of criminals, there’s no room for mercy or subtlety. But that also means there’s no room for complication: Frank’s MO is too pure for corruption. The world around Punisher isn’t so simple, and as issue four simultaneously focuses in Frank’s character and broadens out to illuminate his world, it’s clear that he’s up against threats on a scale totally inappropriate for a street-level executioner.

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Feb 28 2014

Thunderbolts 22

thunderbolts 22Today, Shelby and Spencer are discussing Thunderbolts 22, originally released February 26th, 2014.

Shelby: Kids love “…and they lived happily ever after.” It’s an uncomplicated and rewarding end to a story; the good guys are rewarded, the bad guys punished, the boy gets the girl, and the plucky sidekicks probably got some action as well. It’s not until you get older that the everything-worked-in-the-end approach grows stale. It’s too neat and clean; we want our stories to reflect the complexities of every day life, not tie everything up in a nicely resolved bow. Personally, I find a too-happy ending where everything works out to be insincere and frankly a little boring. It might be surprising, then, that I love Charles Soule’s latest issue of Thunderbolts. Leave it to Soule to deliver an end to the recent Thunderbolts arc that gives the “good” guys exactly what they want and leaves the bad (by comparison) guy with a mess to deal with, without once appearing insincere.

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Feb 24 2014

Punisher 2

punisher 2Today, Spencer and Greg are discussing Punisher 2, originally released February 19th, 2014. 

slim-bannerSpencer: As Frank explains in Nathan Edmondson and Mitch Gerads’ The Punisher 2, there’s a strata of villains too big for the cops to handle, but not big enough for the superheroes to take notice of. This is the league of villains the Punisher usually goes up against — the kind that can give him a proper fight — but it looks like all that’s about to change. Not only are the Howling Commandos on Frank’s tail, but the Dos Soles gang also has a powerful new weapon that’s out of Frank’s usual league; this is some definite superhero-level business Punisher’s got himself tangled up in here.

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Feb 6 2014

Punisher 1

Alternating Currents: Punisher 1, Drew and Spencer

Today, Drew and Spencer are discussing Punisher 1, originally released February 5th, 2014. 

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Drew: What defines a character? This is a question at the crux of many narratives, but takes on an added importance in comics, where characters may be written by different writers, and the grind of publishing stories into perpetuity may squeeze characters into ever stranger situations. Is Superman still Superman if he doesn’t wink at the end of his stories? What if he doesn’t wear a cape? What about Batman? Is it still a Batman story if it takes place in Iowa? How many of these details can change before the character is no longer recognizable as the character? Editor Jake Thomas acknowledges this phenomenon directly in the letters page of Punisher 1, where he suggests that Punisher is remarkably capable of being put in different scenarios while staying true to his character. Unfortunately, I see that flexibility as emblematic of Punisher’s lack of distinguishing characteristics, and this issue does little to convince me otherwise. Continue reading →

Feb 4 2014

Thunderbolts 21

Alternating Currents: Thunderbolts 21, Drew and Shelby

Today, Drew and Shelby are discussing Thunderbolts 21, originally released January 29th, 2014.

Drew: Life is complicated. It’s an axiom that we’re all familiar with, but in a vacuum, our own lives are pretty simple: we have basic needs that must be met, and additional wants that we try to meet. It’s only when people, with their own conflicting needs and desires, start interacting that things get messy. That’s the stuff narratives are made of — a hero encounters some opposition to what he wants or needs — but what if the team itself is a source of opposition? What if your heroes can’t even decide what their wants and needs are? That’s when thing start to really resemble the complexities of life, and is exactly the kind of situation the team finds themselves in in Thunderbolts 21. Continue reading →

Oct 28 2013

Thunderbolts 17

thunderbolts 17 infinity

Today, Patrick and Shelby are discussing Thunderbolts 17, originally released October 23rd, 2013. This issue is part of the Infinity crossover event. Click here for complete Infinity coverage.

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Communism was just a red herring.

Wadsworth, Clue

Patrick: We’re used to seeing clues pop up in detective stories. Even when those stories are as farcical as Clue, we always try to sort through the bits the matter and those that don’t. Any piece of information that doesn’t pay off can be referred to as a “red herring” – a literary device so well-known, the characters within the story will be able to point them out. It’s superfluous information, dressed up as the key to understanding the mystery. Charles Soule has accomplished something quite the opposite with his Thunderbolts Infinity crossover: we’re told repeatedly that the alien invasion and the resultant war between the Avengers and Thanos’ army are of little concern to our trusty Thunderbolts – particularly Punisher, Venom and Elektra. But just as it seems like Punisher’s myopic obsession with taking out the Paguro family is about to payoff, Infinity intrudes on his plans in a way he just can’t ignore. Turns out that red herring was worth paying attention to in the first place.

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Oct 4 2013

Thunderbolts 16

thunderbolts 16 infinity

Today, Patrick and Spencer are discussing Thunderbolts 16, originally released October 2nd, 2013. This issue is part of the Infinity crossover event. Click here for complete Infinity coverage.

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Jerry: We found a dead possum in the pool. Got any garbage bags?

Kirk: Ah, just throw it over the fence – let Arby’s worry about it.

The Simpsons, A Milhouse Divided.

Patrick: The most compelling part of the Thunderbolts conceit is the idea that none of these team-members ever give up their own agendas, even especially when they’re working together. These are creatures of habit, lone wolves and mavericks. That’s really the only trait, the only value that they share. Writer Charles Soule brilliantly sets the first team mission in the midst of Infinity – an event which fits into none of his characters’ MOs, They all take turns engaging in the conflict or ignoring it however they best see fit. If that means blowing off the alien invasion altogether, so be it – let Arby’s worry about it.

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