Cosmic Ghost Rider 5: Discussion

by Patrick Ehlers and Michael DeLaney 

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Patrick: What makes an audience try to see heroism in their anti-heroes? We all try to do it. No matter what Don Draper does, no matter who he hurts, we want to believe that there is some kind of moral or narrative victory in him achieving his goals. Is that just how we relate to protagonists? Or is the protagonists’ own buried desire to be good, to be morally right, more compelling than the villainous actions we see them undertake? Donny Cates and Dylan Burnett’s Cosmic Ghost Rider 5 sees the titular character making a heroic stand at the end of a failed timeline, but ultimately confirms what we should have known all along: Frank Castle ain’t no hero. Continue reading

The Punisher 1: Discussion

by Ryan Desaulniers and Patrick Ehlers

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Ryan: We all know Frank Castle’s deal: a veteran whose family was unceremoniously gunned down takes to arms in a one-man war against crime or for whatever cause he sees fit to fight for. In the numerous Punisher stories since his inception in 1974, and particularly since the seminal Garth Ennis PunisherMAX run with the character, writers have been trying to find ways to connect a man who commits so many reprehensible acts of cruelty and murder with an audience. Castle sports the label of “anti-hero” to an audience that consumes his stories in various mediums, but writers keep pushing to see how far his character can go and still elicit sympathy from the readers, using different tactics to do so. The Punisher 1 by Matt Rosenberg and Szymon Kudranski, however, leaves all of these devices behind, giving us a Frank Castle title that is bereft of almost any means of identifying and excusing Frank’s actions, save for the fact that Castle fights against even more villainous figures. Continue reading

Secret Empire 4: Discussion

by Patrick Ehlers and Ryan Mogge

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

slim-banner

Patrick: The Secret Empire epic drives on an engine powered by dramatic irony. From the second Steve’s first “Hail Hydra” was uttered, the audience knew more about the threat the Marvel Universe faced better than any of its inhabitants. It is serendipitous (in the worst possible way) that the current political climate in the United States has made readers hyper-aware of this irony, as we’re able to draw obvious parallels between the rise of Hydra and the rise of white nationalism. We don’t need to parse out the rhetorical devices Steve uses to justify his abuses of power — we see them demonstrated by our president every day. Issue 4 doubles down on the practice of illustrating dramatic irony, giving the audience far more information than any of the characters are ever afforded. The result is an unsettling exercise in moral relativism. Continue reading

Punisher 1

Alternating Currents: Punisher 1, Drew and Shelby

Today, Drew and Shelby are discussing Punisher 1, originally released May 4th, 2016.

Drew: The intro copy of Punisher 1 reminds us that “Frank Castle died with his family. Now there is only… The Punisher.” It’s a classic premise for a comic series — one that has been used long before and long after the Punisher’s debut (The Spirit and Spawn spring immediately to mind) — but not one that makes for the most compelling central character. Writer Becky Cloonan embraces the vaccuum of Frank’s personality, treating him in this issue more as a rarely-seen force of nature than a human being with real emotions. The result is something closer to Jaws than Kill Bill, but distancing us from Castle forces us to see his actions as truly monstrous, creating a much more unstable lead than could be achieved with a more empathetic approach. Continue reading

Secret Wars 1

secret wars 1

Today, Ryan and Patrick are discussing Secret Wars 1, originally released May 6th, 2015. 

“Oh, best war ever…”

-General Nick Fury, Secret Wars 1

Ryan: Secret Wars grabs the baton from Jon Hickman’s Avengers/New Avengers beloved/despised/confusing “Time Runs Out” saga chronicling the futile struggle of Earth-616 against the collapse of the multiverse. Hickman dives in by tipping his hat to the concluding plot thread of Doom vs. The Beyonders, the significance of which — aside from helping to shrink the amount of surviving universes down to a baker’s dozen minus a bunch — is still a bit lost on me. The narration of the issue is provided by Reed Richards, and the first installment of this event belongs to him.

Continue reading

Thunderbolts 27

thunderbolts 27Today, Shelby and Drew are discussing Thunderbolts 26, originally released May 28th, 2014.

Shelby: It’s really hard to write about a new creative team on a title; how do you manage to discuss the book as a stand-alone piece without comparing it to the previous issues? It’s even harder when you liked the title before the change, because now you have to make sure you stay objective. If there are things I dislike about the new team, is it because I genuinely dislike it, or is it just because it’s different from how it used to be? I’m faced with this dilemma now as I consider the first issue of Thunderbolts without Charles Soule at the helm, and some of the decisions Ben Acker and Ben Blacker have made with this book definitely have me scratching my head.

Continue reading

Thunderbolts 26

thunderbolts 26

Today, Patrick and Shelby are discussing Thunderbolts 26, originally released May 28th, 2014.

Patrick: Every time you meet an enemy of the Hulk, you gotta ask yourself: this guy’s not really a bad guy, right? Thaddeus Ross — in his platonic, Hulk-huntin’ phase — is a totally rational individual. Who wouldn’t want to find a way to stomp out the big green guy? Oh sure, he’s more or less learned to control himself now, but Ross’ goal is fundamentally noble. That’s part of the reason the anti-hero label never stuck to him all that well in Thunderbolts. He’s not like the rest of these guys – they’re all amoral killers only looking out for their own selfish ends. But should that make them any more expendable than anyone else? With his final issue on Thunderbolts, Charles Soule reinforces that Ross’ view of his teammates, past and present, is precisely what makes him worthy of their company. But like most of the darker revelations in this series, its tinged with eventual sweetness, and we’re allowed to love these monsters all the same. Continue reading

Original Sin 1

original sin 1

Today, Patrick and Taylor are discussing Original Sin 1, originally released May 7th, 2014.

Do we… check for a pulse or… did he even have a pulse? Do we know?

Captain America, Original Sin 1

Patrick: Superhero murder mysteries are a trip. In a traditional murder mystery, the audience should all have the same basic understanding of the rules of the game. That way, we’re able to play along as detectives in our own right. Half of the fun in watching a fictional detective solve a crime is feeling like you’re one step behind, just a shade less insightful than hero of our story. But superheroes live in a different universe, with scores of different rules that change and contradict each other throughout the course of history. The abilities and motives of the murder suspects could be…literally anything — you know how many of these characters can alter reality? The first proper issue of Original Sin sets a wildly complicated stage, and while I don’t think I have a chance in hell of reaching the conclusion before our heroes do, I do have a sense of what’s at stake for our lead detective: the original Nick Fury.

Continue reading

Thunderbolts 24

thunderbolts 24Today, Spencer and Shelby are discussing Thunderbolts 24, originally released April 9th, 2014.

Spencer: It’s rough to start picking up a new comic in the middle of a storyline. If I can’t buy a book starting with issue one, I try to wait for a new storyline to begin, and I’m far from the only person with this strategy. Charles Soule wisely takes advantage of this in his and Paco Diaz’s Thunderbolts 24; while much of the issue is devoted to establishing the new storyline to come, there’s enough focus on the characters and team dynamic to make this the perfect first issue for any Thunderbolts-newbie. If you aren’t already picking this book up, now’s the time to give it a try! Continue reading

Deadpool 27

deadpool 27Today, Spencer and Patrick are discussing Deadpool 27, originally released April 9th, 2014.

Spencer: We all have that one friend whom we love dearly, but who’s clearly a huge jerk. What’s fascinating about having a friend like this is what happens when they fall in love and/or get married. It’s a strange thing to experience; there’s joy at seeing your friend happy, but there’s also a bizarre feeling of unease and dread. Can this last? Is it for the best? Should you warn their boyfriend/girlfriend about what they’re getting themselves into? (Pro-tip: Don’t do this). As sad as it is to say, there’s this odd feeling that maybe the whole thing is just a very bad idea. This is the situation Deadpool’s friends find themselves facing in Deadpool 27. Yes, Wade Wilson is getting married, and it’s exactly as strange as it sounds. Continue reading