Animal Man 17

animal man 17 ROT

Today, Scott and Shelby are discussing Animal Man 17, originally released February 6th, 2013. This issue is part of the RotWorld crossover event. Click here for complete RotWorld coverage. 

Scott: This comic is called Animal Man, but it’s hardly about Buddy Baker at this point. Sure, Animal Man and Swamp Thing are the focal points of the RotWorld crossover event, but their personal objectives and motivations are overshadowed by RotWorld itself. There are so many characters fighting against the rot that it’s tough to consider Animal Man the main character in this issue, and even more difficult to think of his personal motivation — to save Maxine — as the emotional center of the story. Throw in the fact that this issue truly is a crossover with Swamp Thing, and it’s harder yet to think of this as Animal Man’s story. Not that that’s a bad thing. Animal Man is part of an awesome team fighting against the Rot, and the collective inventiveness they display here makes Animal Man 17 a thoroughly fun and often jaw-droppingly cool experience.

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Birds of Prey 14

Today, Patrick and Mikyzptlk are discussing Birds of Prey 14, originally released November 21st, 2012.

Patrick: Why do we read comic books? Yes, I’d like to begin this write-up with a question so abstract. I ask because sometimes the answer isn’t readily apparent. Some of the comics we read are revolutionary — expressing incredible themes and concepts in exciting ways. But I’m not a total snob: I’m just as happy with simpler pleasures. Adventures are fun, characters are iconic, art is compelling. It’s a magic spell that’s been successfully cast on me time and time again. Birds of Prey may have dropped a few steps from those early issues we loved, but the spell shouldn’t have worn off entirely. Right?

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Birds of Prey 13

Today, Shelby and Patrick are discussing Birds of Prey 13, originally released October 17th, 2012.

Shelby: A common trope for team titles is the “member with a problem.” You’ve got one member of the team with some sort of personal issue which spills into their superhero-ing. The team wants to help, the individual says they can do it alone and end up in trouble, the team saves the day. It’s tired, but it works; as a plot device, it injects character moments into the story while bringing the team closer together and providing a quest for us to read. Birds of Prey 13 delivers perfectly on this trope, so why do I feel like I’m missing something?

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Birds of Prey 12

Today, Shelby and Drew are discussing Birds of Prey 12, originally released August 15th, 2012.

Shelby: Why do we form teams? Is it to seek the support of others? Is it to accomplish big tasks more quickly? Is it to bring together different skill sets in order to solve more kinds of problems? These have to be at least some of the reasons why Black Canary decided to form a team to do some good in Gotham, but she has obviously made some mistakes in choosing her roster. You know that guy in the group who just won’t play ball with the plan and forces everyone to do things his way? Well, imagine that guy is an eco-terrorist metahuman holding you and the rest of the world hostage to do what he wants, and you can begin to see the dilemma Black Canary has on her hands.
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Birds of Prey 11

Alternating Currents: Birds of Prey 11, Drew and PatrickToday, Drew and Patrick are discussing Birds of Prey 11, originally released July 18th, 2012.

Drew: I’ve often said that I prefer questions to answers. Questions stimulate the imagination, where answers play in the realm of cut-and-dried facts; questions keep us guessing, while answers end the guessing. This leads me to seek out narratives steeped in mystery, like LOST. As that series drew to its conclusion, I was often frustrated as we received answers, partially because they weren’t always that interesting, and partially because I didn’t care. Answers to questions I’m not interested in — however well conceived — aren’t as interesting as more guesses about the questions I am interested in. I found myself thinking about this quite a bit as I read Birds of Prey 11, an issue that sets out to give us answers about Ivy’s past I hadn’t even realized were questions. Continue reading

Birds of Prey 10


Today, Patrick and Drew are discussing Birds of Prey 10, originally released June 20th, 2012.

Patrick: In a lot of ways, the New 52 incarnation of Birds of Prey acts as as one of only a few blank canvasses in DC’s library. The two founding members of the group are a brand new character — as in Starling — and one reformed in such a way as to be unrecognizable as the Black Canary of old. The rest of the team is rounded out by characters either not normally associated with the Birds of Prey or (in Barbara’s case) aggressively altered by the new continuity. My first dip into this world was so fresh and new and exciting, that I started to feel a little let down as writer Duane Swierczynski wrapped up one story arc, vamped for time, and then paid lip-service to Snyder’s Night of the Owls crossover event. I’m not going so far as to claim that those three issues (7, 8 and 9) were wasted, but now that Birds of Prey seems firmly set its own two feet again, it’s apparent that this series is at its strongest when its free to develop on its own terms. Continue reading

Birds of Prey 9

Today, Drew and Patrick are discussing Birds of Prey 9 originally released May 16th, 2012. This issue is part of the Night of the Owls crossover event. Click here for complete NotO coverage. Not caught up on Birds of Prey? No problem! Get up to speed with our video Cram Session.

Drew: Serialization is in. There have always been long-form narratives that have relied on dense mythologies to build-up stories over time, but until recently, they have always been balanced by more episodic works; for every Days of Our Lives, there was a Law and Order. Both approaches have their advantages and disadvantages, but with the popularity of DVD collections for television and trade paperback collections for comics (and the availability of individual episodes or issues online) have made, dense, long-form narratives are easier than ever to gain access to. It’s understandable why serialization is so appealing to both creators and audience alike — characters have a chance to develop over longer scales than single chapters, and don’t have to jockey as much for space against the actual plot. Continue reading

Cram Session: Birds of Prey 1-8

It can be hard to keep up with all the comics you love. But it’s damn near impossible to keep up with all the comics you’re interested in.

Retcon Punch got you covered.

Black Canary throws together a team of Gotham City badasses and takes on a villain that can either control your brain or BLOW IT UP. Plus, the introduction of one of our favorite new New 52 characters: Starling. Birds is a great, heartfelt read, but if you just want to jump in for the Night of the Owls, check out our recap of issues 1-8 below.

Birds of Prey 8

Today, Patrick and Drew are discussing Birds of Prey 8, originally released April 18th, 2012.

Patrick: Birds of Prey found such a strong, clear voice early in its run. I knew who Dinah was, I knew who Eve was and I understood their dynamic. They even had a cool villain that could control minds and make heads explode. As the team grew, so did my enthusiasm for the series. But the narrative waters are getting murky, and when my expectations grind so violently against the book that was delivered, my enthusiasm wanes. Continue reading

Birds of Prey 7

Today, Drew and Patrick are discussing Birds of Prey 7, originally released March 21st, 2012.

Drew: Issue 2 of Birds of Prey opened with Katana standing over a roomful of Yakuza she had just killed. When we first see her in battle alongside the birds later in the issue, she is running through one of Choke’s henchmen. Dinah comments on how Katana is “everything I’d hoped for. Lethal. Disciplined. Able to watch my back.” Dinah even reminds her that they need “at least one of them alive,” which strikes me as permission to kill all but one of the goons they’re fighting. In fact, they kill a lot of people during that scene, so Dinah’s insistence in issue 7 that “Rule number one” is “We don’t kill people,” is a bit of a stretch. Continue reading