Tag Archives: Matt Hollingsworth

Mar 3 2014

Hawkeye 15

hawkeye 15Today, Spencer and Drew are discussing Hawkeye 15, originally released February 26th, 2014.

Spencer: Why do we love Clint Barton so much? I could probably devote my entire word count to the reasons, but the one that sticks in my head is that he’s heroic, but still endearingly flawed. Clint screws up a lot, but he’s always trying to do the right thing, no matter how badly he goes about it. Matt Fraction and David Aja’s Hawkeye 15 reveals that Clint’s attempts to save his building are less than legal and have only pushed the Tracksuits to more desperate measures. But despite it all, I can’t help but like the guy even more; his heart’s in the right place. Continue reading →

Mar 3 2014

Empire of the Dead 2

Alternating Currents: Empire of the Dead 2, Drew and PatrickToday, Drew and Patrick are discussing Empire of the Dead 2, originally released February 26th, 2014. 

slim-bannerDrew: What is it that makes us human? Is it the capacity for emotion? Reason? Is it the ability to recognize that other people might have perspectives and motivations that are different from our own? These are some of the most fundamental questions of philosophy and psychology– perhaps too big to hope to tackle in a discussion of a horror comic book — but I’d like to suggest that humanity, however we define it, is the detail that separates Zombies and Vampires. Sure, there are the obvious cosmetic differences (illustrated beautifully by Alex Maleev on this month’s cover), but they’re ultimately quite similar: both are undead, both feed on humans, and both have the power to convert their victims into more monsters. The fundamental difference between the two — and what makes each so scary — is the question of their humanity: vampires have all of those qualities I mentioned up front, but zombies don’t at all. Or, at least they usually don’t — Empire of the Dead 2 reveals that its zombies may be more human than it may seem. Continue reading →

Jan 24 2014

Hawkeye 16

hawkeye 16Today, Spencer and Ethan are discussing Hawkeye 16, originally released January 22nd, 2014.

Spencer: Hawkeye writer Matt Fraction calls Wednesday “the worst day in comics.” Why? Because it’s the day all the writer’s mistakes “become fixed and permanent.” Yeah, it can be hard for any creative individual to put their work out there and be satisfied with it; personally, sometimes I even have a hard time not going back into these articles after they’ve published to fix them up. Hawkeye 16 provides an object lesson on why we should put our work out there anyway through the life stories of Will and Grey Bryson, brothers and musicians whose relationship has been ruined by the forty years they’ve spent composing their magnum opus. Continue reading →

Nov 29 2013

Hawkeye 14

hawkeye 14

Today, Shelby and Patrick are discussing Hawkeye 14, originally released November 27th, 2013.

Shelby: There’s a very idealistic romance to being young and on your own. It’s easy for me, at the ripe old age of 29, to see younger people’s enthusiasm and just roll my eyes. I’m just jaded enough to have very little patience for that sort of thing. As Matt Fraction’s Hawkeye continues with the adventures of Hawkeye (not Hawkguy) Kate Bishop in L.A., we get a heavy dose of romance, both of the idealistic-youth type and the couple-in-love type. Is Fraction laying it on thick to crack through my jaded, exterior shell?
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Oct 17 2013

Hawkeye 13

hawkeye 13Today, Shelby and Patrick are discussing Hawkeye 13, originally released October 16th, 2013.

Shelby: FINALLY! Six months ago, something terrible happened to our favorite hot mess Clint Barton. I won’t spoil it here before the jump, but if you’ve been reading this title you know what I’m talking about. Matt Fraction has taken us on a whirlwind tour of everyone’s involvement and reactions, and I mean everyone: the man responsible, Kate, Lucky the Dog, even Clint’s brother. The one voice who’s been silent is the one I’ve been most eager to hear. That is, of course, Clint, and finally today Fraction, David Aja, and Matt Hollingsworth tell us Clint’s side of the story. It’s exactly as heartbreaking and lonely as you would expect.
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Sep 26 2013

The Wake 4

wake 4

Today, Shelby and Patrick are discussing The Wake 4, originally released September 25th, 2013.

Shelby:  Like any good nerd, I love me some board games. I like the strategy games a lot, but I’m not great at them. I played the Game of Thrones board game at my LCS recently, and I lost miserably. But, like anytime I find myself at the losing end of a game, I refused to give up until the bitter end. Whether it’s high-level strategy or something as simple as Plants vs. Zombies, I will play it out until it’s over. There’s some small hope that I might miraculously win, sure, but mostly it’s because I refuse to go down without a fight. I will make it as difficult and painful as possible for those around me until I have truly lost. I don’t know if this makes me admirably defiant in the face of certain doom, or just no fun to play games with, but it is how I roll. Lee Archer and the (very few) surviving crew members of the ghost rig find themselves in a similar “give up or go down fighting” sort of situation, but for them the stakes are a lot higher than comic shop bragging rights.
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Jun 28 2013

The Wake 2

wake 2

Today, Patrick and Drew are discussing The Wake 2, originally released June 26th, 2013.

Patrick: Michael Crichton made a career out of crafting exposition that was interesting in and of itself. Starting with Congo in 1980, all of his books hinged on impossibly high-concept ideas that were so close to being fact that reading his books felt like learning something. You know that moment in Jurassic Park when Jeff Goldblum’s character edges forward in his seat as he listens to Mr. DNA’s explanation of the cloning process? That’s what 90% of the experience of reading Crichton’s books is like. The science, the history, the psychology — it all manages to contain just enough truth to spark a reader’s imagination. Reading the book becomes an act of discovery, both in terms of the fictional world and your real world. The effect is propulsive, and makes even a simple dinosaur adventure seem revelatory. Scott Snyder employs the same trick as he anchors his monster in myth and evolutionary science. Not a whole lot happens on the page, the story instead plays out in your own head. Continue reading →

May 31 2013

The Wake 1

wake 1

Today, Shelby and Drew are discussing The Wake 1, originally released May 29th, 2013.

Shelby: There are certain things you come to expect from stories. As an example, with a rom-com you know there’s going to be the initial meeting between protagonists, things will go well, then things will go poorly, then everything will fall apart (usually with a sad montage), and then everything is resolved in the end, often with some sort of grand declaration of love. Throw in a spunky, comic-relief sidekick bestie for each protagonist, and you’ve got the next big girls-night-out hit. Now, The Wake is certainly no romantic comedy, but I definitely had some expectations about the kind of story I would get. Underwater sci-fi horror means: a rag-tag team, a mysterious monster lurking about for a few issues, a gory reveal, and eventually a big final fight. Leave it to Scott Snyder and Sean Murphy to somehow give me exactly what I expected and still deliver something very fresh and new.
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Nov 28 2012

Hawkeye 4

Today, Drew and Jack are discussing Hawkeye 4, originally released November 21st, 2012.

Drew: Back in issue 2, Clint assured us that “work’s work.” The very notion of considering the Avengers a day job says a lot about his character, but the notion that he could separate his personal life from his professional one is laughable. Hell, my mom can’t even do that, and her job doesn’t involve killing people, saving the world, or supervillains bent on exacting revenge (at least, I don’t think her job involves those things). The first three issues of Hawkeye have brilliantly explored what a guy like Clint might get up to when he has nothing better to do — fighting local crime and righting small wrongs just for the hell of it — but issue 4 brings reality back to Clint’s doorstep. It just so happens that, for Clint, reality comes in the form of a  floating aircraft-carrier filled with superheroes. Continue reading →

Oct 29 2012

Hawkeye 1-3

Today, Patrick and Shelby are discussing Hawkeye 1-3, originally released August 1st, September 5th, and October 17th, 2012.

Patrick: My Improv 101 teacher, used to stop our scenes all the time to give the following note: “Today’s the day.” What he meant was that today was the day these characters confronted the thing that was already weird about their relationship: everything comes out into the open, and friendship may not survive the encounter. It’s fantastic advice for making a short narrative infinitely more compelling – we all have routines and we all inherently understand the drama that unfolds when one of our routines is broken. As superhero comics have grown in such cultural importance, the need to express the routine of a superhero has gone the way of Blockbuster Video. There’s so much implied crime fighting between the issues we actually read, that they tend to focus on gigantic, world-shifting EVENTS. And those events are grim. Somewhere between the Rotworlds and Deaths-of-Families, among the Third Armies and H’els on Earth, I forgot that comics can speak the language of fun. Hawkeye not only speaks that language, it’s a master dialectician, artfully deploying the most elegant fun you’re going to see printed on the page.

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