Tag Archives: Matt Murdock

Jul 12 2013

Daredevil 28

daredevil 28Today, Ethan and Drew are discussing Daredevil 28, originally released July 10th, 2013. 

Ethan: There are some classic tropes we associate with The High School Reunion. The kids who used to be ugly are now the fit, glowing, underwear models; the jerky jocks are flipping burgers; the nerdy punching-bags all own their own companies and are rolling in dough. So when Matt Murdock comes face to face with a childhood bully in need of some help, it’s no surprise that the bully is now down on his luck while Matt’s strutting around in a suit. On the other hand, maybe things are a little more complicated. Maybe there’s a little more virtue in the dirtbag and a little more dirt in the virtuoso lawyer-superhero than we knew about before? Writer Mark Waid and artist Javier Rodriguez continue to keep us on our toes as they shuffle our expectations in Daredevil #28. Continue reading →

Jun 27 2013

Daredevil 27

daredevil 27

Today, Mikyzptlk and Patrick are discussing Daredevil 27, originally released June 26th, 2013. 

Mikyzptlk: I’ll just come right out and say it, the conclusion to Age of Ultron was a huge disappointment to me. It felt less like a conclusion, and more like a setup to a bunch of other books that I may not even be interested in reading. I’m not saying I won’t be reading any of them necessarily, but it’s a pretty annoying to see a story “end” by telling me I have to read all of these other books to learn about any potential consequences of the story I’ve been reading for 10 issues. So, what the hell does this have to do with Daredevil you ask? Well, I get that comics, by nature, are supposed to get you to come back month after month. The thing is, there’s a right way and a wrong way to do that. And, with the conclusion of the latest Daredevil arc, Mark Waid proves he knows how to do it right.  Continue reading →

Jun 17 2013

Deadpool 11

deadpool 11

Today, Ethan and Drew are discussing Deadpool 11, originally released June 12th, 2013.

Ethan: Stories have to follow a lot of formulas — rising action, tension, struggle, resolution. Comics are often even more constrained — extraordinary people, powers, and villains combine to make extraordinarily predictable outcomes. Familiarity sells. But while you could say a lot of horrible things about Deadpool — and they’d all be true — if there’s one thing that he is NOT, it’s conventional. Maybe it’s because his superpower has more to do with the basic act of survival rather than leaping a building in a single bound; maybe it’s because he’s just a bastard of a guy who lucked out with the world’s most impressive healing factor. Maybe it’s because he’s Canadian. I dunno. Either way, he’s up to his eyeballs in demonic intrigue right now, so perhaps the standard operating procedures wouldn’t be the best fit anyway. As he continues his contract with Vetis, hunting and killing superpowered humans who sold their souls for their abilities, writers Brian Posehn and Gerry Duggan continue to entertain while Wade Wilson continues to backstab his way to freedom.

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May 27 2013

Daredevil 26

daredevil 26

Today, Patrick and Drew are discussing Daredevil 26, originally released May 22nd, 2013.

Patrick: Did you guys see Mad Men last week — “The Crash?” It was a purposefully incoherent mess, all revolving around Don Draper’s drugged-out experience of a long weekend at work. This has come to be something of a Mad Men staple — there’s one just about every year that tests the bounds of what is and is not happening (last season’s “Far Away Places,” season 3’s “The Fog” are both good examples). They’re meandering looks at the characters and their values through the lens of whatever drug they happen to be on, and as such they’re fascinating pieces of television, if difficult to invest in emotionally. “The Crash” sidestepped this problem with a character named Grandma Ida. Grandma Ida is an older black woman who breaks into a bunch of apartments in Don’s building, including his own. Don and Megan are both out for the night, so the kids (Sally, Bobby and Gene) are left to confront the intruder alone. Per her moniker, Grandma Ida claims to be Sally’s grandmother — something Sally knows to be impossible because, well, Sally’s not black. But the charade goes on just a little bit too long and suddenly the invasion feels deeply personal. Sally’s trust — no matter how temporary or misplaced it may be — is violated. And that’s much more horrifying than a simple home robbery: the thought that any time you let someone in, you’re inviting betrayal and danger. Issue 26 of Daredevil hits that same button repeatedly until Matt Murdock and the reader are completely unwound. It’s a heart-in-your-throat masterpiece that finally puts the nickname “The Man Without Fear” to the test.
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Mar 27 2013

Daredevil 24

Alternating Currents: Daredevil 24, Drew and DavidToday, Drew and guest writer David “The Mast” Masters are discussing Daredevil 24, originally released March 20th, 2013.

Drew: Superhero comics are great at exaggeration. Everything is a matter of life and death, good vs. evil. It makes for exciting stories, but it also has the power to make anything less extreme seem dull by comparison. Many titles deal with this issue by avoiding it altogether, minimizing any time the heroes spend outside of their costume to brief interruptions in the otherwise endless stream of fights and explosions. Mark Waid’s run on Daredevil has always found a much more even balance between his life in and out of the costume, but issue 24 goes a step further, presenting the superhero action as brief interruptions in an otherwise normal life. Continue reading →

Feb 26 2013

Daredevil 23

daredevil 23Today, Patrick and Drew are discussing Daredevil 23, originally released February 20th, 2013.

Patrick: We write a lot of these Alternating Currents — enough that I am often writing one of these things when I should be doing something else. I can’t count the number of times my girlfriend has asked me when we’re going to be able to leave to do something, only to have me respond that I need another 15 minutes. Decoded, I need like half an hour, maybe more — it always takes more time than I think it’s going to. It’s shitty to keep someone waiting — and it’s even shittier when you know they need you. Foggy Nelson legitimately needs Matt Murdock, but Daredevil is always one step away from solving the case. As the clock on the page tells later and later times, I found myself  saying “oh, I can see how this is frustrating.” Continue reading →

Jan 21 2013

Daredevil 22

Alternating Current: Daredevil 22, Drew and MikyzpltkToday, Drew and Mikyzptlk are discussing Daredevil 22, originally released January  16th, 2013.

Drew: Last month, I marveled at the reveal of Otto Octavius’s Spider-Man at the end of Daredevil 21. I thought the choice of Kirsten for that first encounter was a brilliant one, since while we expect our heroes to be in the know, we’re used to civilian friends to be kind of clueless (coughJimmyOlsoncough). Of course, Marvel is playing a much longer game with Otto in the Spidey suit, so it’s a necessity that Matt not figure things out right away, either. I’m generally wary of dramatic irony that keeps the hero in the dark — it’s too often played with an obviousness that makes the heroes come off as dumb — but Mark Waid manages to find a logical, thematically resonant reason for Matt to overlook Spider-Man’s odd behavior by tying it back to his personal life. Continue reading →

Jan 1 2013

Daredevil 21

Alternating Currents: Daredevil 21, Drew and PatrickToday, Drew and Patrick are discussing Daredevil 21, originally released December  19th, 2012.

Drew: We often chide comics for their relatively high cost of entry. It’s easy enough to pick up random issues here and there, but to really dig into a series might require an understanding of decades of stories, and how any of it might matter now. What’s worse is that any given series may have crossed paths with any number of other series over its long history (and might just be crossing paths with any of them again soon). To committed fans, this creates an immersive, almost tactile world, but to folks hoping to ease their way into comics, that dense, interwoven history can be downright impenetrable. We’re generally willing to go along for the ride here at Retcon Punch (which is why we’ve aimed to cover essentially any crossover event DC throws at us), trusting that that dedication will be rewarded. In the final scene of Daredevil 21, Mark Waid turns that expectation on its head, actively rewarding our ignorance (or at least uncertainty) about exactly what’s going on.

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Nov 27 2012

Daredevil 20

Today, Patrick and (guest writer) Ray Bari are discussing Daredevil 20, originally released November  21st, 2012.

Patrick: Let’s talk about dramatic reveals. No, no — no spoilers before the jump (but boy-howdy: spoilers after the jump). There’s nothing worse than a botched reveal — the sense that the storytellers just don’t understand the value of their own story is discouraging as hell. But a well-deployed revelation — one that alters the fundamental nature of a character or conflict — should turn your stomach just from sheer excitement. Daredevil 20 drops two such revelations, and with an uncharacteristically graphic imagery, ratchets that stomach turning up to 11.

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