This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!
James Bond is an agent of the state. His actions seldom need to be motivated beyond “for Queen and Country.” We can infer some other values that the character holds from his choice of career. For example: he believes that violence can (and should) be used to bring about justice. He’s pro sex, but possibly in a way that devalues his relationships with his sexual partners. Issue three of James Bond: The Bond reveals another of Bond’s values — he hates white supremacy.
Or… is that it? The thing that seems to really get Bond going is the hypocrisy inherent in white supremacy. His appetite for sweet, violent, humiliating revenge seems to be fueled less by his desire to stamp out intolerance and more to do with people and organizations neither understanding nor practicing what they preach. Continue reading →
Today, Spencer and Drew are discussing Civil War II: The Oath 1, originally released January 25th, 2017. As always, this article contains SPOILERS.
Spencer: Why is Steve Rogers being transformed into a Nazi such a terrifying idea? It’s because we all trust Steve Rogers, both in universe and out. Not only can he use that to gain influence that should never, under any circumstances, be given a Nazi, but that trust means that we’re probably inclined to think the best of him — out of sheer habit, if nothing else — even though he’s never deserved it less. Well, no more. Civil War II: The Oath drives home that this altered Steve’s heart is as black as they come. If only the rest of the Marvel universe was privy to that fact as well. Continue reading →
Today, Drew and Taylor are discussing Winter Soldier: The Bitter March 4, originally released May 28th, 2014.
Drew: In a time when serialized storytelling is very much in vogue, it’s easy to forget that some characters are designed for a specific narrative. That is, the situations that they endure during the story so define them that they can’t really exist outside of it. Would we even recognize Hamlet if he wasn’t having an existential crisis? The only way to reuse a character like that is to put them in essentially the same situation again, which obviously yields diminishing returns, and might just undermine the power of the original. Unfortunately, as Winter Soldier: The Bitter March ramps up to its conclusion, it’s clear that Bucky Barnes may only have one important story to tell. Continue reading →
Today, Spencer and Drew are discussing Winter Soldier: The Bitter March 3, originally released April 16th, 2014.
Spencer: Considering its Cold War setting, it’s no surprise that Rick Remender and Roland Boschi’s Winter Soldier: The Bitter March has been a story filled with pawns and masterminds, a story populated almost entirely by people who are being used and the people who are doing the using. What’s interesting about issue 3 is the way the players begin to transcend those labels. What happens when pawns tire of being pawns? And what role does Ran Shen play in all of this?
Today, Patrick and Drew are discussing Winter Soldier: The Bitter March 2, originally released March 19th, 2014.
Patrick: Enigmatic super-soldier spies are tough to characterize. How can you reveal someone’s true nature when they’ve been trained to be a tool of their government, forsaking all personal interests? Rick Remender’s new Winter Soldier mini-series attempts to paint a picture of a man by presenting his surroundings in as much detail as possible. Even when we get a flashback to Bucky’s more formative years, it’s his mentor’s perspective we see stated directly, and not Bucky’s. It’s addition by subtraction, and the sum is a tantalizing character sketch, made all the more compelling by a faithfully realized period thriller.