Today, Spencer and Patrick are discussing Harley Quinn Valentine’s Special 1, originally released February 11th, 2015.
Spencer: Amanda Conner and Jimmy Palmiotti had a rough road ahead of them when tasked with refashioning Harley Quinn into the star of her own comic book. A villain protagonist must walk a fine line, being sympathetic enough to earn the audience’s affection while still villainous enough to avoid losing the spark that drew readers to them in the first place. Conner and Palmiotti’s approach to Harley Quinn has often involved pitting their villain protagonist against people even worse than she is, having her stand up for animal rights, and giving her a sort-of family in the form of her tenants; judging from sales numbers, it’s been a successful tactic, but has Harley become a better person in the process? Despite being a holiday special, that’s the question at the heart of Harley Quinn Valentine’s Special 1, and it’s a surprisingly rich question to ask, even if the answer is a bit unclear, and the question often muddied and buried within the oversized issue’s many tangents and asides. Continue reading →
February 14th is about three things: socks with hearts on them, discount chocolates on the 15th, and corny Valentines cards for your friends. We can’t really share the first two with you, our loyal readers, but boy can we share the third! A couple years ago we made a bunch of corny Valentine’s Day cards, and we had so much fun we did it again last year. Because we’re once, twice, three times a lady, we’ve done it again and made a new batch of Valentines for you all. Feel free to print and pass them out to the nerds you love the most, just keep our name on them, huh? More after the break.
Today, Drew and Spencer are discussing Harley Quinn 3, originally released February 19th, 2014.
Drew: When someone accuses a joke of “going too far,” they tend to mean that it is offensive — that it has left the concept of good taste behind in the pursuit of a bigger laugh. But offensiveness isn’t the only metric of taste. Indeed, I would argue that even the most family-friendly humor can take its core concepts “too far,” neglecting to cultivate the expectations that jokes are designed to subvert. Taken too far, scenarios become unrecognizable, characters become unrelatable, and irony curdles into nihilism. It’s the reason I can’t really get into Tim and Eric Awesome Show, Great Job! — I’m unable to form a frame of reference for why it’s even supposed to be funny, making the experience little more than a parade of one-note awkwardness. I found myself feeling the same things as I read Harley Quinn 3, as the series continues to stretch its own rules to the breaking point. When absolutely anything is possible, it’s hard to be surprised by a punchline. Continue reading →
For Valentine’s Day last year, you may recall, we here at Retcon Punch showed you our love with corny, superhero valentines. Obviously, we had to do it again. So, Internet, this is our way of saying Be Mine; please enjoy these free, awesome valentines! Print them, share them, just keep our name on them; more after the break!
Today, Spencer and Shelby are discussing Harley Quinn 2, originally released January 22nd, 2014.
“I think I may have found a project I’d actually enjoy doing: helping these cats and dogs. They should be rewarded for not being people. I hate people.”
April Ludgate, Parks and Recreation
Spencer: So far, both issues of Harley Quinn have featured its heroine rescuing animals from oppressive environments. Harley being an animal lover isn’t really a surprise—she’s basically a big kid, plus she’s canonically owned and raised laughing hyenas in the past—but it still seemed a bit odd to me at first that this book was hitting this point so hard. I suppose it ultimately makes sense, though; when writing a book featuring a villain protagonist you’ve got to make sure the antagonists are even more loathsome, and everybody hates animal abuse—even supervillains—right? Continue reading →
Today, Drew and Patrick are discussing All-Star Western 26, originally released December 31st, 2013.
Drew: I’ve always been suspicious of happy endings. Not that I’m a grump or a pessimist (or, not just because I’m a grump and a pessimist), just that I think the tendency to wrap stories up with a nice bow tends to make them same-y. Knowing everything will work out in the end robs stories of most of their drama, and more importantly, they tend to ring false. Still, there’s something undeniably alluring about a happy ending — a gentle reassurance that the characters will be okay specifically, and that things tend to work out generally. It’s incredibly tricky to acknowledge both aspects of the happy ending, but Alan Moore’s classic “For the Man Who Has Everything” does it beautifully by presenting (and ultimately rejecting) a classic “what if” scenario. Justin Gray and Jimmy Palmiotti aim to tap that same magic in All-Star Western 26, but as is the case with most comparisons to Moore, they come up just a little short. Continue reading →
Today, Mikyzptlk and Shelby are discussing Harley Quinn 1, originally released December 18th, 2013.
Mikyzptlk: Sometimes, what we need in life is a fresh start. That means cutting ties with what came before, moving on, and moving out. Sometimes, that also means traveling into some unknown territory and taking a leap of faith that things will work out. Harley Quinn has had a…troubled past to say the least, so if anyone in the DCU could use a fresh start it’s her. Harley Quinn 1 gives us the beginning of Harley’s fresh start. Will she make it out alive? Continue reading →
Today, Patrick and Shelby are discussing Harley Quinn 0, originally released November 20th, 2013
Patrick: My buddy Andrew and I once went halfsies on a copy of the game Catherine. If you’ve never played it, the game is half puzzle game, half infidelity simulator. You’re barely even in control of the main character as he blushes his way through an affair with a blonde sex nymph. Those portions of the game when you’re sitting in the bar, trying to non-suspiciously excuse yourself to the bathroom so you can read the sexy tests your new lady is sending you are novel as shit. I don’t know that it was an engaging gameplay experience, but it was addictive and unique – an “experience” devoid of any qualifiers like “game” or “storytelling.” Harley Quinn 0 manages the same feat, simultaneously throwing out and embracing everything you’ve ever known about visual storytelling. The result is a manic experience. Continue reading →
Today, Drew and Taylor are discussing All-Star Western 24, originally released October 23rd, 2013.
Drew: The lone wolf has always been an alluring figure. Every continent has their tales of solitary, wandering soldiers — most often period stories (knights, ronin, cowboys) — but comics have always featured that notion pulled into the modern day. All-Star Western has always been about playing with that line, often in reverse, pushing our expectations of superheroes back to the old west, but the current arc makes that relationship explicit, pulling Hex into the modern day DC Universe. Surprisingly, he fits in quite well. Continue reading →
Today, Patrick and guest writer Sarah are discussing Batman: The Dark Knight 23.2: Mr. Freeze, originally released September 11th, 2013. This issue is part of the Villain’s Month event. Click here for our Villains Month coverage.
Patrick: A buddy of mine just had his car stolen. He lives in Los Angeles, and it’s not like that kind of thing is common place, but… well, you expect to encounter a certain amount of shit living in a big city. Cost of doing business, I suppose. His folks don’t live in the area, so he reached out to his friends for help, advice and rides — they were happy to oblige him with all three. It became clear that my friend had found a “family,” which is a concept just abstract enough to really mean something. It didn’t much matter that not everyone could help him in tangible ways, love and emotional support were exactly what he needed in that moment, and this “family” was able to provide it. They were a comfort, a safety net and a reason to push past the tragedy and on to better things. Victor Fries longs for that connection so much it that drove him to project nonexistent feelings on to a perpetually frozen wife. Now that he’s discovered he has real family out there, it’s becoming increasingly clear: it wasn’t the “wife” part of the “frozen wife” of which he was so enamored. Continue reading →