Tag Archives: Nick Spencer

May 8 2015

Ant-Man 5

ant-man 5

Today, Taylor and Patrick are discussing Ant-Man 5, originally released May 6th, 2015.

Taylor: If you’ve ridden public transportation with any regularity, you are aware that there are some people who clearly don’t follow the unstated rules of the bus or train. Don’t bring cooked food into the vehicle; don’t have loud conversations; don’t listen to music loudly or without headphones; and always do your best to make room for others. Those who fail to follow the rules must suffer the passive aggressive wrath of those around them, yet remarkably, few seem to care. These individuals are either entirely brazen (a definite possibility) or perhaps they just lack a self-awareness that informs them that their actions are burden on others. In Ant-Man 5, we see if Scott Lang is one of these individuals and the result is an issue with unexpected emotional depth. Continue reading →

Mar 16 2015

Ant-Man 3

ant-man 3

Today, Taylor and Michael are discussing Ant-Man 3, originally released March 9th, 2015.

Taylor: Before I became a teacher, I was working in a job I cared nothing about. While that sounds kind of miserable — which it was at points — I did enjoy that my work was something I could leave at the office. Weekends and evenings were basically all mine during this period and I did whatever I pleased with that time. Now, working at a job I care about, I find the divide between work and my home-life has blurred. Work comes home often now and weekends are spent mostly preparing for the coming week. Basically, my situation was a trade off. Work at a boring job and be free at home. Work at a job that you care about, and never stop working. Ant-Man 3, despite it’s humorous overtones, meditates on this aspect of life in a way that is both insightful and entertaining. Continue reading →

Jan 9 2015

Ant-Man 1

ant-man 1

Today, Taylor and Spencer are discussing Ant-Man 1, originally released January 7th, 2015.

Taylor: As long as stories have been told, people have enjoyed hearing about clever heroes. Perhaps the prototype of the clever character in western literature is Odysseus — a man who more than made up for physical shortcomings with the power of his mind. And while many people nowadays might not feel a close kinship to Odysseus, they still appreciate a clever hero — and a clever story. Marvel, as a publisher, has taken this love of cleverness and has essentially turned it into a multimillion dollar business. While the Marvel movies embody this philosophy to their core, there are a number of comic series which also are banking on this appreciation for wit. The reboot of Ant-Man is no exception to this formula, but does it have anything all that clever to say? Continue reading →

Jun 11 2014

The Superior Foes of Spider-Man 12

Today, Taylor and Spencer are discussing The Superior Foes of Spider-Man 12, originally released June 4th, 2014.

Taylor: The excellent blog kottke.org recently brought to my attention a video on visual comedy. In this short feature, Tony Zhou makes a strong case for the lack of visual comedy in your typical comedic film. He also highlights a lot of movies, like Hot Fuzz, which make excellent use of visual comedy. It got me to thinking about how difficult it is to pull off visual comedy in film, much less in comics. Like in writing, something about pulling off a comedic still frame is surprisingly difficult. As with movies, I think we often aren’t treated to great visual comedy. However, Superior Foes of Spider-Man 12 bucks this trend and shows just how funny a comic can be based almost entirely on its visual elements alone.

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Feb 12 2014

The Superior Foes of Spider-Man 8

Today, Taylor and Greg are discussing The Superior Foes of Spider-Man 8, originally released February 5th, 2014.

Taylor: Since the dawn of pop-culture, antiheroes have been those ill behaving scallywags we love despite their flaws. They may not act right all the time, but we love them despite, if not explicitly for, their flaws. In the annals of American culture, the antihero has frequently eclipsed their more traditionally heroic counterparts — just look at Han Solo or Walter White. This trend has naturally extended to comic books and while many protagonists of comics are antiheroes, few are outright villains. In case you couldn’t tell by its title, The Superior Foes of Spider Man ­­focuses on a villain, who by virtue of his narrative is an antihero. And while we all enjoy a good antihero, it is a perilous line they walk, and issue eight displays how precarious their position is. It begs the question, just how shitty can a protagonist be before we’ve had enough?

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Sep 10 2013

The Superior Foes of Spider-Man 3

Alternating Currents: Superior Foes of Spider-Man 3, Taylor and Patrick

Today, Taylor and Patrick are discussing The Superior Foes of Spider-Man 3, originally released September 4th, 2013.

Taylor: We all know the origin story of Spider-Man. Peter Parker gets bitten by a radioactive spider and gains the sensational powers of a spider. At first, he doesn’t use his powers for good, instead choosing to indulge himself in a world of personal gain and selfishness. An indirect consequence of the path he chooses is that his Uncle Ben is murdered by a thug he previously had failed to apprehend. Because of this, Peter comes to fully understand his uncle’s saying: “with great power comes great responsibility,” which leads him on the path to superherodom. But what if your path is different from Peter’s? What if instead of choosing to be a hero, you choose to be a villain? What creed or mantra would you follow then? What expectations would you have of yourself and those you call your allies? In a surprising change of tone, Superior Foes of Spider-Man 3 explores this question and the result is a deepening of Boomerang’s character that, while unexpected, is a welcome addition to the series.

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Aug 12 2013

The Superior Foes of Spider-Man 2

Today, Taylor and Shelby are discussing The Superior Foes of Spider-Man 2, originally released August 7th, 2013.

Taylor: Comics inherently are a silly thing. Now, before you haul off and yell at me about how comics are a legitimate art form, cool your Rocketeer jets and let it be known I agree with you. But just hear me out.  The fact that comics primarily deal with people in goofy costumes running around fighting crime can’t be ignored. That in and of itself is pretty damning evidence that comics are a little bit absurd. However, this is but one element of what goes into the makings of a comic book, and as with so many other things, comics are more than the sum of their parts. Still, reducing comics down to some of their most basic elements can have comedic results, just as reducing a basketball game to the idea of giant men throwing around a sphere for an hour or so makes it seem especially silly. While comedic gold can result from the acknowledgment of the pulpy origins of comic books, there remains the question of how lasting this humor can be. Can it go on for an entire series? The Superior Foes of Spider-man has you covered.

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Aug 8 2013

Avengers 17

Alternating Currents: Avengers 17, Drew and Spencer

Today, Drew and Spencer are discussing Avengers 17, originally released August 7th, 2013. 

“Bigger?” Look, it’s not for one of the new guys to say, but — feeling kinda crowded around here already.

Cannonball

Drew: In our discussion of Avengers 16, I complained that the bloated story and cast was collapsing under its own weight — far from making me excited, the sheer scope of the story was preventing me from fully engaging with any subset of elements. It’s a feat that writer Jonathan Hickman can keep all of these plates spinning (and these are only half of the plates he’s writing in this event), but that triumph of multi-tasking unfortunately precludes any real emotional connections. That is to say, the story here is already too big, but as this issue concludes into Infinity proper, we pile on even more Avengers, and widen the scope even further. And there are still only, like, two showers. Continue reading →

Jul 18 2013

Avengers 16

Alternating Currents: Avengers 16, Drew and Patrick

Today, Drew and Patrick are discussing Avengers 16, originally released July 17th, 2013. 

…times infinity!

–Schoolyard Traditional

Drew: Infinity is an incredibly abstract concept. By its very definition, it is beyond comprehension. It is often treated — especially by children — as just a really big number, something you could multiply yesses by or supersede by adding one to. Infinity might simply be the next step in a logical progression, from hundreds to thousands to millions and so on, usually following shortly after “bazillion.” Adults are a little less prone to these misconceptions, but I can’t claim to have any true understanding of what it would mean for something to be infinite. That is, until I started reading the interminable prelude to Marvel’s Infinity event, which doesn’t feel “big” as much as it does “endless.” Continue reading →

Jul 9 2013

Avengers 15

Alternating Currents: Avengers 15, Drew and Patrick

Today, Drew and Patrick are discussing Avengers 15, originally released July 3rd, 2013. 

Drew: I have a buddy who doesn’t like Peter Jackson’s The Lord of the Rings films — but it’s not because he doesn’t like fantasy. In his mind, the story is a too simple escalation of “then they fought an even bigger villain” repeated ad nauseam. He has a point: that narrative is particularly focused on building to the final boss battle, but I’d argue that that focus is exactly what prevents each encounter from feeling routine. We understand the importance of Frodo’s quest, so there’s actual tension to be garnered from any obstacles that might pop up along the way. More importantly, having that goal laid out offers direction after each villain is defeated — there’s none of that “wander around the woods until you find something else to fight” RPG bullshit. Unfortunately, Avengers 15 lacks that kind of focused direction. Continue reading →