This article containsSPOILERS. If you haven’t read the issue yet, proceed at your own risk!
Michael: A common criticism of a piece of fiction is “nothing really happened.” The meaning of that blanket statement can vary depending on who the critic is and more specifically what they’re expecting. A great example of this is the Season 3 Breaking Bad episode “The Fly.” Critics praised the bottle episode as a brilliant character study while it left many audiences unimpressed with the fact that “nothing really happened.” While I try to appreciate the deeper meaning of a piece of work, I must say that in Deadpool vs. Old Man Logan 1…nothing really happens. Continue reading →
This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!
Michael: Fictional prophecies are a tricky thing. Typically, the prophecy is either dead-on or has been slightly misinterpreted, but either way it usually comes with a twist. Nick Spencer has played with a lot of elements from Marvel’s last big crossover event Civil War II, but none moreso than Miles Morales clutching Steve Rogers’ lifeless body on Capitol Hill. Secret Empire 7 finally approaches that moment…or does it? Continue reading →
Today, Drew and Patrick are discussing Secret Empire 3, originally released May 31st, 2017. As always, this article contains SPOILERS.
Drew: That Secret Empire is about big ideas goes without saying. As with any tentpole summer event, it promises to change the Marvel universe as we know it (at least temporarily), but the bigger story is the way the event (and the stories leading to it) have reflected the real-world political climate, often in uncanny — and uncomfortable — ways. But issue 3 reveals that, underneath it all, writer Nick Spencer may have been building to an even bigger (albeit, perhaps less controversial) question about the very nature of the superhero genre in the present day: does it still have room for moral absolutes? Continue reading →
We try to stay up on what’s going on at Marvel, but we can’t always dig deep into every issue. The solution? Our weekly round-up of titles coming out of Marvel Comics. Today, we’re discussing Black Widow 6, Captain America: Sam Wilson 12, Civil War II: Choosing Sides 4, The Unbelievable Gwenpool 5, and The Mighty Thor 10.
Today, Drew and Patrick are discussing Original Sin 8, originally released September 3rd, 2014.
Drew:As the final chapter of a summer crossover event, Original Sin 8 has significantly more baggage than the average comic issue. In addition to wrapping up its own 8-issue maxi-series (9 if you count that zero issue), this issue is essentially charting of the trajectory of the Marvel Universe in the short term, setting up an array of new series and new volumes of old series that seem to fall out of the aftermath of this event. All that is to say that it’s easy for this conversation to turn into a discussion of Original Sin as a whole, or even how we feel about some of the lasting changes this issue presents. There’s certainly value in those conversations (and believe me, I’m going to talk about them a bit), but first, I want to examine whether or not this issue manages to be entertaining in its own right. Continue reading →
Today, Drew and Spencer are discussing Original Sin 5, originally released July 2nd, 2014.
The Butler did it!
Drew:As far as board game adaptations go, Clue actually does a pretty fantastic job of mimicking the experience of playing the game (it’s certainly closer than Battleship, and don’t even get me started on Twister). By the end of the movie, it really could be anyone, and the multiple endings play with that idea brilliantly. Of course, what’s truly clever is the way that those endings play with our expectations of parlor murder mysteries in general. Of course it could be anyone — that’s the whole point. Ultimately, the who, where, and what of the murder doesn’t matter so much as the why and how, which tend to be pulled out at the very last minute, anyway. Original Sin 5 subverts those explanations by showing us why Nick Fury killed all of those monsters and planets, but stopping just short of telling us who killed the Watcher. But hey, maybe it doesn’t matter! Continue reading →
Today, Spencer and Patrick are discussing Original Sin 4, originally released June 18th, 2014.
Spencer: Original Sin is the funniest murder mystery I’ve ever experienced.
Okay, that might be a slight exaggeration (Clue certainly gives it a run for its money), but the fact remains that, in a genre not exactly known for being a laugh riot, Original Sin stands out as something strange and unique (and hilarious). Despite the deadly secrets, overwhelming paranoia, and occasional gore, Jason Aaron and Mike Deodato somehow manage to give us an issue with a laugh on pretty much every page, an issue that treats its subject matter with the utmost seriousness but that also has no problem embracing the sheer ridiculousness inherent to the medium. It’s a difficult balance to achieve, but Aaron and Deodato walk that tightrope masterfully. Continue reading →
Today, Drew and Shelby are discussing Original Sin 3, originally released June 4th, 2014.
Someone shot and killed…a planet. I’m gonna need a minute to process that.
Drew:The last time we talked about this series, I couldn’t get over how over-the-top comic book-y it is. And I mean that quite specifically: it’s not just epic or violent (as so many summer crossover events tend to be), it’s also whole-heartedly absurd, embracing all of the silliness that makes comics so much fun in the first place. Or, at least I thought that’s what this series was. Immediately after building to the line highlighted in the epigraph, this issue takes a sudden turn into the gory. The abruptness of the shift in tone makes it utterly shocking, but it may also rob this series of the frivolity that distinguished it from the likes of DC’s joyless gore-fests. Continue reading →
Today, Shelby and Drew are discussing Original Sin 2, originally released May 21st, 2014.
Shelby:Last issue, we discussed the merits of a superhero murder mystery. Patrick mentioned that the fluidity of the rules of the superhero world make for a much more fast and loose sort of mystery. It raises the question of how such a mystery can even exist; when you’ve got Emma Frost and Doctor Strange running around, how can you possibly know the answer to anything? I suppose that is was the Watcher’s function; despite the number of characters who have the capability of knowing everything, Uatu was the only one who actually did. The entity for whom there was no mystery is now the subject of a murder mystery of epic proportions. That fact is not lost on writer Jason Aaron, who decides to further upend the concept of the murder mystery by telling us who did it in the second chapter.
Today, Taylor and Patrick are discussing The Superior Foes of Spider-Man 3, originally released September 4th, 2013.
Taylor: We all know the origin story of Spider-Man. Peter Parker gets bitten by a radioactive spider and gains the sensational powers of a spider. At first, he doesn’t use his powers for good, instead choosing to indulge himself in a world of personal gain and selfishness. An indirect consequence of the path he chooses is that his Uncle Ben is murdered by a thug he previously had failed to apprehend. Because of this, Peter comes to fully understand his uncle’s saying: “with great power comes great responsibility,” which leads him on the path to superherodom. But what if your path is different from Peter’s? What if instead of choosing to be a hero, you choose to be a villain? What creed or mantra would you follow then? What expectations would you have of yourself and those you call your allies? In a surprising change of tone, Superior Foes of Spider-Man 3 explores this question and the result is a deepening of Boomerang’s character that, while unexpected, is a welcome addition to the series.