Today, Taylor and Drew are discussing Thor 8, originally released May 13th, 2015.
Taylor: Motion is an important thing to people. Most of us don’t like to be stagnant for any set amount of time whether it be an hour, a month, or a year. We visualize our lives as having a narrative that is always moving forward. Likewise, as a society, we like to think that we are also making a steady motion forward. In other words, we like to think of our society as making progress. And while most of the country can get behind progress (just look at how rapidly gay marriage became acceptable) there are always going to be those who oppose it. Thor 8 recognizes this dichotomy and in doing so makes a strong statement about the need for acceptance of progress and just how hard that can be for those who don’t want to see things change. Continue reading →
Today, Taylor and Spencer are discussing Thor 7, originally released April 15th, 2015.
Taylor: Recently I visited a friend who I’ve known for a long time. As we tend to do, we watched bad action movies, with the features this time being Commando and the more recent John Wick. Both movies feature a ridiculously high body count, the cause of which is a thin plot filled in with a lot of action scenes. Generally, audiences tend to love action, but after John Wick killed what was probably his 42nd mobster, I found the action scenes growing stale. And therein lies the rub with an action sequence whether it be on film or in a comic book: too much of a good thing makes it bad. Thor 7 is an issue that is basically all action and despite the dangers of too much action, it’s a great issue. Why you may ask? The answer is the astounding art of Russell Dauterman. Continue reading →
Today, Michael and Taylor are discussing Thor 5, originally released February 11th, 2015.
“Do not just be worthy of the hammer. You are not the first to wield it, and no matter your fate, you will not be the last. Be worthy of the name.”
Lady Freyja, Thor 5
Michael: Change is constant in mainstream comics; but equally constant is the reversion of those changes back to the status quo. Bruce Wayne may step down from the role of Batman but he will always return to put the cowl on again. Steve Rogers may get old or die but he will always be back to don the Captain America shield once more. Heroes die, heroes return; the more things change, the more they stay the same. Part of the reason is that figures like Superman, Batman and Spider-Man are cultural icons. Even if Miles Morales is now the Ultimate Spider-Man, Peter Parker will always be the original. More to the point, we as a culture are reluctant to change — and especially venturing outside of our comfort zones. Continue reading →
Today, Spencer and Drew are discussing Thor 4, originally released January 28th, 2014.
Spencer: Would my life be different if I had a different name? Back in high school I thought Spencer was a nerdy sounding name and that it gave me an automatic handicap when it came to being “cool,” but now that I’ve matured I’ve come to realize that my name didn’t dictate my personality or path in life. Still, as I’ve grown to love and appreciate my name it’s come to feel like an intrinsic part of my personality; it may not have shaped my life, but it’s grown with me and absorbed my qualities, and if somebody took my name away from me, it would feel like I was losing a part of myself. That’s the exact situation Thor Odinson finds himself facing in Jason Aaron and Russell Dauterman’s Thor 4, an issue that firmly establishes the new Thor while also showing just exactly what that means for the old one. Continue reading →
Today, Spencer and Drew are discussing Loki: Agent of Asgard 10, originally released January 21st, 2015.
Spencer: “I’m sorry” is an incredibly powerful and versatile statement, capable of mending anything from minor transgressions to grand betrayals if used properly, but it’s not a cure-all. The wronged party has no obligation to accept an apology, and there are some rare occasions when an apology alone just isn’t enough — and sometimes an apology can even be selfish, such as if the guilty party apologizes simply to ease their own conscience rather than to make it up to their victim. In his long, infamous career Loki has tried out every kind of apology possible, and Al Ewing and Lee Garbett’s Loki: Agent of Asgard 10 finds the God of Mischief at his most sincere, but also apologizing for what might truly be an unforgivable offense. Has Loki used up the last of his goodwill? Does he even deserve to be forgiven? Continue reading →
Today, Taylor and Spencer are discussing Thor 3, originally released November 12th, 2014.
Taylor: Despite what you may think of them, the Lord of the Rings and Hobbit movies are amazing for one thing in particular. No, I’m not talking about the infinite pools of blue that are Orlando Bloom’s eyes, I’m talking about the insane amount of detail present in each installment. From swords wielded by extras on down to the authentic briar used to create Gandalf’s pipe, it all is produced with detail and realism in mind. And while Thor may not be known for its realism, the series does possess a staggering amount of detail which I find positively delightful. Thor 3 is an exemplar of this and is another solid installment in this run. Continue reading →
Today, Spencer and Drew are discussing Avengers 36, originally released October 8th, 2014.
Spencer: Jonathan Hickman’s Avengers hasn’t exactly been a character-driven book; that’s not to say Hickman doesn’t have an excellent grasp on the various voices of his cast, but to say that this title is very much driven by the plot, with the characters often feeling like cogs in his Avengers machine. Starting with Avengers 35, though, the title skipped eight months into the future; catching us up to the activities of the various Avengers in this new setting has given Hickman a chance to refocus on his characters, as well as on some of the many plot points that have fallen to the wayside in the last nine months or so. Avengers can sometimes be a hard book to love, but issue 36 continues the return of the kind of storytelling that made me pick up this book in the first place.