Mighty Thor 706: Discussion

by Drew Baumgartner and Spencer Irwin

Mighty Thor 706

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

And on the seventh day God ended his work which he had made; and he rested on the seventh day from all his work which he had made.

Genesis 2:2

Drew: Can gods be heroes? I might posit that immortality voids the noble qualities like courage and sacrifice that define heroism. To me, anyway, gods and heroes are mutually exclusive groups, which might well be the reason we created the concept of demigods — Hercules slaying the Nemean Lion is less impressive if he has infinite time and power at his disposal, and Jesus dying on the cross is literally meaningless if he can’t die. In this way, we understand that Jane Foster’s nobility comes not from her godliness, but from her humanity — from the sacrifice she can only make because she isn’t a god. But still, she was a god, at least briefly, which maybe entitles her to a bit of rest after all of that sacrifice. Continue reading

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Mighty Thor 705: Discussion

by Spencer Irwin and Ryan Mogge

Mighty Thor 705

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Spencer: Jane Foster is willing to do what must be done, no matter how hard or dangerous, no matter what the consequences might be, even when nobody else can or will. It’s what makes her a hero, what makes her worthy; it’s also what brings about her downfall. The Mighty Thor 705 is the swan song our beloved Jane deserves, a beautiful, action-packed, heartbreaking issue that highlights everything that made Jane’s Thor an inspiration, everything that made her important both in-universe and out. Continue reading

Giving Meaning to the Inevitable in Mighty Thor 704

by Drew Baumgartner

The Mighty Thor 704

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Heroes are predictable, at least in terms of the noble qualities that define heroism. That is, while a hero’s cunning plan or stroke of genius may surprise us, that they would try to save the day — even and especially at great risk to themselves — is kind of a foregone conclusion. And no hero represents that quality of self-sacrifice better than Jane Foster, whose daily choice to wield Mjolnir to protect others has slowly allowed her cancer to advance. So that she would take up the hammer once again, even with the knowledge that doing so would surely kill her, isn’t exactly a surprise Jason Aaron and Russell Dauterman could have hoped to withhold. So instead, they spend this issue detailing exactly what that decision means to her beyond self-sacrifice, getting at just what it is that makes Jane so selfless in the first place. Continue reading

Mighty Thor 703: Discussion

by Taylor Anderson and Spencer Irwin

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Taylor: One of the hardest lessons to learn growing up is that everything has a cost. This is a particularly difficult lesson to learn because when we’re young, things tend to not really cost all that much, if anything at all. It’s only once we become adults and begin to age that literally everything has some cost associated with it. Want to go out and drink all night? The cost is a hangover. Want to get a master’s degree? The cost is crippling student debt. Heck, even want to find love? The cost is putting in the time and effort to cultivate a meaningful relationship with someone. This isn’t to say that things aren’t worth their cost – love is a good example of something that more than pays for itself. However, the cost of things always has to be collected, as Jane and her friends learn in Mighty Thor 703.

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There’s Power Beyond the Hammer in Mighty Thor 702

by Taylor Anderson

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

In the recent arc of Mighty Thor, tension has been building regarding Jane Foster’s inability to chose between being Thor or herself. At the crux of the matter is the fact that Jane has cancer which needs to be treated — which can only be done in her human form. However, she’s needed in virtually every corner of the universe as Thor to try and stop Malekith and his armies of evil. Forced to choose between saving thousands (millions?) and saving herself, Jane makes the obvious heroic choice. But as issue 702 shows, sometimes the obvious heroic choice isn’t always the best one. Continue reading

Discussion: Mighty Thor 700

by Taylor Anderson and Patrick Ehlers

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Taylor: Midway through the extra large, special 700th issue of Mighty Thor, Karnilla, Queen of the Norns, asks which ingredient is the most essential in the makeup of a Thor. It’s a good question, and one that writer Jason Aaron has been exploring ever since he took over the reigns of Thor some 60 issues ago. While Aaron has posed various answers to this question multiple times, he’s never come outright and revealed to readers what exactly makes a Thor Thor. That is, he’s never done that until now. Using the 700th issue as his podium, Aaron waxes poetic on the nature of Thor, presenting us with not so much a new Thor narrative, but a grand tapestry that relishes in pondering what Thor has been, currently is, and what it will always be. Continue reading

Discussion: Generations: The Unworthy Thor and the Mighty Thor 1

by Taylor Anderson and Drew Baumgartner

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Taylor: I never have high hopes for crossover issues simply because, more than anything else, they tend to be really goofy. Goofy can be a good thing, but the kind of goofy I’m talking about here isn’t. Going into this issue, I was prepared to be underwhelmed simply because the the idea of pre-Mjolnir Thor teaming up with the current Thor felt, well, goofy in a bad way. However, I am delighted by this issue because it knows exactly what it is. Writer Jason Aaron is firing on all cylinders in an issue that is at once funny, brazenly over the top, full of great character moments. Continue reading

Hammer Time in Mighty Thor 21

by Taylor Anderson

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

When it was first announced that a woman would take up the mantle of Thor a couple years ago, people were shocked. The uproar about this wasn’t so much about a different person being labeled Thor, but the fact that a this person was going to become Thor while using the Odinson’s signature hammer, Mjölnir. (I would be remiss not to mention that blatant sexism and fragile male egos also contributed to the backlash against a woman being named Thor, but that’s a different discussion entirely). There have been plenty of versions of Thor in the Marvel pantheon, but the idea of Mjölnir going to someone else seemed to agitate fans. That this bothered people raises a question: if a person is Thor, or a version thereof, based on which hammer they wield, who is actually the hero, the hammer or the person who uses it? Continue reading

Jean Grey 4 Delivers a Puzzling Moral

by Spencer Irwin

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

The best idea in Dennis Hopeless and Harvey Tolibao’s Jean Grey 4 is that the Odinson teaches via stories — quite often rambling, drunken ones. It’s an ingenius use of the character, exploiting both his greatest strengths and weaknesses, but unfortunately for an issue about teaching lessons, the moral never fully comes together. Continue reading

The Mighty Thor 18

Today, Drew and Taylor are discussing The Mighty Thor 18, originally released April 26th, 2017. As always, this article contains SPOILERS.

Don’t tell me the moon is shining, show me the glint of light on broken glass.

Anton Chekov

Drew: In general, audiences are more consciously concerned with what happens in a story than how the story is told. That is, if you ask someone to describe their favorite movie or book, you’re more likely to get a plot summary than a thoughtful description of style. That’s not to say style doesn’t contribute to their appreciation of the work, just that it does so in ways that they may not be actively aware of. As someone who values considered analysis of art, this phenomenon is nothing short of tragic, which is why I so value narratives that aim to utterly thwart any emphasis on plotting. That’s exactly what Jason Arron and Russell Dauterman give us in The Mighty Thor 18, using every opportunity to spoil the would-be reveal of its villain.

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