This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!
Truth is stranger than fiction, but it is because Fiction is obliged to stick to possibilities; Truth isn’t.
Drew: This may seem like an odd quote to kick off a discussion about a comic featuring superpowered heroes battling over bits of a cube that can rewrite reality, but I think it’s safe to say Secret Empire has really never been about superpowers or cosmic cubes. Those are the trappings of a big summer event series, sure, but the story was actually about how seemingly good people can be corrupted by toxic ideologies. That’s immediately recognizable as Steve Roger’s arc through Steve Rogers: Captain America and Secret Empire, but it’s also an arc that has been running in the background of Hydra’s America throughout this series, one that is far more unsettling than seeing Steve hail Hydra ever could be. Continue reading →
Today, Patrick and Michael are discussing Secret Empire 1, originally released May 3rd, 2017. As always, this article contains SPOILERS.
Patrick: Skipping ahead into the radically altered future has become one of the hallmarks of modern Marvel event stories. Both Secret Wars and Age of Ultron rushed ahead to the moment after the unthinkable had already occurred, resting in a status quo that practically begged to be undone. Secret Empire, in its #1 issue, adopts this same tactic, catapulting over an untold stretch of time and insisting on a terrifying new normal. The difference between this story and events like Secret Wars and Age of Ultron, is that Secret Empire is based in the entirely credible rise of fascism in the United States. There is real world precedent for the world over which Captain Hydra rules, and even if it is exaggerated for the medium, and the long road to this moment is paved with recognizable warning signs. But writer Nick Spencer is no longer concerned with establishing the mechanical reality of Steve Roger’s brave new world, instead turning to the emotional reality of its occupants, dialing in on how it feels to be truly helpless and hopeless. And how it feels to resist.Continue reading →
Today, Patrick and Michael are discussing Uncanny Inhumans 2, originally released November 18th, 2015.
1. strange or mysterious, especially in an unsettling way.
Patrick: In light of the recent nuking and un-nuking (or possibly re-nuking) of the Marvel Universe, readers are reasonably expecting some straightforward adventure storytelling. What better way to get back to the basics of these characters than by comfortably setting them in a familiar world? But writer Charles Soule seems to be after anything but “comfortable” — only two issues in and it looks like he just wiped most of the Inhumans out of existence. The series is possessed by this insane confidence, with little regard to how strange, mysterious or even unsettling it becomes. They’re not joking around when they call this thing “uncanny.” Continue reading →
Today, Mark and Spencer are discussing Uncanny Inhumans 1, originally released October 21st, 2015.
Mark: Black Bolt is having a terrible, horrible, no good, very bad day. He, Triton, and Reader travel back 13,000 years to Attilan in hopes of retrieving Black Bolt’s son and heir Ahura. But in doing so Black Bolt breaks his word to Kang the Conqueror, and Kang doesn’t take very kindly to the betrayal. He transports the Inhumans to an island where a hydrogen bomb is about to be dropped, and then beams in some dinosaurs and WWI troops for good measure. You do not want to cross Kang the Conqueror. And if that weren’t bad enough, moments after Reader is able to get them back to their time by the skin of his teeth, Black Bolt walks in on Medusa making out with the Human Torch. Today is just not Black Bolt’s day. Continue reading →