“High” and “Low” Art Collide in The Wicked + The Divine 1923AD

by Spencer Irwin

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

The difference between “high” and “low” art has always seemed rather arbitrary and elitist to me, but that hasn’t stopped debates about the two from raging in one way or another for centuries. That conflict is the heart of The Wicked + The Divine 1923AD, manifesting both in the actual plot and in the format in which Kieron Gillen chooses to tell his story, a tale and a format that can really only serve as celebrations of all kinds of art: “high,” “low,” or otherwise. Continue reading