Today, Drew and Spencer are discussing The Wicked + The Divine 28, originally released April 12th, 2017. As always, this article contains SPOILERS.
Drew: Fatalism has always been baked into the world of The Wicked and the Divine. Right from the start, we understood that the pantheon were destined to die, though the exact reasons for their death remained mysterious. In the wake of Ananke’s death, our characters have begun to question whether or not they are truly doomed to die — they know only what Ananke told them, but no longer trust her words. As the pantheon variously pursue their different paths, some in hopes of defying what may-or-may-not be their destiny, I can’t help but wonder if their names might offer some hint about what those destinies might be. Continue reading →
Today, Spencer and Drew are discussing The Wicked + The Divine 26, originally released February 8, 2017. As always, this article contains SPOILERS.
Spencer: Set in the aftermath of Ananke’s death, “Imperial Phase (Part 1)” has been an arc all about figuring out what to do next. Last month’s cliffhanger finally presented a tangible threat in the form of the Great Darkness (or at least some of its agents), but if you thought that’d be enough to unite the Pantheon against a common enemy, you’d be sadly mistaken. The Wicked + The Divine 26 finds these gods as divided and lost as ever…and perhaps suggests that’s the way they’re meant to be? Continue reading →
Today, Spencer and Drew are discussing The Wicked + The Divine 25, originally released January 4th, 2017. As always, this article contains SPOILERS.
Spencer: There’s been an air of aimlessness to The Wicked + The Divine‘s fifth arc; with Ananke dead, it seems like the Pantheon don’t really know what to do with themselves. This quality is clearly a purposeful choice on Kieron Gillen and Jamie McKelvie’s part, as this entire storyline seems to revolve around figuring out “what comes next?” Issue 25 provides at least one solution (in the most shocking way possible), but what may be more significant is the way it emphasizes — both to the Pantheon and the audience — what questions about the future they should actually be trying to answer in the first place. Continue reading →