Uncanny X-Men 1-3

uncanny x-men 1-3Today, Patrick and Ethan are discussing Uncanny X-Men 1-3, originally released February 13th, February 27th, and March 13th 2012, respectively.

Patrick: The X-Men are the perpetual outsiders. They’re different — that’s their whole shtick. Sometimes the X-Men don’t even get along with the X-Men. With Uncanny X-Men, Brian Michael Bendis doubles down on this outsiderness, pitting Cyclops’ band of merry mutants against every one — the government, the Avengers, the rest of the X-Men. It’s the rumblings of a truly unnerving mutant revolution.

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All-New X-Men 8

all new x-men 8

Today, Ethan and Shelby are discussing All-New X-Men 8, originally released March 6th, 2013.

Ethan: ­Time-travel narratives always have the potential to bring up questions of self and identity. Though he wrote in less sci-fi context, Famous Dead White Guy David Hume talked about self not in terms of one, coherent, persistent soul but as a collision of different, constantly changing ideas and perceptions, like a train barreling forward with an ever changing set of passengers. While I may feel like I’m one, same person from one day to the next, I’m occasionally startled when my brain abruptly serves up a memory from the past. I remember the experience, the decisions, the stimuli as if it was me, but the choices and statements made by that past person often seem alien. That person was, in many real ways, NOT the me I am now. Reading All-New X-Men 8, I was happy to see that writer Brian Michael Bendis and artist David Marquez took some time to play around with these ideas.

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Indestructible Hulk 4

hulk 4

Today, Shelby and Ethan are discussing Indestructible Hulk 4, originally released February 20th, 2013.

Shelby: There’s a certain peace that comes with accepting yourself for who you are. It can be hard to acknowledge your faults, especially the ones you know you can’t really change, but once you learn to celebrate your awesomeness and manage your un-awesomeness, you’ll sleep like a god-damn baby. I know “learn to love yourself” can come off as trite and overly sentimental, but it is both true and relevant. In the hands of Mark Waid, Bruce Banner has finally come to accept his terrifyingly dangerous faults, and through that acceptance has learned to love pretending to get mad to freak people out. That sort of behavior is what makes this title so great.

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