Multiple Multiple Men in Multiple Man 1

by Drew Baumgartner

Multiple Man 1

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

The X-Men represent a particularly confusing corner of the Marvel Universe. It would be hard enough to keep the ever-growing list of characters straight even without all of the time travel, shape-shifting, and body-doubling shenanigans. I suppose mileage varies depending on how familiar one is with all of those characters and timelines, but for me, the most readable X-Men stories tend to strip things down: a few characters, a specific problem, and clearly defined parameters that limit the solutions. Unfortunately, Multiple Man 1 doesn’t do a great job of laying out any of those components. Continue reading

All-New X-Men Annual 1

Alternating Currents: All-New X-Men Annual 1, Drew and PatrickToday, Drew and Patrick are discussing All-New X-Men Annual 1, originally released December 24th, 2014.

Coincidences to get characters into trouble are great; coincidences to get them out of it are cheating.

Emma Coates,  “Pixar’s 22 Rules of Storytelling”

Drew: This is a pretty well-worn axiom of fiction writing, and while I don’t have any qualms with the assertion that good coincidences are bad, I think it’s important to acknowledge that bad coincidences aren’t necessarily good. We’re all familiar with how deflating a Deus ex Machina resolution can be, but I firmly believe that an arbitrary, unlikely problem — a Diabolus ex Machina, if you will — can be just as bad. Actually, it might be worse; while we might understand a writer painting himself into a corner (thus requiring a miracle to get out of it), there’s no such justification for a coincidence up front. The arbitrary rules of sci-fi technology has always been a pet peeve of mine, but as the laws governing time-travel take center stage in All-New X-Men Annual 1, the conflict became a full-on Diabolus ex Machina, derailing what could have been a thrilling, emotional journey. Continue reading

All-New X-Men 28

Today, Taylor and Patrick are discussing All-New X-Men 28, originally released June 11th, 2014.

Taylor: Madness fills an interesting role in our imagination. Just enough madness and you’re considered a genius. A little too much madness and you’re considered a nut. We tend to think of someone as being “mad” if they have any of a number of mental defects but retain enough of their personality to still be somewhat coherent. Perhaps the most well known madman of all time is Ahab. His singular quest to destroy the white whale consumed his entire life, even if he did retain the vestiges of a sane man. And that’s perhaps what makes him such a disturbing character. Despite (or perhaps because of ) his madness, he is charismatic. We forget that he’s insane sometimes and actually feel that his quest against Moby Dick is justified. Xavier is similarly hell-bent on killing the X-Men of the past, and similarly might have good reasons for wanting to do so. All-New X-Men 28 has me wondering if this quest is the errand of a madman or the product of love gone awry.

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Original Sin 2

original sin 2Today, Shelby and Drew are discussing Original Sin 2, originally released May 21st, 2014.

Shelby: Last issue, we discussed the merits of a superhero murder mystery. Patrick mentioned that the fluidity of the rules of the superhero world make for a much more fast and loose sort of mystery. It raises the question of how such a mystery can even exist; when you’ve got Emma Frost and Doctor Strange running around, how can you possibly know the answer to anything? I suppose that is was the Watcher’s function; despite the number of characters who have the capability of knowing everything, Uatu was the only one who actually did. The entity for whom there was no mystery is now the subject of a murder mystery of epic proportions. That fact is not lost on writer Jason Aaron, who decides to further upend the concept of the murder mystery by telling us who did it in the second chapter.

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All-New X-Men 26

all new x-men 26

Today,  Patrick and Greg are discussing All-New X-Men 26, originally released April 20th, 2014.

Patrick: Superheroes are tools. No, not the “Superman is such a tool” kind of way, but in that they are all able to act as narrative and emotional shortcuts. Between shapeshifters and psychics, healers and teleporters, extra-dimensional sorcerers and reality-manipulators, there’s really nothing that the X-Men aren’t capable of. The brevity with which they can be used to evoke emotions might be even more impressive — just think of the ennui immediately invoked by the appearance of Jean Grey, or the uneasy sense of righteous revolution that accompanies Magneto. Brian Michael Bendis’ All-New X-Men seems designed to celebrate this tool box: bring the original quintet of X-Men to the present day brings all of those emotional shortcuts to the fore. Issue 26 might be the first time Bendis actually uses those tools, instead of laying them out neatly for us to all to quietly admire before putting them back in their protective cases. Continue reading

All-New X-Men 25

Today,  Taylor and Shelby are discussing All-New X-Men 25, originally released April 9th, 2014.

Taylor: They, the ever shifting and nebulous authority that knows more than us, is always saying that hindsight is 20/20. Once events have played out, we know exactly what we should have done in a given situation to obtain our desired results. It’s a damned feeling; there’s nothing you can do about it but you kick yourself for not doing the right thing. This feeling is often so frustrating that it can keep us up at night, pondering the grand “what if?” While that can be crushing, just imagine what the feeling would be like if perhaps you could change the past, if only you thought about it hard enough. Hank McCoy (the one in his proper time) knows this feeling and All-New X-Men 25 shows us just how deep and dark that hole can be.

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All-New X-Men 18

Today,  Ethan and Taylor are discussing All-New X-Men 18, originally released November 13th, 2013.

Ethan: The best part of being in a relationship is that you get to spend so much time with the one you love. The worst part of being in a relationship is that you get to spend so much time with the one you love. For the X-Men, isolated from the world by that tricky little accident of being born with the X-gene, their ties to each other are incredibly strong. It’s no surprise that they so often find passionate love and lifelong friendship inside their circle. Just like any family or couple, though, they often drive each other completely crazy. Breathing room is hard to find when you’re all stuck in the same space, whether it’s a mansion or a mountain bunker, and All-New X-Men #18 explores how they fight, how they cope, and how they move forward.

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Wolverine and the X-Men 37

wolverine x-men 37 atom

Today, Patrick and Ethan are discussing Wolverine and the X-Men 37, originally released October 23rd, 2013. This issue is part of the Battle of the Atom event. Click here for our complete coverage of Battle of the Atom.

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Patrick: Marvel and DC are known for their outrageously fun sandboxes. Each publisher has an impossibly large sack of toys to play with, and creators work their entire lives to have access to them. And when they finally get their hands on those toys, the gloves come off, and the story telling gets ambitious, bombastic and spectacular in every sense of that word. Brian Bendis, Brian Wood and Jason Aaron may have been given access to a shallower sandbox, but their gleeful deployment of several versions and generations of the same handful of characters has cast an enormous number of iconic characters into the spotlight. We’ve had the pleasure of watching them wrestle with the emotional result of all of these characters coming together, but Wolverine and the X-Men 37 finally gives us the Battle Royale (of the Atom) we’ve been waiting for. It trips every pleasure-center in my lizard brain, and I’m suddenly 9 years old, playing with my toys in my childhood bedroom. In this way, Battle of the Atom achieves something amazing — not only do I have to confront time traveling X-Men, I have to reconcile my own prepubescent excitement, as it rockets from the past and lands squarely in the present. Continue reading

All-New X-Men 17

Today, Taylor and Shelby are discussing All-New X-Men 17, originally released October 2nd, 2013. This issue is part of the Battle of the Atom event. Click here for our complete coverage of Battle of the Atom.

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Taylor: Hey, do you guys remember 2008? Specifically, do you remember when Barack Obama was elected president? It was big moment and not solely because it decided who would be the most powerful man on the planet for the next four years. For the first time, a black man was elected to the highest office. Some said it happened sooner than they expected, others as it not having come soon enough. Regardless of the stance, there’s no denying that it was a watershed moment for the United States and one that brought a certain amount of hope for the future with it. Suddenly, instead of being a backwards country who only elected the white and rich, America was viewed as progressing in the right direction. But the glossy sheen of hope fades fast and in these days of bitter bipartisanship and government shutdowns the hope that once surrounded Obama’s administration is now lost. There are those who stand staunchly by our embattled president and those who have become jaded by the world altogether because Obama didn’t live up to their impossibly high expectations. In this fallout, what is left for these individuals? Do they rally to change the system or become mired in hate and malice? All-New X-Men 17 ponders this question along with the usual time travel paradoxes.

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Wolverine and the X-Men 36

Alternating Currents: Wolverine and the X-Men 36, Drew and TaylorToday,  Drew and Taylor are discussing Wolverine and the X-Men 36 originally released September 25th, 2013. This issue is part of the Battle of the Atom event. Click here for our complete coverage of Battle of the Atom.

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Isn’t it worth a few bruised children to save the entire future?

Xavier

Drew: Sacrifice is a funny thing. If helping others requires harming yourself, people will hail you as a hero, but if it requires someone else being hurt — even with the same net result — people hem and haw about ends justifying means. Obviously, the sticking point is free will; it’s perfectly okay to willingly do something yourself, but each of us must be free to make that choice. Of course, that can become a bit of a sticking point in time travel narratives, where there’s a sense that certain things have to happen — Sarah Connor has to survive to give birth John, Marty McFly’s parents have to kiss at the enchantment under the sea dance — in order for the story to even be possible. We tend to focus on the potential paradoxes there, often forgetting that the affected characters have effectively had their free will’s sacrificed by whatever time-travelers happen to be meddling with their pasts. The morality of that act is under scrutiny in Wolverine and the X-Men 36, as Jason Aaron adds new players to both sides of the debate. Continue reading