The Punisher 1: Discussion

by Ryan Desaulniers and Patrick Ehlers

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

Ryan: We all know Frank Castle’s deal: a veteran whose family was unceremoniously gunned down takes to arms in a one-man war against crime or for whatever cause he sees fit to fight for. In the numerous Punisher stories since his inception in 1974, and particularly since the seminal Garth Ennis PunisherMAX run with the character, writers have been trying to find ways to connect a man who commits so many reprehensible acts of cruelty and murder with an audience. Castle sports the label of “anti-hero” to an audience that consumes his stories in various mediums, but writers keep pushing to see how far his character can go and still elicit sympathy from the readers, using different tactics to do so. The Punisher 1 by Matt Rosenberg and Szymon Kudranski, however, leaves all of these devices behind, giving us a Frank Castle title that is bereft of almost any means of identifying and excusing Frank’s actions, save for the fact that Castle fights against even more villainous figures. Continue reading

Deadpool 13

deadpool 13

Today, Ethan and Patrick are discussing Deadpool 13, originally released July 17th, 2013.

Ethan: Back in issue #7 of Deadpool, the writers and artists took us on a timewarp with a faux, never-before-printed “inventory special”. The issue was allegedly produced in the late 70s/early 80s giving the team an excuse to indulge in 10 times the saturation of pop culture references in the already saturated title. It was an entertaining  issue in its own right and a nice break after the Zombie Presidents arc. Now that Vetis is taken care of, writers Gerry Duggan and Brian Posehn and artists Scott Koblish and Val Staples are back to their tricks with another trip back to the era of disco. And if you think the bell bottoms and dated catch-phrases were flying thick and fast last time, you might want to sit down and hold onto something before you open #13. The hair is longer, the polyester is louder, and the racism is, if far from accurately depicted, at least touched on.

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