Stiff Acting Stilts Star Wars: Poe Dameron 17

by Mark Mitchell

This article contains SPOILERS. If you haven’t read the issue yet, read on at your own risk!

A resistance movement concerned with growing apathy among the people, dangerous and corrupt leadership in power propped up by a legislative body too power-hungry to care, journalists as heroes despite being considered untrustworthy by many — the many  parallels between the current political situation in the United States and the state of the galaxy are the driving forces of Charles Soule and Angel Unzueta’s Star Wars: Poe Dameron 17. Continue reading

Is the Lead Enough in Doctor Aphra 9?

by Ryan Desaulniers

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

When Doctor Chelli Aphra came onto the pages of Star Wars comics, the character intrigued me. Anyone who can be Vader’s servant and still walk out alive must be a worthwhile addition to the universe, and her rivalry with Leia in the “Rebel Jail” storyline cemented her for me as one to watch. But as we move through her solo title, I’m beginning to wonder how much faith is being placed in her character to carry this series without other big name-stays in the SW canon. Continue reading

Unknowability is a Strength in Star Wars: Darth Vader 3

by Mark Mitchell

This article contains SPOILERS. If you haven’t read the issue yet, read on at your own risk!

Last month when discussing Darth Vader 2, I counted the fact that Darth Vader largely remains a cipher in his own series as a core weakness in Charles Soule’s story, but with Darth Vader 3 I think I have it all wrong. It’s still true that readers looking for a deep, complex shading of Darth Vader won’t find it here, but really, who wants that in the first place? The Prequels were predicated on the audiences’ interest in “understanding” Darth Vader, and those were terrible. The world already has enough context for Vader’s actions thanks to years and years of pop culture indoctrination. Darth Vader as a mostly silent, imposing villain is optimal Darth Vader. It’s the difference between original Halloween Michael Meyers and reinvented Rob Zombie-era Halloween Michael Meyers. Continue reading

Action is Let Down by Low Stakes in Star Wars: Poe Dameron 16

by Michael DeLaney

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

The Phantom Menace probably had more lightsaber action than any of the original Star Wars entries, but it was all predicated on the titillating minutia of trade disputes. Unfortunately,Star Wars: Poe Dameron 16 has more in common with The Phantom Menace than it does with other successful Charles Soule Star Wars outings. Instead of trade disputes, the impetus behind the latest arc of Poe Dameron is…a fuel shipment. Continue reading

The Worthiness of Being Called Canon in Star Wars: Doctor Aphra 8

by Taylor Anderson

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

When Disney acquired the rights to Star Wars, a decree was sent forth from the Magic Kingdom proclaiming that the extended universe portrayed in various books, comics, and TV shows is no longer canon. The reasoning behind this is clear. Disney will be making Star Wars stories until the end of time and they want the creative (see: commercial) freedom to write their own version of the Star Wars universe without conflicting accounts of what happened a long time ago in a galaxy far, far away. Whether this is a good idea or not, it places the impetus on Disney to faithfully convey stories from Star Wars, which can be problematic when issues like Doctor Aphra 8 feel out of joint with their source material.

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A Post-Order 66 Universe is Fleshed Out in Star Wars: Darth Vader 2

by Mark Mitchell

Darth Vader 2

This article contains SPOILERS. If you haven’t read the issue yet, proceed at your own risk!

I’m not quite sure what to make of this new Darth Vader series yet, especially after an issue like Star Wars: Darth Vader 2, which indicates very little interest in the titular character himself. Like the first issue and its reveal of some previously un-seen optical lens settings in Vader’s helmet, it’s the details around the main Vader story that make reading worthwhile — albeit heavily dependent on your interest in the minutia of the Star Wars universe. Continue reading

Star Wars Annual 2

star-wars-annual-2

Today, Taylor and Spencer are discussing Star Wars Annual 2, originally released November 30th, 2016. As always, this article contains SPOILERS.

Taylor: I’m incredibly excited for Rogue One: A Star Wars Story. This isn’t just because I’m a huge Star Wars fan and it isn’t just because George Lucas apparently likes it better than The Force Awakens. True, these things do rouse my blood, but what really excites me about the movie can be found right in its title. That Rogue One is being labeled “a Star Wars story” holds so much promise. I love the depth of the Star Wars universe and it’s amazing what authors can do with this backdrop when they aren’t burdened by telling the next great chapter in the Star Wars saga. While the second annual issue of the Star Wars comic does involve some classic Star Wars characters, what makes it wonderful is that it gives us a glimpse into the day in the life of your average Star Wars universe Jane.  Continue reading

Darth Vader 25

darth-vader-25

Today, Taylor and Patrick are discussing Darth Vader 25, originally released October 12th, 2016As always, this article contains SPOILERS.

star wars div

Taylor: Darth Vader stands alone in pop culture. He is at once terrifying and relatable, a killer and a loving father, a villain and a hero. Perhaps the reason for his enduring popularity is that Vader cannot be defined by one singular trait. Like every human, he changes over time, is sometime good and sometimes evil, and is all too fallible. Ultimately this is what makes him a character that is uniquely memorable. Despite controlling an ancient mystical power, using a sword made of pure energy, and conquering the known universe, what makes him an essential character is the simple fact that he changes. In the final issue of this amazing run, Darth Vader explains once and for all why there is such a big change in the Lord of the Sith between Episode IV and Episode V in wonderful fashion.

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Star Wars: Han Solo 1

han solo 1

Today, Michael and Taylor are discussing Star Wars: Han Solo 1, originally released June 15th, 2016.

Taylor: Towards the end of A New Hope, it seems like Han is going to abandon the rebels in their time of need, choosing instead to take his money and run. We all know how the rest of the movie plays out, but what we don’t know is how and why he endears himself to the rebels thereafter. By the time we see Han again in the Empire Strikes Back, he’s a general, and it’s clear he has both the admiration and trust of everyone in the rebellion. But how did this happen? How does Han go from a gallant rogue to a respected general? Why does he join the rebellion instead of paying off the price on his head? Issue one of the Han Solo miniseries has the answers.

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Darth Vader 21

darth vader 21

Today, Taylor and Patrick are discussing Darth Vader 21, originally released June 8th, 2015.

Taylor: One of the things film geeks have come to appreciate about Episode IV is the way George Lucas incorporated techniques pioneered by Japanese director and genius Akira Kurosawa into his movie. In particular, Lucas draws from Kurosawa’s most famous film, the Seven Samurai, which was eventually remade for American audiences as the Magnificent Seven. That Star Wars would be so closely related to a film about cowboys shouldn’t come as a surprise. In many ways, Luke and Han are heroic space cowboys fighting the their way across the open plains of the universe, battling against those who would oppress their freedom. Darth Vader 21 returns Star Wars to this western and in so doing cleverly inverts my assumptions about the motif in fun and new ways.

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