Spencer: One of the greatest appeals of the Green Lantern Corps is that there’s a limitless cast of characters to explore. The Green Lanterns are too numerous to count, and that’s not even getting into new recruits or the other Corps. Each of these Lanterns bring something different to the table, and the best writers are able to mine these characters for all they’re worth, figuring out how and when to best deploy their casts’ various abilities and relationships in order to best serve their story. In Hal Jordan and the Green Lantern Corps 9, Robert Venditti and Rafa Sandoval put on a clinic in this regard, not only taking full advantage of the mass of characters they’ve trapped together beneath Brainiac’s dome, but pulling out a few big surprise appearances from the franchise’s past as well. Continue reading
Today, Spencer and Patrick are discussing Hal Jordan and the Green Lantern Corps 7, originally released October 26th, 2016. As always, this article contains SPOILERS.
Spencer: Have you ever gotten into an argument with a long-time friend? With that much history between you, it’s far too easy for whatever sparked that particular conflict to fall to the wayside as your argument instead becomes about every slight the two of you have ever inflicted upon each other. That’s exactly what happens in Hal Jordan and the Green Lantern Corps 7. Hal and Sinestro’s grand battle for control of the universe is more of a grudge match between these former friends and rivals; the actual stakes matter less to Hal and Sinestro than themselves finally proving their methods and emotion of choice superior to the other’s. Continue reading
Today, Michael and Spencer are discussing Hal Jordan and the Green Lantern Corps 5, originally released September 28th, 2016. As always, this article contains SPOILERS.
Michael: One of my cardinal sins of writing about comics is leaving the artwork by the wayside in favor of a heavier focus on the narrative of a comic book issue. Similarly, I think we tend to primarily associate iconic superheroes with a specific writer instead of an artist. And while he’s worked on many different projects, I will always associate Ethan Van Sciver with Green Lantern. Continue reading
Today, Drew and Michael are discussing Dark Knight III: The Master Race 3, originally released February 24th, 2016.
Drew: There are a number of reasons The Dark Knight Strikes Again didn’t attain the critical and cultural success of The Dark Knight Returns, not the least of which being the insanely high expectations of following up a genuine cultural touchstone, but I think the biggest might be what DKSA reveals about DKR. That is, while fans, critics, and the culture at large tend to believe DKR was all about injecting psychological nuance to superheroes, DKSA suggests that creator Frank Miller’s interests were ultimately in the excesses of the genre — any emphasis on psychology was incidental to Miller’s pursuit of bombast. That’s not an airtight argument, but there’s no denying that DKSA went even bigger, trading the psychology of Batman for the sociology of the Justice League. Those interests are still very much in play in DKIII, though perhaps ultimately to pare the cast down to the key players of DKR‘s final showdown. Continue reading
Today, Mark and Patrick are discussing Green Lantern Corps: Edge of Oblivion 1, originally released January 13, 2016.
Mark: I have to admit, Green Lantern proper and the continuing adventures of Hal Jordan in the New 52/DC YOU, has not captivated me for a few years now. I was, then, incredibly excited when Green Lantern: Lost Army launched in the aftermath of Convergence. Cullen Bunn and Jesús Saíz’s series started as one of the strongest Green Lantern stories in years, and I was very excited to see where it went. Unfortunately my initial enthusiasm was not universal, and the story kind of lost the thread as it went on. So despite DC’s editorial promise to let all of their new books run for at least 12 issues, Lost Army was a victim of DC’s panic in the face of flagging sales. Cancelled after 6 issues, DC promised to wrap up the story started by Bunn in Lost Army with a 6 issue mini-series: Green Lantern Corps: Edge of Oblivion, with the departure of Bunn and Saíz, replaced by writer Tom Taylor and artist Ethan Van Sciver.
Well, “wrap up.” Because, while it may have been explained away as a continuation of Lost Army, Edge of Oblivion is a new #1, for all intents and purposes it begins a whole new story completely divorced from Bunn’s work before. For better or for worse, Taylor has taken the base core of Lost Army (Green Lantern Corps lost in space/time), and gone from there. No more pyramids, no more Mogo being a source for the entire ring spectrum, no more flashbacks to John Stewart’s life on Earth. Continue reading
Today, Michael and Patrick are discussing Green Lantern: The Lost Army 5, originally released October 21, 2015.
Michael: How do you value one life over another? Do the needs of the many outweigh the needs of the few? Green Lantern: Lost Army 5 shows us the burdens of being the person in charge who has to make this tough decisions. It also does something that is equally difficult: making John Stewart interesting. Continue reading
Today, Andy and Spencer are discussing Justice League 44, originally released September 30th, 2015.
Andy: Justice League stories usually come in one of two shapes: seismic clashes between legions of good and evil that change the universe forever, or workplace procedurals driven by quirky-character team ups. Justice League 44 sits firmly in the first category, as Darkseid and Darkseid-wannabe Anti-Monitor punch each other to decide the true big baddie of the DC universe. Continue reading
Today, Patrick and (guest writer) Reid are discussing Justice League 42, originally released July 15th, 2015.
Patrick: Justice League 42 is all about gods – who are gods, who are not gods, who can defy gods, who can become gods, whose godliness can be taken away. But that’s the real difference between a ‘god’ and a ‘superhero?’ Is it physical abilities? Do our gods need to be able to destroy worlds? Do we need our gods to present pure morality? Do we just need to feel that our gods are in control and have a plan? Or maybe gods just need to come from an established pantheon? Whatever other qualities you want to ascribe to gods, I think the most important idea is that they matter in a way that mere humans don’t. Geoff Johns and Jason Fabok’s “Darkseid War” zeroes in a conflict so big and so “important” that we need to check in on the godliness of every hero and every villain. Continue reading
Spencer: I’ve always thought that Johns’ version of the emotional spectrum was a little limited. There’s no color that represents happiness or joy? Nothing for sadness? I realize that the reasoning behind choosing those seven emotions probably came down to which ones could most easily be turned into superpowers, but with stories like Blackest Night boiling every aspect of human emotion down to these seven colors, I still find myself frustrated at times. Questions about the spectrum kept popping into my head as I read Cullen Bunn and Jesus Saiz’s Green Lantern: The Lost Army 1 — the issue focuses on the emotions of will and rage, and specifically seems to be interested in the intersection of the two. Is this Bunn’s attempt to expand and clarify the emotional spectrum? Do will and rage combined make aggression, a quality which John Stewart spends much of the issue ruminating over? I suppose only time will tell, but if nothing else, this debut issue has got me interested in finding out. Continue reading
Today, Michael and Spencer are discussing Justice League of America 1, originally released June 17th, 2015.
Michael: I’m having a difficult time managing my expectations with this new direction that DC is putting out. Curiously, I’m being overly optimistic that these new books will be excellent and do away with the New 52ishness of recent memory. Basically, I’m falling for DC’s sales pitch hook, line, and sinker. While Bryan Hitch’s Justice League of America 1 has some trappings of the New 52, I think he’s trying to blaze his own trail with DC’s trademark team. Continue reading