Today, Spencer and Mark are discussing Superman 22, originally released May 3, 2017. As always, this article contains SPOILERS.
Spencer: DC’s double-shipping initiative has created quite the creative dilemma: how do you handle art duties with a schedule that makes it impossible for a single regular artist to handle every issue? Most titles have found a regular roster of artists to cycle through, but Superman adds an interesting wrinkle to that concept — while there are several artists who have consistently lent their talent to the book, co-writer Patrick Gleason is clearly its “main” artist, whose work is usually saved for the most important issues and stories. Such is the case with “Black Dawn,” the culmination of Gleason and Peter Tomasi’s first year of Superman stories. Gleason illustrated “Black Dawn’s” first two chapters, but Doug Mahnke takes over for its third installment. The switch in artists could be jarring, but Tomasi and Gleason incorporate it beautifully, using the opportunity to switch the perspective of their story entirely. Continue reading →
Today, Michael and Taylor are discussing Super Sons 1, originally released February 15th, 2017. As always, this article contains SPOILERS.
Michael: “What a delight!” I found myself saying after reading Pete Tomasi and Jorge Jimenez’s Super Sons 1. Super Sons has arguably been one of the most anticipated Rebirth books ever since Jim Lee threw in Damian Wayne and Jon Kent on that teaser poster that your comic book shop gave you back in June. Tomasi and Superman co-writer Patrick Gleason gave us a taste of what to expect from this series a few months ago, and Super Sons 1 carries on that joyful vibe without stumbling.
Today, Michael and Drew are discussing Trinity 1, originally released September 21st, 2016. As always, this article contains SPOILERS.
Michael: This might be considered controversial but I like my superheroes to be friends. Superheroes fighting each other is a time-honored tradition dating back to the golden age, but we have taken that to the extreme in the modern day. The past year has given us Batman v Superman and Captain America: Civil War on the big screen and Marvel’s Civil War II is still on the shelves at comic shops. When characters have lived side by side with one another for 50+ years however, their personal relationships are far more interesting than their super smash battles. Enter Francis Manapul’s Trinity, whose purpose seems to be reuniting the three greatest heroes that DC has to offer and once again make them the greatest friends that DC has to offer as well. Continue reading →
Today, Ryan M. and Taylor are discussing Superwoman 2, originally released September 14th, 2016. As always, this article contains SPOILERS.
Ryan M.: If I read a novel in one sitting, I retain next to nothing. The plots, characters, and relationships all start to run together in my mind. I read an entire new adult series about college football players and the girls who love them in the past week and I couldn’t tell you any of the character’s names. I think one was Dallas? Too much story in a finite space leads to nothing making much of an impact. That’s how I feel about Superwoman 2, an issue with so much happening, that nothing has very much meaning. Continue reading →
Today, Drew and Mark are discussing Action Comics 958, originally released June 22nd, 2016.
Drew: What kind of themes do you expect of a Superman story? Morality? Alienation? Hope? Love? Over his 75+ year history, Superman has come to represent many ideas beyond that handful of suggestions, but those might serve as a reasonable starting point for the character, describing at least the ballpark he tends to play in. With Action Comics 958 — an issue by its very numbering necessarily recalls a good chunk of Superman stories — Dan Jurgens and Patrick Zircher make a compelling case for voyeurism as a key element of the Superman mythos. Continue reading →
Today, Patrick and Taylor are discussing Superman: American Alien 5, originally released March 16, 2016.
Patrick: You don’t really think of Superman having a learning curve of any kind. He’s basically invincible, faster than a speeding bullet, and stronger than, like, anyone. But there’s more to being Superman than just being a perfect physical embodiment of heroism. Like anyone, Clark needs to decide what he stands for and how he stands for it. These early days of “The Black Cape” (or any of those awful names) demonstrates just how much the character needs guiding principles. Hell, one of the biggest problems publishing this character is that the guiding principles need to be compelling on their own — the action doesn’t make Action Comics, as it were. Max Landis and Francis Manapul’s supurb Superman: American Alien 5 explores the origins of those guiding principles by emphasizing the “man” over the “super.” Continue reading →
Today, Michael and Mark are discussing Superman: American Alien 4, originally released February 17th, 2016.
Michael: When people ask me why characters like Superman and Batman work so well, my answer typically boils down to: they were the first ideas of their kind and in this case they were the best. The idea of Superman is incredibly simple and yet incredibly amazing. What a lofty goal it is to dream up the most powerful hero around who is a champion for good. Superman: American Alien 4 continues that trend of big dreams and hopeful ambition from all sorts of perspectives. Continue reading →
Today, Spencer and Mark are discussing Superman: Lois & Clark 3, originally released December 30th, 2015.
Spencer: In any comic storyline lasting more than two or three issues, it’s the middle chapters that are usually the weakest. Openings can rely on the excitement of starting a new story, penultimate chapters generally benefit from a big twist, and conclusions, of course, seem to matter the most simply because they’re the end of the story. Those middle chapters, though — third and fourth issues specifically, if it’s a six-issue arc — tend to blend together, existing only to “move the story forward” without really gaining an identity or having a complete, satisfying narrative of their own. Issue 3 of Dan Jurgens and Lee Weeks’ Superman: Lois and Clark fits this description to a “t,” and is a weaker installment because of it. Continue reading →
Today, Michael and Mark are discussing Superman: Lois & Clark 1, originally released October 14th, 2015.
Michael: Many of my early pieces for Retcon Punch consisted of me complaining about The New 52 and comparing it to the old DCU that I knew and loved. I’d often go off on tangents about the way DC does business and neglect the book I was actually covering. I loved and missed the pre-Flashpoint DCU and I still do. Enter a book like Superman: Lois & Clark 1, which allows me to cheat by writing about the old DCU and the book in front of me. Continue reading →
Today, Michael and Mark are discussing Superman 44 originally released September 30th, 2015.
Michael: Modern superhero tales have a troubled history with placing too much emphasis on the “how.” How did they get their powers? How did they become a superhero? How would this actually work in the real world? As always, there are exceptions to the rule, but many creators often spend too much time focusing on the “how” instead of placing the emphasis on what happens next. Case in point: Gene Luen Yang and John Romita Jr.’s Superman 44. Continue reading →