Today, Michael and Spencer are discussing Hal Jordan and the Green Lantern Corps 13, originally released January 25, 2017. As always, this article contains SPOILERS.
Michael: Superhero books from DC and Marvel will always be the closest comic books to my heart because of their long-running, storied continuity. A big theme that DC’s Rebirth keeps coming back to is “legacy” – mainly referring to characters like Wally West who were lost in the cracks of the New 52. Legacy is inherent in all superhero books: the impact they have on the world around them, how they inspire new heroes, and the way they’ve connected to readers for nearly 80 years. Hal Jordan and The Green Lantern Corps 13 focuses on this idea of legacy from a set of characters that are not Hal Jordan and The Green Lantern Corps. Continue reading →
Today, Spencer and Patrick are discussing Hal Jordan and the Green Lantern Corps 9, originally released November 23rd, 2016. As always, this article contains SPOILERS.
Spencer: One of the greatest appeals of the Green Lantern Corps is that there’s a limitless cast of characters to explore. The Green Lanterns are too numerous to count, and that’s not even getting into new recruits or the other Corps. Each of these Lanterns bring something different to the table, and the best writers are able to mine these characters for all they’re worth, figuring out how and when to best deploy their casts’ various abilities and relationships in order to best serve their story. In Hal Jordan and the Green Lantern Corps 9, Robert Venditti and Rafa Sandoval put on a clinic in this regard, not only taking full advantage of the mass of characters they’ve trapped together beneath Brainiac’s dome, but pulling out a few big surprise appearances from the franchise’s past as well. Continue reading →
Today, Spencer and Patrick are discussing Hal Jordan and the Green Lantern Corps 7, originally released October 26th, 2016. As always, this article contains SPOILERS.
Spencer: Have you ever gotten into an argument with a long-time friend? With that much history between you, it’s far too easy for whatever sparked that particular conflict to fall to the wayside as your argument instead becomes about every slight the two of you have ever inflicted upon each other. That’s exactly what happens in Hal Jordan and the Green Lantern Corps 7. Hal and Sinestro’s grand battle for control of the universe is more of a grudge match between these former friends and rivals; the actual stakes matter less to Hal and Sinestro than themselves finally proving their methods and emotion of choice superior to the other’s. Continue reading →
Today, Michael and Patrick are discussing Green Lanterns 9, originally released October 19th, 2016. As always, this article contains SPOILERS.
Michael: Is today gonna be the second day in a row I write about what makes a good supervillain? I think today’s gonna be the second day in a row I write about what makes a good supervillain. Green Lanterns 9 is true to its name in that it features multiple wielders of Willpower, but mainly it focuses on a man who is posed to be Simon Baz and Jessica Cruz’s new foe. Continue reading →
Today, Michael and Spencer are discussing Hal Jordan and the Green Lantern Corps 5, originally released September 28th, 2016. As always, this article contains SPOILERS.
Michael: One of my cardinal sins of writing about comics is leaving the artwork by the wayside in favor of a heavier focus on the narrative of a comic book issue. Similarly, I think we tend to primarily associate iconic superheroes with a specific writer instead of an artist. And while he’s worked on many different projects, I will always associate Ethan Van Sciver with Green Lantern. Continue reading →
Today, Drew and Michael are discussing Dark Knight III: The Master Race 3, originally released February 24th, 2016.
Drew: There are a number of reasons The Dark Knight Strikes Again didn’t attain the critical and cultural success of The Dark Knight Returns, not the least of which being the insanely high expectations of following up a genuine cultural touchstone, but I think the biggest might be what DKSA reveals about DKR. That is, while fans, critics, and the culture at large tend to believe DKR was all about injecting psychological nuance to superheroes, DKSA suggests that creator Frank Miller’s interests were ultimately in the excesses of the genre — any emphasis on psychology was incidental to Miller’s pursuit of bombast. That’s not an airtight argument, but there’s no denying that DKSA went even bigger, trading the psychology of Batman for the sociology of the Justice League. Those interests are still very much in play in DKIII, though perhaps ultimately to pare the cast down to the key players of DKR‘s final showdown. Continue reading →
Today, Andy and Spencer are discussing Justice League 44, originally released September 30th, 2015.
Andy: Justice League stories usually come in one of two shapes: seismic clashes between legions of good and evil that change the universe forever, or workplace procedurals driven by quirky-character team ups. Justice League 44 sits firmly in the first category, as Darkseid and Darkseid-wannabe Anti-Monitor punch each other to decide the true big baddie of the DC universe. Continue reading →
Retcon Punch is on Summer Hours, which means we’re going to be writing fewer in-depth pieces for the month of August. But we’re addicts at this point, so we need a place for our thoughts on all those comics we can’t stop reading. Today, we’re discussing Midnighter 3, Detective Comics 43, Batman Beyond 3 and Green Lantern 43.
Today, Michael and Spencer are discussing Justice League of America 1, originally released June 17th, 2015.
Michael: I’m having a difficult time managing my expectations with this new direction that DC is putting out. Curiously, I’m being overly optimistic that these new books will be excellent and do away with the New 52ishness of recent memory. Basically, I’m falling for DC’s sales pitch hook, line, and sinker. While Bryan Hitch’s Justice League of America 1 has some trappings of the New 52, I think he’s trying to blaze his own trail with DC’s trademark team. Continue reading →
Today, Michael and Patrick are discussing Convergence: Green Lantern/Parallax 2, originally released May 13th, 2015. This issue is part of Convergence. For our conversations about the rest of Convergence last week, click here.
Patrick: There’s a scene in every Star Wars movie where the score drops out entirely and the audio landscape is occupied entirely by sound effects. George Lucas, for relying so heavily on the excitement and gravitas of John Williams’ symphonic scores, understood the power of allowing the action itself to dictate the viewer’s sonic experience. Suddenly, Luke and Vader’s lightsaber duel in Cloud City becomes more intimate and immediate, as the viewer no longer has the dramatic distance afforded us by a full orchestra. A silent medium, comic books have a strange relationship to sound effects: do they imply sound? are they fun panel-dressing? are they a reminder of the medium’s limitations? Tony Bedard and Ron Wagner’s conclusion to the Convergence: Green Lantern Parallax mini-series presents an intense sound effects symphony, only, y’know, completely silent. Continue reading →